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Jew Suss: Rise and Fall (2010)
"Jud Süss - Film ohne Gewissen" (original title)

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Rise and fall of actor Ferdinand Marian, who takes the chance and stars in the anti-semitic movie Jud Süß (1940).

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Cast

Cast overview, first billed only:
Tobias Moretti ...
Ferdinand Marian
...
Anna Marian
...
Justus von Dohnányi ...
...
Anna Unterberger ...
Britta
Heribert Sasse ...
Deutscher
Ralf Bauer ...
Fritz Hippler
Martin Feifel ...
Knauf
Paula Kalenberg ...
Kristina Söderbaum
Milan Peschel ...
Werner Krauss
...
Vlasta
Fanny Altenburger ...
Maria Marian
Rolf Zacher ...
Erich Engel
...
Lutz
Edit

Storyline

Rise and fall of actor Ferdinand Marian, who takes the chance and stars in the anti-semitic movie Jud Süß (1940).

Plot Summary | Add Synopsis

Genres:

Biography | Drama | War

Certificate:

See all certifications »
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Details

Official Sites:

Country:

|

Language:

Release Date:

August 2010 (Austria)  »

Also Known As:

Goebbels et le Juif Süss - Histoire d'une manipulation  »

Box Office

Budget:

€30,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The play at the beginning of the movie is William Shakespeare's "Othello", with Ferdinand Marian (Tobias Moretti) as Jago. Later on, this role is mentioned by Joseph Goebbels (Moritz Bleibtreu). See more »

Goofs

At the end of the movie, US soldiers of all races are playing music and dancing at a "beerfest". Segregation in the US army was ended in 1948, two years after the depicted event. See more »

Quotes

Werner Krauss: [taking two shrunken heads off his suitcase, is imitating himself and Goebbels, first as himself] Please, please Herr Minister, let me play all jewish minor roles
Werner Krauss: [as Goebbels] You are megalomaniac, Krauss
Werner Krauss: [as himself] No, I'm not, I'm an actor. Please, the role of Rabbi Loew is too small for me.
Werner Krauss: [as Goebbels] You know very well, that I'm against double roles.
Werner Krauss: [as himself] So you have to go without me, good bye.
[normal to Marian and Harlan, who are sitting next to him]
Werner Krauss: It's genius, right?
[...]
See more »

Crazy Credits

The opening credits only contain the name of the movie and a list of the production companies and supporter organizations. See more »

Connections

References Morgen werde ich verhaftet (1939) See more »

Soundtracks

Il Fait Bon T' Aimer
by Norbert Glanzberg / J. Platne
See more »

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User Reviews

 
Almost perfect
26 September 2010 | by (Yurp) – See all my reviews

German movies about the Nazi dictatorship are usually heavily subsidised, but nothing to write home about (which actually goes for most German movies these days). "Jud Süß -- Film ohne Gewissen" by Oscar Roehler stands out because it tries to go beyond the simplistic message that "the Nazis were evil". Instead it honestly tries to explore the fact why an actor who didn't sympathise with the Nazis nevertheless chose to play lead in Veit Harlan's antisemitic "masterpiece". We witness Ferdinand Marian getting sucked deep into the heart of darkness. Oscar Roehler also takes a good look at the sexual life of the fascist bohème, with an impressive performance by Gudrun Landgrebe, who looks unbelievably foxy despite her sixty years of age.

This was also the only movie I can think of that displays survivors of the Nazi death machine not as saintly survivors but as brutalised human beings.

That said, I take umbrage at four aspects of this movie:

* the -- pardon my French -- overly drastic fellatio scene between Goebbels and housemaid Britta, who wears a golden swastika pendant to hammer home the fact that she's a Nazi slag (and while I'm at it, the actress playing her, Anna Unterberger, is far to blonde and svelte for a realistic housemaid)

* in the movie, Ferdinand Marian's wife Anna is a "semi-Jewess" who is eventually murdered by the Nazis while Marian lives the high life of a Nazi A-list actor; in reality she wasn't Jewish (although she had previously been married to a Jew and in consequence her daughter was "half Jewish"), and survived her husband by three years; in my book, that alteration was hammy and unfair game

* unlike displayed in the movie, Marian probably died in an "ordinary" traffic accident and didn't commit suicide

* I didn't get the scene where Marian is in a nightclub in Prague with a transvestite; also, in that same scene we see a German soldier firing into the crowd with his Luger, a histrionic scene which would have resulted in carnage plus a court martial for the shooter

You have to view these criticisms in the light that this movie was booed at the Berlinale, ostracised by many critics, and the highest Jewish representative in Germany even called for it to be banned. Of course everyone is free to dislike and criticise this movie, but I simply don't understand what caused this massive rejection of a serious, well-made and captivating movie.

PS: for reference, if you want a movie that really deals with Nazism in an inappropriate manner, check out "Der Vorleser".


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