Black Venus

one of films who impress for its message. because it is not exactly a film about racism, prejudices, past or steps of science but about the other's position in society.honest.about cold. a black woman and her shows. the freedom as convention. the show and its nuances. a film who propose not a solution or sides of hidden events. only a start point for understand the manner to use the people as objects. and the complicity of the society to this cruel game.so, the virtue of the film is to reflect a ball of attitudes about the people. the selfish, the cruelty, the greed. who are parts of human nature. the axis of this delicate construction - the performance of Yahima Torres. the pillars - the music, dialogues and the air of the different scenes who becomes almost perceived by viewer. a film who could be useful. not only as historical testimony but as demonstration of a strange form of profound sin .

Was this film 3 hours long or fourteen? Kechiche takes us across borders (Africa / Europe, Dead / Living, Savage / Civilized) in a movie that has the gravitas and sensual weight of a kind of stations of the cross. The "Venus" is our Christ, suffering for and as the direct result of our sins, chief among those the blindness we call racism. Potently, even explosively mixed with virulent sexism, racism shapes the ever more horrible experience of the film's subject, as she is reduced (figuratively and then literally) to an object. The film is gorgeous, infinitely wise about the costs of being marked (trapped in the legibly different body), smart about the role that money plays in the ongoing betrayal (if Judas saw this film he'd really feel rooked: the point is not to sell out Christ, the point is how many times you can--for an increasing price--take trust to market), and worth every minute of horrified attention. Then--you ask-- why an "8"? Of course we are (as the film is eager to point out), as spectators, aligned with all those who want to look at this...complicated site of excitements--but we are also (in tight close-up for the tears that always start in Yahima Torres' left eye) vaguely miserable with her (growling at the end of a chain is okay, being touched is--at first--not) and then...nowhere. Who was she? What did she (aside from bright red leather gloves and a tres joli hat) want? There's something about this film, in other words, that seems just about as hard and cold and stiff as the plaster cast of the Hottentot, which seems always just on the verge of coming to life.

This movie should be half an hour. There are same scenes over and over. Okey we got it that the woman is suffering under a very horribble man but we do not know what she thinks . She keeps her silent thorough the movie.

The storytelling is not sufficient altough the subject is perfect.

Anyway i am very sorry for that woman and shame on those white people so called "the founder of modern world"

Pros: A very important tale worth telling.

A true depiction of a strong black woman, who did what she had to do to survive.

I saw the story as a metaphor for how every European country took advantage of the continent of Africa.

Cons: I hate the fact that what took place in the film, happened to many people of African descent.

It is impossible to rate this film because it is about the subject inexplicably painful and graphic, and still absolutely worth seeing, no matter how difficult it is. It is about sexualized racism. And it says a lot about white man and a white Europe. We still live in that world. This film make people think. I cannot recommend it to anyone sensitive, still I have to praise the director and the lead actress. Knowing that Abdelativ Kechiche made also two other great movies, Kus-kus and Blue is the warmest color, I understand his poetics, and this film falls in that category of his great films as well.

Of course, from the first minute of the movie, we know how a black African woman will be treated in white Europe 100 years ago, just probably, especially if we are from white Europe, we did not have a clue about the extent and details of how racist gender abuse looks like, and what is the link to the presence. Now we know, and we cannot pretend that we haven't seen this film.