Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic, his daughter, and her back street racing boyfriend for help.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Autobots Bumblebee, Ratchet, Ironhide, Mirage (aka Dino), Wheeljack (aka Que) and Sideswipe led by Optimus Prime, are back in action taking on the evil Decepticons, who are eager to avenge their recent defeat. The Autobots and Decepticons become involved in a perilous space race between the United States and Russia to reach a hidden Cybertronian spacecraft on the moon and learn its secrets, and once again Sam Witwicky has to go to the aid of his robot friends. The new villain Shockwave is on the scene while the Autobots and Decepticons continue to battle it out on Earth. Written by
The "boom-sticks" that Que gives to the humans are, if you look closely, almost identical in design to Jazz's feet from the first movie. They recycle pretty much the exact same pieces, only in a smaller scale. See more »
The film depicts Neil Armstrong's first step on the moon as the moment when he hops from the ladder. During the actual Apollo 11 moon landing, Neil Armstrong jumped onto the bottom of the ladder and then slowly placed his left foot (the film depicts his right) onto the lunar surface. See more »
We were once a peaceful race of intelligent mechanical beings. But then came the war between the Autobots, who fought for freedom and the Decepticons, who dreamt of tyranny. Overmatched and outnumbered, our defeat was all but certain. But in the wars final days, one Autobot ship escaped the battle. It was carrying a secret cargo, which would have changed our planet's fate. A desperate mission, our final hope...
[the Ark flies from Cybertron into space... and is gunned down]
A hope ...
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The camera zooms into Sentinel Prime's head as he lies comatose inside the Ark, and the moving gears and components forms the opening title. See more »
A solid entry that, much like its female star, is nice to lack at but lacks real substance. Skip the first hour and its incredible.
After the critical back-lashing Revenge of the Fallen, Michael bay stated that the third and possibly final Transformers would take away everything that failed in the last movie and give the audience what it wanted. But has he learned his lessons? Yes and no. Gone are the racially insensitive robots, the incredibly messy and clumsy plotting and much of the dizzying, incomprehensible camera-work. What remains is the poor geeky humour and questionable performances from the leads. Shia Labeouf was very enjoyable in the first movie but here has gone into overdrive, and his character Sam Witwicky has become much less relatable and interesting. His home life in particular (of which the first half of the movie focuses) is getting irritating. His girlfriend problems and embarrassing parents boring and we really couldn't care that much about how he feels unappreciated for saving the world twice. Then there's Megan Fox's replacement: Rosie Huntington-Whitely. She can't act. At all. It wasn't expected that the former model would be that great but she really is poor.
The first hour of the film is much like Rosie. Nice to look at (especially in 3D) but lacking any substance at all. We are left with Ken Jeong doing his Hangover thing in a 12A film, and not being funny, just very annoying. And John Malkovich doing his thing but really just embarrassing himself. There are reams of exposition, while the plot is better than the last two films it is still handed out poorly. Bay won't let the action tell the story, it has to be action, break, story, break, action. The rest of the first hour is just CGI and Shia going mental while Rosie watches blankly.
But all of a sudden the supporting comic actors are dropped and Michael Bay does what he does best: Explosions and fighting. An impressive freeway chase leading into a fight a plot twist (yes a plot twist in a Transformers movie) and a death of a significant character. The whole film gets better from here. The plotting gets tighter, John Tuturro and Frances McDormand are given more screen-time (there were so many Coen favourites in this movie I was expecting John Goodman to be voicing an Autobot) and the action is dished out in spades. Whe the decepticons invade Chicago all hell breaks loose. And we are given fights, battles, explosions and collapsing buildings galore. Robots kick, punch and rip each other apart. And this is where the third dimension comes into play. This is definitely the best 3D experience since Avatar. Watch in awe as Optimus Prime tears chunks of metal out of other giant robots and chucks them at the screen while in the depths of the background, aerial battles ensue. It is breathtaking and a triumph for 3D, proving that it can be done properly and amaze the viewer.
If you went an hour late to the movie, and make sure it's a 3D screening, this would be a 5 star experience of pure entertainment. But as it stands it's still a solid closer for the trilogy, an improvement on Revenge of the fallen but not as good as the first.
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