Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland. Written by
When the fuel pod is detached and crashing, the tires turn freely. it had been shown that when the air lines are disconnected the tires lock up. See more »
My name is Max. My world is fire and blood. Once, I was a cop. A road warrior searching for a righteous cause. As the world fell, each of us in our own way was broken. It was hard to know who was more crazy... me... or everyone else.
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Near the end of the credits there is a memorial dedication that reads "Lance Allen Moore II, May 24, 1987 - March 10, 2015." Apparently Moore was a Mad Max fan killed in a motorcycle accident near Silverton, New South Wales, Australia, where Mad Max 2: The Road Warrior (1981) was filmed. See more »
Great film, so fast-paced it makes every other film out there look slow and old-fashioned. Wonderful to see George Miller back on the Australian road, where he belongs. Charlize Theron is great, Tom Hardy is not bad, but the stunts are really where the film shines. It's hard to think of a better action road movie. It has all the intensity and perversity of the MAD MAX and THE ROAD WARRIOR, but amped up to new heights of craziness. Miller is the real star of the film -- in some ways technology seems to have finally caught up with his early hyperactive camera style, and he takes full advantage of the ability to move wherever he wants, however he wants.
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