Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
The retired CIA agent Bryan Mills invites his teenage daughter Kim and his ex-wife Lenore, who has separated from her second husband, to spend a couple of days in Istanbul where he is working. Meanwhile, the patriarch of the community of the Albanian gang of human trafficking, Murad Krasniqi, seeks revenge for the death of his son and organizes another gang to kidnap Bryan and his family. Bryan and Lenore are abducted by the Albanians, but Kim escapes and is the only hope that Bryan has to escape and save Lenore. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Although this movie mostly involves Albanian mafia and thugs, there is only one member of the cast who actually is Albanian. See more »
When Kim is being chased on the rooftops of Istanbul, the distance between her and the man chasing her changes drastically between shots, switching from about 10 feet to 30 feet and then coming back to less than 10 feet. See more »
He slaughtered our men, our brothers, our sons. The dead cry out to us for justice. On their souls, I swear to you. The man who took our loved ones from us, the man who has brought us such pain and sorrow, we will find him. We will bring him here. We will not rest until his blood flows into this very ground. We will have our revenge.
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The last shot of the credits states: "The making and legal distribution of this film supported over 14,000 jobs and involved over 600,000 work hours." This is the first movie with such message of Fox campaign to educate consumers on economic impact of film and TV. Later on, other Fox-produced films are featuring this message. See more »
A poorly made sequel with only the dollar sign firmly in mind
Now look, I am going to say from the start, I like Liam Neeson, a good solid actor, even if lately his roles seem to be that of the brooding loner, perhaps very understandable considering recent personal circumstances and its a role he plays very well, so no problem with that. I loved the original movie, I saw it at the cinema, rented it, own the DVD and have shown it to many people. Its a great film, slick, fast, sets up its own universe rules as just the more realistic side of a James Bond movie, and it doesn't break those rules or lapse into total absurdity. Sure Neeson does impossible things but we get that and go along for the ride.
Here though, something went seriously wrong. The action relocated to Istanbul could have been potentially very interesting and the basic story, as shown in the trailers, so no spoilers here, is that the family of the men he killed in the first film want their revenge. I like this idea, that those seemingly meaningless extras whose job it was to basically die in the first film, actually have friends and relatives who care about them and want to see Neeson dead. In the world that Taken has set up, this is all very plausible and I am sure seemed a great idea on paper. So what happened?
The script then becomes riddled with ideas that are beyond dumb, and Istanbul is reduced to a minor backdrop and not used to its most effective use and as can be seen from other reviews, Turkish people found the film and its depiction a little offensive, I am not surprised. Most of the film could have been set almost anywhere except for a couple of wide shots. Characters do and say things that make no logical sense at all and the rules of the Taken universe are constantly broken. Yes we can suspend our disbelief to a point, but the film reaches a level of absurdity where your just squealing in your seat that this really is awful. Some of the acting from the supporting cast isn't great either but maybe that's down to the very poor tools (Script) they were given to work with. The action scenes are dumb and seem devoid of the tension and abrupt impulse that came with the first movie. Such a shame, because with a good script I would be quite happy to watch this character in any number of scrapes and I do enjoy a well written and well directed action flick with a good story, unfortunately this had none of those elements. If you have to watch it, wait for the DVD, even if there is an extended cut, I fail to see how it will resolve any of the issues here. Wake up Hollywood, we really aren't this dumb. So many Producers on one movie - ever heard of 'Too many cooks?'
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