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Jew Suss: Rise and Fall (2010)
"Jud Süss - Film ohne Gewissen" (original title)

 -  Biography | Drama | War  -  August 2010 (Austria)
5.8
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Ratings: 5.8/10 from 653 users  
Reviews: 5 user | 28 critic

Rise and fall of actor Ferdinand Marian, who takes the chance and stars in the anti-semitic movie Jud Süß (1940).

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Cast

Cast overview, first billed only:
Tobias Moretti ...
Ferdinand Marian
...
Anna Marian
...
Justus von Dohnányi ...
...
Anna Unterberger ...
Britta
Heribert Sasse ...
Deutscher
Ralf Bauer ...
Fritz Hippler
Martin Feifel ...
Knauf
Paula Kalenberg ...
Kristina Söderbaum
Milan Peschel ...
Werner Krauss
...
Vlasta
Fanny Altenburger ...
Maria Marian
Rolf Zacher ...
Erich Engel
...
Lutz
Edit

Storyline

Rise and fall of actor Ferdinand Marian, who takes the chance and stars in the anti-semitic movie Jud Süß (1940).

Add Full Plot | Add Synopsis

Genres:

Biography | Drama | War

Certificate:

See all certifications »
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Details

Official Sites:

Country:

|

Language:

Release Date:

August 2010 (Austria)  »

Also Known As:

Goebbels et le Juif Süss - Histoire d'une manipulation  »

Box Office

Budget:

€30,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In the scene where Goebbels, Harlan and some other people are watching a movie on Goebbels' 43th birthday, they are watching an actual birthday home movie with the real children of Goebbels. This movie was made a few days before his birthday by Heinz Rühmann, who was invited by Goebbels himself 1940 to his villa in Wannsee near Berlin. Goebbels liked Rühmann and let him playing many movies but Rühmann himself wasn't a Nazi. See more »

Goofs

In the scene from the New Years Eve 1939, Magda Goebbels is addressing Joseph Goebbels as Paul, but his first name is Joseph. However Goebbels was known as Joseph Goebbels but his full name is Paul Joseph Goebbels. See more »

Quotes

Ferdinand Marian: Nobody would buy this role from me. My audience doesn't want me to see that way.
Joseph Goebbels: Ah, so your audience doesn't want you to see that way? Well, Who casts you for your rolls, my dear Marian? The audience or me?
Ferdinand Marian: Believe me there are thousands of better actors. I usually play sensualists, symphatic bon vivants.
Joseph Goebbels: So, your Jago was a symphatic bon vivant.
Ferdinand Marian: No, but it was Shakespeare...
Joseph Goebbels: [interrupts and shouts] ... and I am Joseph Goebbels. Your actor demands every help from us and we pay you more than our...
[...]
See more »

Crazy Credits

The opening credits only contain the name of the movie and a list of the production companies and supporter organizations. See more »

Connections

Edited from Jud Süß (1940) See more »

Soundtracks

Ich hab de schönen Maderln net erfunden
composed by Ludwig Schmidseder and Theo Prosel
See more »

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User Reviews

 
Jew on that
28 December 2010 | by See all my reviews

This is a very delicate subject and the filmmaker at hand might not have been the best choice. His directing (Moritz B. as Goebbels would have needed some guidance), his poor choices in staging some scenes and other flaws become very apparent.

On the other hand, he is not afraid to go places, that others might not have dared (an intercourse that is so absurd, it's almost funny, if it weren't tragic ... and a scene you will either love or hate). Of course the faux documentary style tries to recreate a feeling of what happened back then. But the fact, that he was just a director for hire, seems to apparent.

He did not really check or confront himself too much with the story. Instead opting on doing what he got from the script (or his interpretation of it). And it's a shame that some powerful scenes such a the one in a tent, were the movie is shown, with reactions, is getting sidetracked and completely dismissed by the next set-up outside the tent, when it seems to be a completely different movie, with no class or style attached to it.

Moretti on the other hand (as most actors), try their best. You cannot fault him (or his "wife" in the movie) for any shortcomings of the end result. With a subject matter like this you could expect a better movie. Some parts are really good and it's ambiguity is still something I cherish (that's why I rated it so "high"). Still there is no constant flow and the mood is all over the place ... same goes for Bleibtreus Goebbels ...


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