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Directed by | |||
| Debra Granik | |||
Writing credits | ||
| Debra Granik | (screenplay) & | |
| Anne Rosellini | (screenplay) | |
| Daniel Woodrell | (novel) | |
Produced by | |||
| Kathryn Dean | .... | co-producer (as Kate Dean) | |
| Kathryn Dean | .... | line producer (as Kate Dean) | |
| Alix Madigan | .... | producer (as Alix Madigan-Yorkin) | |
| Michael McDonough | .... | associate producer | |
| Anne Rosellini | .... | producer | |
| Jonathan Scheuer | .... | executive producer | |
| Shawn Simon | .... | executive producer | |
Original Music by | |||
| Dickon Hinchliffe | |||
Cinematography by | |||
| Michael McDonough | |||
Film Editing by | |||
| Affonso Gonçalves | |||
Casting by | |||
| Kerry Barden | |||
| Paul Schnee | |||
Production Design by | |||
| Mark White | |||
Set Decoration by | |||
| Rebecca Brown | |||
Costume Design by | |||
| Rebecca Hofherr | |||
Makeup Department | |||
| Maya Hardinge | .... | key makeup artist | |
| Joshua King | .... | assistant makeup artist | |
| Marina Proctor | .... | key hair stylist | |
| Nathan Shelton | .... | prosthetic effects artist | |
Production Management | |||
| Maura Anderson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jolian Blevins | .... | second assistant director | |
| Yann Sobezynski | .... | first assistant director | |
| Cedric Vara | .... | second second assistant director | |
Art Department | |||
| Russ Dove | .... | leadman | |
| Ron Moore | .... | carpenter | |
| Richard Peete | .... | property master | |
| Deanna Smith | .... | art production assistant | |
| Christopher Strok | .... | art production assistant | |
| Carter Royce Waite | .... | set dresser | |
| Jonathan Henry Way | .... | set dresser (as Jonathan H. Way) | |
| Nathan R. Webster | .... | leadman | |
| Jacob S. Wynant | .... | art production assistant | |
| Rob Yapkowitz | .... | props assistant | |
Sound Department | |||
| Ryan Collison | .... | foley engineer | |
| James Demer | .... | sound mixer | |
| David Ellinwood | .... | adr editor | |
| David Ellinwood | .... | dialogue editor | |
| David Fleming | .... | additional sound recordist | |
| Michael F. Grinage | .... | boom operator (as Michael Grinage) | |
| Jay Peck | .... | foley artist | |
| Steve Peters | .... | additional sound recordist | |
| Matt Rocker | .... | foley supervisor | |
| Dominick Tavella | .... | sound re-recording mixer (as Dom Tavella) | |
| Damian Volpe | .... | sound re-recording mixer | |
| Damian Volpe | .... | supervising sound editor | |
| Paul Yurt | .... | systems engineer | |
| Anthony Kapfer | .... | foley artist (uncredited) | |
Special Effects by | |||
| Joshua King | .... | special effects assistant | |
| Nathan Shelton | .... | special effects prosthetics | |
| Mike Strain Jr. | .... | special effects consultant (uncredited) | |
Visual Effects by | |||
| Jessica Elvin | .... | smoke artist (as Jessica Allen Elvin) | |
| Andrew Still | .... | data manager | |
Stunts | |||
| Shawn Patrick Nash | .... | stunt coordinator (as Shawn Nash) | |
Camera and Electrical Department | |||
| Gregory S. Bahler | .... | electrician | |
| Michael J. Burke | .... | first assistant camera (as Mike J. Burke) | |
| Carissa Crain | .... | camera intern | |
| David Fleming | .... | camera intern | |
| Luke Keen | .... | camera intern | |
| Nina Kuhn | .... | gaffer | |
| Sebastian Mlynarski | .... | still photographer | |
| Megan Morris | .... | second assistant camera | |
| David Newton | .... | grip | |
| Joseph Paolini | .... | key grip | |
| Alan Pierce | .... | camera operator | |
| Alan Pierce | .... | director of photography: second unit | |
| Jeff Pinette | .... | red camera technician | |
| Richard Sandler | .... | Super 8 cinematography | |
| Meg Schrock | .... | best boy electric | |
| Axel Thiele | .... | electrician | |
| Easton Thiele | .... | grip | |
| Terry Zumalt | .... | best boy grip | |
Casting Department | |||
| Sarah Grace Johnson | .... | casting assistant | |
| Sarah Grace Johnson | .... | extras casting coordinator | |
| Heather Laird | .... | location extras casting | |
| Heather Laird | .... | location principal casting | |
| Allison Estrin | .... | casting assistant (uncredited) | |
| Cristina Martinez | .... | extras casting assistant (uncredited) | |
| Paige Orr | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Ryan Piotrowski | .... | wardrobe production assistant | |
| Lauren Schad | .... | wardrobe supervisor | |
| Cassie Tweeten | .... | wardrobe production assistant | |
Editorial Department | |||
| Stephanie Ahn | .... | additional editor: Edit Center | |
| Erika Blaszak | .... | additional editor: Edit Center | |
| Dana Bloder | .... | digital intermediate producer | |
| Alice Borrelli | .... | additional editor: Edit Center | |
| Anderson Boyd | .... | additional editor: Edit Center (as Drew Boyd) | |
| Sarah Connors | .... | post-production consultant | |
| Sara Cross | .... | additional editor: Edit Center | |
| Kristin Cully | .... | additional editor: Edit Center | |
| Mike D'Angelo | .... | additional editor: Edit Center | |
| Jessica Elvin | .... | digital intermediate editor | |
| Eric Glatt | .... | additional editor: Edit Center | |
| Noah Goldman | .... | additional editor: Edit Center | |
| Naomi Goodman | .... | first assistant editor | |
| Ashley Gormley | .... | additional editor: Edit Center | |
| Barbara Jean Kearney | .... | digital intermediate executive producer | |
| Eric Leverenz | .... | digital intermediate assistant | |
| Rosa Oh | .... | additional editor: Edit Center | |
| Richie Roefaro | .... | digital content specialist | |
| Michelle Scourtos | .... | additional editor: Edit Center | |
| Sheila Shirazi | .... | additional editor: Edit Center | |
| Rosemary Siciliano | .... | additional editor: Edit Center | |
| Daniel Silverman | .... | digital intermediate imaging and recording | |
| Victoria Stewart | .... | second assistant editor | |
| Tim Stipan | .... | digital intermediate colorist | |
| Sigi Torinus | .... | additional editor: Edit Center | |
| Kevin Vale | .... | digital intermediate imaging and recording | |
| Cindy Yoon | .... | additional editor: Edit Center | |
| Michael P. Whipple | .... | digital intermediate engineer (uncredited) | |
Music Department | |||
| Dan Evans Farkas | .... | music editor | |
| Steve Peters | .... | music research and production | |
| Marideth Sisco | .... | music research and production | |
Transportation Department | |||
| Thirl Haston | .... | driver: insert car | |
| Jim Kelly | .... | driver: honeywagon (as Jim Kelley) | |
| Adrian Trent | .... | driver: g/e | |
Other crew | |||
| Paulie Allen | .... | caterer: Da Barefoot Chef | |
| Felicia Beeson | .... | key stand-in | |
| Kathy Beeson | .... | additional dialogue | |
| Jared Billman | .... | production office intern | |
| Mike Blesse | .... | production office intern | |
| Teresa Vinson Brown | .... | production office intern (as Teresa Brown) | |
| Andrew Cesana | .... | script supervisor | |
| Darrell Claunch | .... | set intern | |
| Ben Clutter | .... | craft service | |
| Bo Darde | .... | production office intern | |
| Ramsey Fendall | .... | media technician | |
| Vanessa Fields | .... | production office intern | |
| Kim Guy | .... | on-set tutor | |
| Ronnie Hall | .... | additional dialogue (as Ron 'Stray Dog' Hall) | |
| Ashley Hytti | .... | production office intern | |
| Sarah Kessinger | .... | production office coordinator | |
| Jim Lass | .... | additional dialogue | |
| Jeremy Lowe | .... | set intern | |
| Casey MacLaren | .... | additional dialogue | |
| Kathleen Malm | .... | key stand-in | |
| Tom Maloney | .... | key production assistant | |
| Bryan Manning | .... | set production assistant | |
| Terry Marshall | .... | additional dialogue | |
| Sidney McGregor | .... | set production assistant | |
| Richard Michael | .... | community liaison | |
| Richard Michael | .... | location scout | |
| Tana Miller | .... | craft service: Abby Road Foods | |
| Lindsey Paydon | .... | production office intern | |
| Randy Price | .... | additional dialogue | |
| Josh Sandler | .... | legal affairs: Sandler Law, Winter's Bone Productions | |
| Russell Schalk | .... | additional dialogue (as Sgt. Russel A. Schalk) | |
| Brendan Baker Schmidt | .... | production office intern | |
| Dan Seligman | .... | assistant to the producers (as Dan Seligmann) | |
| Steve Shapiro | .... | production accountant | |
| Marc H. Simon | .... | legal counsel: Cowan, DeBates, Abrahams & Sheppard | |
| Bruce Tanner | .... | additional dialogue | |
| Lyon Taylor | .... | location manager | |
| Michael J. Urann | .... | post production consultant | |
| Raymond Vaughan Jr. | .... | additional dialogue (as Ray Vaughan Jr.) | |
| Steve Weyher | .... | caterer: Golden Coral | |
| Anthony White | .... | set production assistant | |
| Jayson Wilkins | .... | production office intern | |
| Bryce Young | .... | set production assistant | |
| Sarah Johnson | .... | office assistant (uncredited) | |
Thanks | |||
| Allen Bain | .... | thanks | |
| Brian Bell | .... | special thanks | |
| Missi Bellah | .... | special thanks | |
| Mark Biggs | .... | special thanks | |
| Yvette Bird | .... | thanks | |
| Diane Calvert | .... | thanks | |
| Danny Clinton | .... | special thanks | |
| Steve Golin | .... | thanks | |
| Susan Hatfield | .... | thanks | |
| Jerry Jones | .... | special thanks: The Missouri Film Commission | |
| Brian A. Kates | .... | thanks (as Brian Kates) | |
| Gail Lopata Lennon | .... | special thanks (as Gail Lennon) | |
| Gordon McCann | .... | special thanks | |
| Alan Oxman | .... | thanks | |
| Ellen Parks | .... | thanks | |
| Jake Perlin | .... | thanks | |
| Hariet Priestley Sandler | .... | in loving memory of | |
| Hans Ritter | .... | thanks (as Hans C. Ritter) | |
| Richard Jonas Scheuer | .... | in loving memory of | |
| Jesse Scolaro | .... | special thanks | |
| Steven Shainberg | .... | thanks | |
| Andrea Sporcic | .... | special thanks: The Missouri Film Commission | |
| Patrick Stettner | .... | thanks | |
| Guy Thurber | .... | thanks | |
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"But I can't forever carry them kids and my mom, not without that house."
Winter's Bone is a stark, almost documentary-like movie about a poor teenage girl named Ree in the Ozarks who supports her near-catatonic mother and two younger siblings during her meth-cooking father's many brushes with the law. When he disappears before a court date and the family's home is at risk if he doesn't show up, Ree (Jennifer Lawrence) investigates amongst the locals to find out where he might be. But, some people don't like the questions she's asking, and her life may be at risk, along with her family home.
The plain, unobtrusive way that the camera observes events really helped draw me into the movie, to the point where I honestly forgot that I was watching a movie, at all. This effect was heightened by some excellent performances; especially from Jennifer Lawrence and John Hawkes (Teardrop). Lawrence had a star-making (and award worthy) performance, in my opinion. Ree is probably my favorite movie character of the year (well, perhaps next to Hit Girl), and Lawrence plays her with a realism and stubborn toughness that makes you believe that this seventeen year-old girl wouldn't wilt under the kind of circumstances that would overwhelm most adults. Her love for her family seems completely genuine, and there's never a word or a glance where she seems like she's "acting". It's all very natural, and I was beyond impressed.
The plot was quite tense and engrossing, as Ree pursues the mystery of where her father is with a dogged intensity, despite the fact that it leads her into some very dangerous (and violent) situations. The sparse, beautiful winter settings are a perfect backdrop for the story. It's been a while since I've seen a movie that does as good a job as this one in communicating a sense of place.
Winter's Bone may not be for everyone, though. There are no shoot-outs or florid romantic scenes. The moments of happiness are small, fleeting, and poignant; like a gift of generosity from a neighbor who knows you're in need, or the quiet assurances of an older sister to her younger siblings. In Winter's Bone, our world is never in danger...but one family's certainly is. I liked the movie the first time around, enjoyed it even more the second, and heartily recommend it if you're interested.