| Videos (see all 3) |
| Xueqi Wang | ... | Li Yue-Tang | |
| Tony Leung Ka Fai | ... | Prof. Chen Xiao-Bai | |
| Jun Hu | ... | Yan Xiao-Guo | |
| Bo-Chieh Wang | ... | Li Chung-Guang | |
| Nicholas Tse | ... | Ah Si | |
| Donnie Yen | ... | Sum Chung-Yang | |
| Bingbing Fan | ... | Yuet-yu | |
| Yuchun Li | ... | Fang Hong | |
| Mengke Bateer | ... | Wang Fu-Ming (Stinky Tofu) | |
| Leon Lai | ... | Prince Lau Luk-Yak | |
| Eric Tsang | ... | Detective Smith | |
| Cung Le | ... | Yan Xiao-Guo's henchman #1 | |
| Hanyu Zhang | ... | Sun Yat-Sen | |
| Simon Yam | ... | General Fang Tian | |
| Jacky Cheung | ... | Prof. Yang Quyun | |
| rest of cast listed alphabetically: | |||
| Kim-Fai Che | ... | Yan Xiao-Guo's henchman #2 | |
| Seung Dik | ... | Police chief | |
| Yu-Lam Fan | |||
| Hao Jing | ... | Nianci | |
| Edmond Wong Kin-Yip | ... | Shot policeman | |
| Miao Liang | |||
| Zhong Lü | ... | Sun Yat-Sen's mother | |
| Gary Mak | ... | Casino dealer | |
| Philip Ng | ... | Qing assassin | |
| Michelle Reis | ... | Prince Lau's lover | |
| John Sham | ... | Ah Suen's father | |
| Yu-Hang To | ... | Qing assassin | |
| Wenjie Wang | |||
| Yachao Wang | ... | Bao Shi | |
| Jack Wong Wai Leung | ... | Shot policeman | |
| Yu Xing | ... | Qing assassin | |
| Wei Yi-Bo | ... | Yong Kai | |
| Jianya Zhang | ... | Boss Feng | |
| You Zhang | |||
| Yun Zhou | ... | Ah Suen | |
Directed by | |||
| Teddy Chan | |||
Writing credits | ||
| Junli Guo | (written by) & | |
| Tin Nam Chun | (written by) & | |
| Joyce Chan | (written by) | |
| Tung Man Chan | (concept) | |
| James Yuen | (co-written by) & | |
| Bing Wu | (co-written by) | |
Produced by | |||
| Jeffrey Chan | .... | co-producer | |
| Peter Chan | .... | producer | |
| Man Kei Chin | .... | associate producer | |
| Lung Dan-Nei | .... | co-producer | |
| Sanping Han | .... | executive producer | |
| Xiaoli Han | .... | co-producer | |
| Jianxin Huang | .... | producer | |
| Chen Hui | .... | co-producer | |
| Yuet-Jan Hui | .... | producer | |
| Tang Jia-Yin | .... | executive producer | |
| Nan Li | .... | co-producer | |
| Rui Gang Li | .... | executive producer | |
| Chen Liang | .... | co-producer | |
| Bai Ling | .... | executive producer | |
| Edward Tian Su-Ning | .... | executive producer | |
| Wai Man Yip | .... | associate producer | |
| Li You-Li | .... | co-producer | |
| Dong Yu | .... | executive producer | |
| Jiang Zhong | .... | executive producer | |
| Li Zhou | .... | executive producer | |
Original Music by | |||
| Kwong Wing Chan | |||
Cinematography by | |||
| Arthur Wong | (director of photography) | ||
Film Editing by | |||
| Derek Hui | |||
| Hoi Wong | |||
Production Design by | |||
| Kenneth Mak | |||
Art Direction by | |||
| Che Kiu Lam | (as Eric Lam) | ||
Costume Design by | |||
| Dora Ng | |||
Makeup Department | |||
| Mark Garbarino | .... | special makeup effects designer | |
| Connie Lai | .... | makeup artist | |
| Wai Hing Lau | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Man Ki Kwok | .... | third assistant director | |
| Kim Wah Lo | .... | first assistant director | |
| Gary Mak | .... | second assistant director | |
| Cindy Yu | .... | fourth assistant director | |
Art Department | |||
| Kung Chan | .... | props | |
| Lam Jan-Yiu | .... | props | |
| Wai Kin Lam | .... | property master | |
| Kin Hung Wong | .... | props | |
| Wai Yan Wong | .... | set designer | |
| Yu Chung Wong | .... | props | |
| Sai Yan Yeung | .... | props | |
Sound Department | |||
| Kinson Tsang | .... | sound recordist | |
| George Lee Yiu-Keung | .... | sound editor | |
Visual Effects by | |||
| Chas Chi-Shing Chau | .... | visual effects | |
| Yuen Fai Ng | .... | visual effects supervisor | |
| Chi-Wai Tam | .... | visual effects | |
| Kwok-yin Yung | .... | visual effects | |
Stunts | |||
| Tat Chiu Lee | .... | action choreographer | |
| Kenji Tanigaki | .... | action choreographer | |
| Wei Tung | .... | action director | |
| Jack Wong Wai Leung | .... | action choreographer | |
| Hua Yan | .... | action choreographer | |
| Ming Zhe Liu | .... | stunt double: Donnie Yen (uncredited) | |
| Donnie Yen | .... | action director (uncredited) | |
Casting Department | |||
| Mike Leeder | .... | additional casting (uncredited) | |
Costume and Wardrobe Department | |||
| Cindy Cheung Fong-Tai | .... | assistant costume designer | |
Editorial Department | |||
| Steve Calalang | .... | digital intermediate colorist | |
| Majush James | .... | on-line editor (uncredited) | |
| Fabrizio Pistone | .... | di edit supervisor (uncredited) | |
Music Department | |||
| Peter Kam | .... | composer: additional music | |
Thanks | |||
| Wai-keung Lau | .... | special thanks (as Andrew Lau) | |
| Donnie Yen | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb China section |
An entertaining Chinese blockbuster...
Review by Neo: Bodyguards and Assassins (B&A) is what you call, a blockbuster. Quality production values, generally good acting turns, steady direction and adequate commercial values to put bums on seats. Putting the false advertising of Donnie Yen aside, B&A is one of the better movies of 2009. As stupid as I was, pondering that this movie was IP MAN 2. I was all the more surprised by how satisfied it left me as the credit rolls. Lack of action, too much drama may have distorted most action fans, but director Teddy Chan combines perfectly with the silky producing of Peter Chan. Both Chan handles the drama impeccably and to a greater extent in the effect of spot on casting. By no means, a great flick, but undoubtedly, for what it is worth, B&S is a thoroughly entertaining piece of dramatic, historic and action event.
The movie goes like this: Sun Yat-Sen needs protection and in the process, everyone seems to be involved. The film is basically about the price to paid, the value of human beings and the cost of human lives for the greater good. Then again, the rest is just history.
One of the most stunning action moments in cinematic history involves Donnie Yen. Mr. Yen stands in the way of a full blooded horse charging at him with full pace and agility. The manner plus the fashion that led to the dramatic impact was simply a moment of magic. The stand out performance award must go to the veteran, Wang Yueqi. Mr. Wang juggles between the business world, fatherhood and idealisation is certainly amazing to watch. Wang evolves throughout the movie and the pinnacle moment occurs in the scene of witness his son premature death. Wang pulled it off terrifically, just like any other father. For me, it is these simple moments that adds up as to why B&A ultimately works.
As a villain, there are few that can rival, the merciless and fearless presence of Hu Jun. An expert practitioner in playing the bad guy, Hu is not just the cliché, one dimensional bad guy. His multi-layer performance is a joy to watch. As usual, Tony Leung Ka Fai is convincing as a sympathetic yet passionate follower of Sun Yat-Sen. Nicholas Tse plays the simple guy with simple dreams and life. Tse pursues love and friendship and values loyalty, is most likely his best performance for a long while. Donnie Yen actually attempts to act and likewise, Leon Lai provides a moment of comic relief as a beggar turned kung fu fighter. Perhaps the weakest link goes to the stunt double of Sun Yat-Sen. Played by Wang Bo Chieh, he is neither convincing nor capable of handling such an important role. Wang lacks both screen presence and the required acting ability to add any value to the movie.
All in all, B&A is an entertaining blockbuster attempt in recapturing the chaotic history of the turn of century in China. Mr. Sun Yat-Sen may well be a respectable hero, but it undeniably poses the question of value. Did his vision justify the death and human sacrifices of all these individuals? Is his principle of the greater good, simply just any version of the first emperor of China in his unification of China as one country? For me, it is a matter of perspective and going into a historical and political debate will most likely require a research essay all together. Still, it makes you wonder, why Mr. Sun did not keep his visit of Hong Kong, as low profile as possible. It seems as though that he is trying to stand out by wearing his trademark white hat. Forgetting these minor flaws, as a movie, B&A works just fine. For once, director Teddy Chan got the balance of drama and action spot on. Credit should also be dealt to producer Peter Chan, as his touch and influence is clearly evident throughout. It has been a disappointing year 2009 for the local industry and while B&A does nothing to change that fact, it still manages to shed some light at the end of the tunnel...(Neo 2010)
I rate it 8/10
- www.thehkneo.com