A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
With an absent father and a withdrawn and depressed mother, 17 year-old Ree Dolly keeps her family together in a dirt poor rural area. She's taken aback however when the local Sheriff tells her that her father put up their house as collateral for his bail and unless he shows up for his trial in a week's time, they will lose it all. She knows her father is involved in the local drug trade and manufactures crystal meth, but everywhere she goes the message is the same: stay out of it and stop poking your nose in other people's business. She refuses to listen, even after her father's brother, Teardrop, tells her he's probably been killed. She pushes on, putting her own life in danger, for the sake of her family until the truth, or enough of it, is revealed. Written by
Ree is wearing gloves when she gets up from the chicken coop. When she talks to Thump's wife, the gloves are off. When Thump's wife offers her the drink, the gloves are back on. When Ree drinks and returns the cup, the gloves are off again. See more »
There'd better be some Oscar nominations coming for this little gem.
"But I can't forever carry them kids and my mom, not without that house."
Winter's Bone is a stark, almost documentary-like movie about a poor teenage girl named Ree in the Ozarks who supports her near-catatonic mother and two younger siblings during her meth-cooking father's many brushes with the law. When he disappears before a court date and the family's home is at risk if he doesn't show up, Ree (Jennifer Lawrence) investigates amongst the locals to find out where he might be. But, some people don't like the questions she's asking, and her life may be at risk, along with her family home.
The plain, unobtrusive way that the camera observes events really helped draw me into the movie, to the point where I honestly forgot that I was watching a movie, at all. This effect was heightened by some excellent performances; especially from Jennifer Lawrence and John Hawkes (Teardrop). Lawrence had a star-making (and award worthy) performance, in my opinion. Ree is probably my favorite movie character of the year (well, perhaps next to Hit Girl), and Lawrence plays her with a realism and stubborn toughness that makes you believe that this seventeen year-old girl wouldn't wilt under the kind of circumstances that would overwhelm most adults. Her love for her family seems completely genuine, and there's never a word or a glance where she seems like she's "acting". It's all very natural, and I was beyond impressed.
The plot was quite tense and engrossing, as Ree pursues the mystery of where her father is with a dogged intensity, despite the fact that it leads her into some very dangerous (and violent) situations. The sparse, beautiful winter settings are a perfect backdrop for the story. It's been a while since I've seen a movie that does as good a job as this one in communicating a sense of place.
Winter's Bone may not be for everyone, though. There are no shoot-outs or florid romantic scenes. The moments of happiness are small, fleeting, and poignant; like a gift of generosity from a neighbor who knows you're in need, or the quiet assurances of an older sister to her younger siblings. In Winter's Bone, our world is never in danger...but one family's certainly is. I liked it the movie the first time around, liked it even more the second, and heartily recommend it, if you're interested.
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