When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
Autobots Bumblebee, Ratchet, Ironhide, Mirage (aka Dino), Wheeljack (aka Que) and Sideswipe led by Optimus Prime, are back in action taking on the evil Decepticons, who are eager to avenge their recent defeat. The Autobots and Decepticons become involved in a perilous space race between the United States and Russia, to reach a hidden Cybertronian spacecraft on the moon and learn its secrets, and once again Sam Witwicky has to come to the aid of his robot friends. The new villain Shockwave is on the scene while the Autobots and Decepticons continue to battle it out on Earth. Written by
The building under construction Shockwave shoots Optimus Prime into is the China Central Television Headquarters in Beijing, China. The building was digitally inserted into Chicago for use in the film. See more »
When the Autobots leave the earth to avoid war with Decepticons. Dylan Gould calls Sam Witwicky but when he places the phone near his ear, no call is actually made as you can clearly see the phone dialer is still visible in his phone screen. See more »
We were once a peaceful race of intelligent mechanical beings. But then came the war between the Autobots, who fought for freedom and the Decepticons, who dreamt of tyranny. Overmatched and outnumbered, our defeat was all but certain. But in the wars final days, one Autobot ship escaped the battle. It was carrying a secret cargo, which would have changed our planet's fate. A desperate mission, our final hope...
[the Ark flies from Cybertron into space... and is gunned down]
A hope ...
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There is a scene in the closing credits: Simmons and Mearing kiss, and then she demands his arrest. See more »
Stunning Effects But the movie lacks Heart and Soul
It's 'Bayhem' time again - and this time around demolition king Michael Bay presents his trademark 'Six-C's' in glorious 3D! In case you don't know, the six 'Cs' are: chases, clashes, crashes, combustions, carnage and cleavage. Spread over a bottom-numbing two-and-a-half hours, "Transformers: Dark Of The Moon" can also induce mental and metal fatigue, especially with the clanging robots smashing one another - and the whole exercise making little sense.
Technologically, however, "Dark Of The Moon" is Bay's best work so far
and action fans looking to be awed by scenes of massive mayhem and
destruction in 3D should be satisfied. Story-wise, this one is better than "Revenge Of The Fallen", but not as fun and emotionally-connecting as the first.
The film opens with a flashback to the Sixties Apollo landing mission where history is rewritten (by Ehren Kruger) to incorporate the cover-up of an alien spaceship crashing on the moon. That spaceship, of course, is one of the remains of the epic battles between the Autobots and the Decepticons, and its 'discovery' sparks off another war that threatens to destroy planet Earth. Or at least the face of Chicago as we know it.
On the human level, we find that Sam Witwicky (Shia LaBeouf) has traded in his girlfriend Mikaela (Megan Fox) for a newer model (a Victoria Secret one, to be exact) in the shape of Rosie Huntington-Whiteley as Carly). Sam is being offered a job by Bruce Brazos (John Malkovich) but we soon learn that Carly's boss Dylan (Patrick Dempsey) may be up to no good. Then, when the conflict between the Autobots and Decepticons hots up, Captain Lennox (Josh Duhamel) and Sergeant Epps (Tyrese Gibson) of the elite Government squad NEST are summarily called into action.
We get lulled into believing that there may somehow be an intelligent plot coming from the conspiracy of the NASA lunar-landing cover-up which also involves the Russian space program and Chernobyl. These turn out to be just an exercise in 'historical name-dropping' to spur our interest before we get to the demolition derby created by the Transformers. Indeed, some of the robots seem to emote better that the live cast. Cybertron leader Sentinel Prime, for example, is even designed to look like Leonard Nimoy (who provides its voice), complete with stuff that looks like beard. Again, the problems of the previous installments recur - like the confusion between the good and bad robots in the clashes.
Unlike the first two movies, there are no more gags about the shock of humans interacting with the mechanical 'bots. Bay, however, insists on some comic sequences and he has hired Ken Jeong to do his in-your-face shtick as Jerry Wang. John Turturro reprises his role as former FBI agent Simmons but this time around, Turturro finds it fit to clown around with his role. The most striking inclusion to the cast is Rosie Huntington-Whiteley as Sam's love interest. However, with limited acting talent, she provides only eye-candy and beside her, Megan Fox would look like an Oscar-caliber actress.
Like the first "Transformers", this one is also a live-action cartoon on a grand scale. Scenes of Chicago buildings being toppled and destroyed can be as spectacular and brain-numbing as those of September 11; and the wing-suit flying sequences are breath-taking. Indeed, these are what most of Michael Bay's fans pay for and they will not be disappointed. The only problem for me is that Bay prolongs and repeats the robotic clash sequences to the point of being self-indulgent. Technically brilliant and visually arresting, "Dark Of The Moon" lacks heart and soul. (limchangmoh.blogspot.com)
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