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After killing his mentor, a gangster comes into power to rule over Mumbai. In the process he falls for an aspiring actress, nevertheless he finds that his protege has fallen for her too which leads to enmity between them.
Arjun is a reckless young man with an obsession for making money at card games. A chance meeting with a girl in a mall, Zoya, gives him the reasons he was looking for the move out of his ... See full summary »
Four lazy slacker conmen buddies who are jobless, homeless and broke learn about the secret of a hidden treasure from a dying thief and later embark on a race against time to find the mobster's buried treasure and claim it while being pursued by a determined police inspector who is hellbent to get the treasure all by himself.
A truly honest police officer is transferred to a town controlled by a gangster he has humiliated. The gangster believes he can use good power to bring down this officer who made him look foolish and weak.
During March 1993, after his Ambassador car is being fished out of water, Assistant Commissioner of Police, Agnel Wilson, narrates to the Commissioner as to how he commenced his investigation against an underworld gangster, Sultan Mirza. He details how Sultan had survived floods in Madras, shortly after Independence; his arrival in Bombay; and his employment which earned him a mere 25 Paisa daily. Agnel's attempts to rein in Sultan fail, but he keeps tabs on him and his romance with Bollywood actress, Rehana; as well as his new recruit, Shoaib, the son of Sub-Inspector Khan. Agnel will find his investigation slipping out of his hands after Sultan temporarily delegates complete responsibility to Shoaib. Written by
The film was earlier titled Once Upon a Time in Bombay due to objections by some political party the titled got changed. See more »
In one of the scenes Sultan Mirza is shown removing the railroad tracks and the railway sleeper or railroad tie are made of concrete. These concrete sleepers were introduced in India in early to mid 90s during the 70s there used to be wooden railway sleeper or railroad tie. See more »
Lets get straight, if you think Once Upon A Time In Mumbai is a biopic, you're wrong. A police officer(Randeep Hooda) who once traced the changing face of the Mumbai Underworld narrates all his experiences and all his unintentional mistakes which affected everything. Almost every movie-goer has a fascination for gangster movies, and yeah it does not disappoint(almost).. It recreates the era which so many of us have left behind and those who arrived on this planet after 80s.
Once Upon A Time In Mumbai is a story that talks about the entry of mafia for the first time in Mumbai and things unfolded in course of time. It talks about the rise and subsequent fall of the King, and the emergence of the Prince as the super power. It talks about the dialogues which ruled 70s era. It talks about the chic retro look which was the trademark of that era.
The plot does resemble with lives of Haji Mastan(allegedly played by Ajay Devgn) and Dawood Ibrahim(allegedly played by Emraan Hashimi) but whatever is, the screenplay is engrossing and keeps you hooked until you feel about complaining for the length when things get slow in the second half and gradually in the end. But, the dialogues do get lots of claps and whistles in not few but many scenes. Recreating the bygone era is tough and the director, the writer and the art director deserve brownie points for giving the film that authentic feel.
As for acting, Emraan is sure to break free from his lover boy image with this film. This is his finest performance to date. Ajay Devgn has become repetitive, his dialogue delivery and expressions betray you many times, although his character is very strong and he has played it effectively. There was nothing much to do for the ladies(Prachi and Kangana), but they managed to portray their roles 'beautifully'. Randeep Hooda, too, performed well. Pritam's music( in spite of the fact the music is never really 'his') is an ace. But, it was the background score which left an lasting impression even when the movie ended.
When the screenplay is powerful and engaging, direction has to be brilliant. Milan Lutharia successfully recreated that era and his work is exemplary. There should be a special note of the dialogues, also written by Rajat Arora( screenplay) which are fantabulous.
To conclude, I would just say, go for it if you really are interested in the dialogues which no longer have there existence these days(of course allegedly) My Rating: 7/10 Thanks & Regards
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