Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
A biochemist and his dishy wife arrive in Berlin for a conference at which a scientist and his controversial Arab funder will announce breakthrough research. While his wife checks into the hotel, he grabs a cab to return to the airport for his briefcase, left at the curb. En route, an auto accident puts him in a coma, from which he awakes four days later without identification and with gaps in his memory. He goes to the hotel: his wife refuses to recognize him and another man has claimed his identity. With help from a nurse, the cab driver, a retired Stasi agent, and an academic friend, he tries to unravel what's going on. Is the answer in the briefcase? Written by
On the close-up of the Canadian passports, the surname is where the other names should be, and vice-versa. See more »
During the car chase scene, we hear engines revving and cars flying through streets at break-neck speeds. In one shot, Harris is glancing at the speedometer and we see a shot of the dashboard with the speedometer climbing above 60. However, this being Berlin, the speedometer would be in km/h, hence 60 is actually a leisurely urban-appropriate speed. See more »
Ladies and gentlemen, we're beginning our descent into Berlin Tegel, where local time is 8:30 AM, and the temperature is a cool minus four degrees.
Dr. Martin Harris:
Did you sleep?
Dr. Martin Harris:
No. I'll sleep at the hotel.
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The opening credits are shown as clouds being viewed from an airplane blow past... not so crazy, except that it actually makes one of the credits unreadable. See more »
Multiple people have compared this to Neeson's 2008 release of "Taken." Both have a similar concept; Liam goes on a fast-paced journey to retrieve something special that has been taken from him. This time it is not his daughter; it is his mind. Unlike "Taken," "Unknown" is more of a suspense mystery than an action flick. There are some chases and fight scenes, but that is not the main focus. The movie's plot is focus and it is unique for it is unpredictable. We are confused like Neeson's character and there are times we don't know if he will succeed. There are multiple twists and unlike most mystery thrillers, it took me more than half through the film to figure it all out.
In short, "Unknown" is a fairly decent mystery thriller. Good performances. Good story for a mystery. Good music. Good cinematographyI particularly like the whole gray, dreary atmosphere that reflects the film's location's bleak weather. Good twists. Good suspense the sound mixers must've had a kick in adding emphasis on sound effects to startle the audience. The one thing I will note is that Liam Neeson is really showing his age. This is not necessarily a bad thing; on the contrary, it helps his character out. It gets tiresome that Hollywood always uses the generic 30-something year old actor with smashing abs who is tossed into a terrible situation. It is nice to see an aging actor play an upper middle-aged man who has perhaps lost his mind while running away from people trying to kill him.
My rating: ***/****
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