When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Autobots Bumblebee, Ratchet, Ironhide, Mirage (aka Dino), Wheeljack (aka Que) and Sideswipe led by Optimus Prime, are back in action taking on the evil Decepticons, who are eager to avenge their recent defeat. The Autobots and Decepticons become involved in a perilous space race between the United States and Russia, to reach a hidden Cybertronian spacecraft on the moon and learn its secrets, and once again Sam Witwicky has to come to the aid of his robot friends. The new villain Shockwave is on the scene while the Autobots and Decepticons continue to battle it out on Earth. Written by
In 2011, Alan Tudyk told "Empire" magazine that his character from 28 Days (2000) (the gay German performance artist, Gerhard) was the same character as the one Tudyk later played in this movie: "I decided that it's the same guy: he had gotten out of rehab, got himself on the right track and then... entered the army, became a specialist, found that he had skills in computers and weapons. Then he got burned out after too much killing and just decided to become a valet to Agent Simmons. There's a moment where he just goes crazy, and I say, 'That's the old me' and that was all based on that bullshit idea that it was the same guy." See more »
When Optimus Prime merges the spark in Sentinel's chest, he immediately starts to speak after he is told he is safe. In the first film, the Transformers learned Earth language through the world wide web. Sentinel could not have been aware of this as he was in sleep mode since he crashed onto the moon, and, given he didn't know where he was, it was impossible to know how to speak English. However, an undetermined amount of time had passed between the moment Sentinel was retrieved and the moment he appears in the NEST base, and as Ratchet states, he was in low-power mode, so it's not entirely unreasonable to think that the Autobots might have uploaded language data to him while he was sleeping before reactivating him. See more »
We were once a peaceful race of intelligent mechanical beings. But then came the war between the Autobots, who fought for freedom and the Decepticons, who dreamt of tyranny. Overmatched and outnumbered, our defeat was all but certain. But in the wars final days, one Autobot ship escaped the battle. It was carrying a secret cargo, which would have changed our planet's fate. A desperate mission, our final hope...
[the Ark flies from Cybertron into space... and is gunned down]
A hope ...
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The camera zooms into Sentinel Prime's head as he lies comatose inside the Ark, and the moving gears and components forms the opening title. See more »
Amazing visual spectacle but tedious and full of clichés
This film is certainly an outstanding visual spectacle that boasts some of the most impressive, fluid and stunning cgi sequences I've ever seen. The photography is fantastic and the 3d technology is used effectively to create stunning, visually amazing scenes. However, that is the only aspect of the film that I believe deserves merit at all.
Despite the continuous action, destruction and battles, I found this film to be extremely boring, and the final battle, which claimed the last hour of the film was far too long and drawn out and it greatly prevented me from appreciating the visual spectacle that is the final battle as it's so long it becomes tedious and I couldn't wait for it to end.
The extensive use of cgi action scenes was what ruined the film for me, and although I never fully agree with the typical view that modern films have too much cgi and effects and not enough good story, this film certainly presented a convincing case that the above statement is true. As there is so much shooting, exploding and fighting in this film there is relatively little time for dialogue, which was largely, poorly written, and full of clichés.
Finally, I didn't rate the casting of Rosie Huntington-Whiteley or her performance. She has clearly been chosen for the role for her good looks and her great sex appeal although I think she shines brighter as an underwear model than blockbuster film actress. Also, It seems unbelievable to me that Shia LaBeouf's character, although not a bad looking guy, has been in relationships with 2 characters played by women who have both topped the annual FHM 100 sexiest women in the world poll. Rosie has clearly been cast to attract more male viewers, bring sex appeal that the film didn't really need and throughout struck me as being far out of Shia's league.
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