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Helena from the Wedding (2010)

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Newlyweds Alex and Alice host a New Year's Eve party for their closest friends at a remote cabin in the mountains. However, when an unexpected guest shows up, the group's facades begin to crumble.


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Complete credited cast:
Jason Shanski ...


Although they have long been a couple, Alex, a lawyer turned failed/struggling playwright, and Alice, an insecure woman, have recently gotten married. They have invited several of their couple friends to Alex's parents' cabin in the woods upstate for New Year's Eve. They include: married Don and Lynn, he a poor writer but who would rather come up with crazy and thus ultimately doomed business ideas, and she a lawyer who wears the pants in the family and who seems oblivious to her drinking problem; lawyer Steven and pregnant Eve, who have previously admitted to attending marriage counseling sessions to deal with their issues; and businessman Nick, who is separated from his wife Melissa and was supposed to bring his much younger model girlfriend, Lola, for who he left Melissa and who ends up not coming since the two of them have now broken up. Alex and Alice's guests bring their open and not so open marital/relationship dysfunctions along for the gathering, those dysfunctions which are ... Written by Huggo

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Comedy | Drama



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14 March 2010 (USA)  »

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Did You Know?


Allegro, 1st Movement From Concerto No.2 In G Minor RV 315, 'Summer'
Composed by Antonio Vivaldi (as Andonio Vivaldi)
Performed by The UniqueTracks Radio Orchestra
Music licensed from the UniqueTracks Production Music Library Inc.
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User Reviews

An Idea Removed from the Oven too Soon
9 March 2011 | by See all my reviews

Helena from the Wedding is a classic example of a film written with a single idea in mind, then stretched out to fill a 90-minute run time. In this film, eight seemingly happy friends spend New Year's together in a cabin in the woods, though over the course of the story, we find out that the characters are each struggling with different levels of unhappiness. In this type of story, typically the characters go on a journey of self-discovery that leads to personal growth by the end of the film. In Helena, however, nothing ever really happens. The writer does a good job of fleshing out the different character's mental anguish, but then fails to deliver on the follow through on their collective stories. As soon as the credits started rolling, I scratched my head and asked: "Soooo... what happens now?" That's not really a desirable place to leave a viewer at the end of a film. Especially one that wasn't intended to leave an opening for a sequel. It was a valiant effort, but I think the writer/director can do better.

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