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RiP: A Remix Manifesto (2009)
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Overview
User Rating:
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Director:
Writer:
Brett Gaylor (screenplay)
Genre:
Plot:
A documentary which examines copyright issues in the information age. | Full synopsis »
Plot Keywords:
Awards:
2 nominations
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NewsDesk:
(7 articles)
Must See: Kirby Ferguson’S Conclusion To “Everything Is A Remix”
(From Filmmaker Magazine. 17 February 2012, 10:10 AM, PST)
2010 New Media Film Festival: Official Lineup
(From Bad Lit . 10 June 2010, 6:00 AM, PDT)
Winners at the 30th Genie Awards
(From The Cultural Post. 13 April 2010, 5:00 AM, PDT)
(From Filmmaker Magazine. 17 February 2012, 10:10 AM, PST)
2010 New Media Film Festival: Official Lineup
(From Bad Lit . 10 June 2010, 6:00 AM, PDT)
Winners at the 30th Genie Awards
(From The Cultural Post. 13 April 2010, 5:00 AM, PDT)
User Reviews:
Making a point
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Cast
 | Cory Doctorow | ... | Himself |
Directed by | |||
| Brett Gaylor | |||
Writing credits(in alphabetical order) | ||
| Brett Gaylor | screenplay | |
Produced by | |||
| Mila Aung-Thwin | .... | producer | |
| Katherine Baulu | .... | producer | |
| Sally Bochner | .... | executive producer | |
| Daniela Broitman | .... | director de producción | |
| John Christou | .... | development producer | |
| Daniel Cross | .... | executive producer | |
| Ravida Din | .... | executive producer | |
Original Music by | |||
| Olivier Alary | (original music by) | ||
Cinematography by | |||
| Mark Ellam | |||
Film Editing by | |||
| Tony Asimakopoulos | |||
| Brett Gaylor | |||
Production Management | |||
| Gary Evans | .... | post-production supervisor | |
Sound Department | |||
| Chris Leon | .... | narration recording | |
| Cory Rizos | .... | sound editor | |
| Cory Rizos | .... | sound re-recording mixer | |
| Cory Rizos | .... | supervising sound editor | |
| Kyle Stanfield | .... | sound editor | |
Animation Department | |||
| Francis Hanneman | .... | head animator | |
Editorial Department | |||
| Michael Siu | .... | post-production coordinator | |
Other crew | |||
| Elizabeth Klinck | .... | visual researcher | |
| Bob Moore | .... | rights supervisor | |
Production CompaniesDistributors
- MercuryMedia International (2009) (UK) (all media)
- Antidote Films (2009) (Australia) (theatrical)
- B-Side Entertainment (2009) (USA) (theatrical)
- Antidote Films (2009) (Australia) (DVD)
- Giangiacomo Feltrinelli Editore (2010) (Italy) (DVD)
- IndieFlix (2010) (worldwide) (all media)
- Kinosmith (2009) (Canada) (all media)
Additional Details
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Parents Guide:
Runtime:
Argentina:80 min (Buenos Aires Festival Internacional de Cine Independiente)
Country:
Language:
Color:
Certification:
Canada:14A (Alberta/Ontario) | Canada:G (Quebec) | Canada:PG (British Columbia) | Argentina:13 | Australia:M
Company:
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I feel the need to write this comment because it made me think about the copyrights on aids medicine for example. Some of the copyrights preventing the making of a cure to safe lives must lifted. Life is more important then the profits of corporations. This becomes a more gray area when they talking about the copyrights on music and this documentary isn't very objective in this matter. Which is a good thing. The anti-copy lobby isn't very objective as well. Nice to see the other side for a change! Making a copy of a CD and sell it is illegal. But buying a new CD in Holland cost € 50 for 12 songs in a poor quality plastic case. That's more then € 4 a song and you do not want to know how much the artist gets. The rules must be changed. Protection of property is good but evolving is even better. Restore the balance please!