| Tonia Renee | ... | Lena | |
| Bret Kennedy | ... | Michaels | |
| Ozzie Devrish | ... | Kirkland | |
| Roslyn van Doorn | ... | Yutani | |
| Dirk Foulger | ... | Konieg | |
| Anthony Edwards | ... | Dare | |
| Davyd Williams | ... | Canning | |
| Cassia Rosenstraus | ... | Jen | |
| Aash Aaron | ... | Communications commander | |
| Christian Newling | ... | Communications officer | |
| Kit Sivyer | ... | Communications tech | |
| Gregory Connors | ... | Rico (as Greg Connors) | |
| India Gaythwaite | ... | Female scientist | |
| Ulrik Strodl | ... | Rabid | |
| Steve Daddow | ... | Rabid (as Stephen Daddow) | |
| Damien Bryson | ... | Rabid | |
| Hollie Johnson | ... | Scared med tech | |
| Philippe Deseck | ... | Philippe | |
| Jodi Plumbley | ... | Facility intercom (voice) | |
| John Cross | ... | WW2 soldier | |
| rest of cast listed alphabetically: | |||
| Mason Hoffman | ... | Rabid | |
| Joel Amos Byrnes | ... | Thriller Rabid (uncredited) | |
Directed by | |||
| Gregory Connors | (as Greg Connors) | ||
Writing credits(in alphabetical order) | ||
| Gregory Connors | written by (as Greg Connors) | |
Produced by | |||
| Gregory Connors | .... | co-producer | |
| Bret Kennedy | .... | co-producer | |
| Stuart Wall | .... | producer | |
Original Music by | |||
| Kit Sivyer | |||
Cinematography by | |||
| Dirk Foulger | |||
Film Editing by | |||
| Greg Connors | |||
Casting by | |||
| Aash Aaron | |||
Production Design by | |||
| Dwayne Nicol | |||
Costume Design by | |||
| Annie Brandes | |||
| Clyde Watts | |||
Makeup Department | |||
| Kate Lyne | .... | makeup department head | |
| Elina Valttila | .... | makeup artist | |
Production Management | |||
| Stuart Wall | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Mike Crowhurst | .... | first assistant director | |
| Linda Deseck | .... | second assistant director | |
| Katherine Goult | .... | first assistant director | |
| David Jackson | .... | second assistant director | |
| Liam Stewart | .... | first assistant director | |
| Don Vaughn | .... | additional first assistant director (as Donnie Vaughn) | |
Art Department | |||
| Gregory Connors | .... | set constructor | |
| John Connors | .... | set constructor | |
| Bret Kennedy | .... | set constructor | |
| Christian Newling | .... | construction assistant | |
| Ray Nicol | .... | set constructor | |
| Peter Tame | .... | art department assistant | |
| Stuart Wall | .... | set constructor | |
| Clyde Watts | .... | key props buyer | |
| Clyde Watts | .... | set constructor | |
| Daniel Watts | .... | storyboard artist | |
Sound Department | |||
| Gavin Calnan | .... | additional sound recordist | |
| Grant Weatherburn | .... | sound recordist | |
Special Effects by | |||
| Joshua Smith | .... | post production supervisor | |
| Simon Wise | .... | colour correction | |
Stunts | |||
| Joel Amos Byrnes | .... | stunt performer | |
| Philippe Deseck | .... | stunts | |
| Luke Eccleston | .... | stunt safety | |
| Dirk Foulger | .... | stunt double: Canning | |
| Greg Jones | .... | stunt performer | |
| Quantrelle King | .... | stunt performer | |
| Craig Morgan | .... | stunt performer | |
| Leroy Page | .... | stunt safety | |
| Don Vaughn | .... | stunt safety (as Donnie Vaughn) | |
Camera and Electrical Department | |||
| Richard C Bell | .... | gaffer (as Richard Bell) | |
| David Brooks | .... | gaffer | |
| Jamie Chong | .... | assistant camera | |
| Bob Dechphant | .... | assistant camera | |
| Philippe Deseck | .... | b-camera operator | |
| Justin Harrison | .... | best boy electric | |
| Polly Harrison | .... | additional first camera assistant | |
| Polly Harrison | .... | additional focus puller | |
| Milan Holec | .... | steadicam operator | |
| Scott Kimber | .... | focus puller | |
| Niklas Larsson | .... | still photographer | |
| Danielle Lomas | .... | still photographer | |
| Anthony Manion | .... | focus puller | |
| Geoff Schatzel | .... | still photographer | |
| Davi Soesilo | .... | gaffer | |
| Davi Soesilo | .... | still photographer | |
| Clare Wood | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Jesse Breckon | .... | wardrobe supervisor | |
| Hollie Johnson | .... | wardrobe supervisor | |
Other crew | |||
| Hayley Calderwood | .... | script supervisor | |
| Mason Hoffman | .... | work experience | |
| Sara Newling | .... | work experience | |
| Russell Sharp | .... | prosthetic effects | |
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| Dreamcatcher | The Thing from Another World | City of Ember | Body Snatchers | Star Wars |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Australia section |
Come on Aussie film maker guys, genre film makers in Australia are getting closer by the day. this is another one that almost got there, just like Gabriel. first off i found out how much the real budget for this film is and it sure as hell was a lot less than $1mil and that's why this movie deserves a good pat on the back. like Gabriel, this movie looks great.(its a bit dark in some places but its a dark aliens movie so i'm not gonna carry on too much about that) Unlike Gabriel this movie knows how to blow stuff up and splatter the screen with alien slime. Big time! There's my big gripe though and this is where the movie falls down. It should have embraced that and had even MORE than what it had. there's probably 40 minutes of wasted screen time trying to slightly differentiate itself from Cameron's "Aliens". But it didn't need to is what i'm saying. People get that its borrowing heavily from aliens but so what its an exploitation film and aliens was 25 years ago man, let it go. there's a 2 minute action scene on you tube floating around that kicks ass, and that's what i'm saying: the whole movie should have been this, and there is a lot more of this in the film to be sure, hell yes. but...it half is half isn't still. Its like they thought they'd get in trouble for just going nuts. If the movie really cost what they say it did it would have been, i'm sure! Somebody buy this movie so these guys can get a budget and make that exploitation movie that you know they're dying to do. but a 5 will do for now, to me 5 gets you in the green zone and is a good movie. hopefully the next movie is an awesome 7.