Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
The retired CIA agent Bryan Mills invites his teenage daughter Kim and his ex-wife Lenore, who has separated from her second husband, to spend a couple of days in Istanbul where he is working. Meanwhile, the patriarch of the community of the Albanian gang of human trafficking, Murad Krasniqi, seeks revenge for the death of his son and organizes another gang to kidnap Bryan and his family. Bryan and Lenore are abducted by the Albanians, but Kim escapes and is the only hope that Bryan has to escape and save Lenore. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Mills is at the hotel and receives an envelope containing money, he tucks it in his jacket pocket. The jacket it clearly buttoned up and he doesn't unbutton it, however in the next scene when he pulls out his phone, it is unbuttoned. See more »
He slaughtered our men, our brothers, our sons. The dead cry out to us for justice. On their souls, I swear to you. The man who took our loved ones from us, the man who has brought us such pain and sorrow, we will find him. We will bring him here. We will not rest until his blood flows into this very ground. We will have our revenge.
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The last shot of the credits states: "The making and legal distribution of this film supported over 14,000 jobs and involved over 600,000 work hours." This is the first movie with such message of Fox campaign to educate consumers on economic impact of film and TV. Later on, other Fox-produced films are featuring this message. See more »
What an utter disappointment. Like many fans of the original Taken, I was looking forward to a sequel to see if it could match or in any way surpass the original. I am afraid that as as sequel I am left perplexed at the lack of any tension, real action and pace in the film. The villains were not as nasty as they should be- after all they were seeking revenge for the slaughter of friends and family and all appeared not all intimidating. There was no sharp dialogue and some scenes bordered on the risible especially when Liam Neeson was trying to give directions to his daughter on his whereabouts. The finale was rushed and overall the film lacked any bite or interest. Dull, unimaginative-only Liam Neeson kept what glimmer of hopes alive by his solid acting. However, a real shame the film could not even match or equal the original. Do not waste your time- see the original Taken and leave this sequel alone.
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