| Photos (See all 10 | slideshow) | Videos (see all 4) |
| Mark Hogancamp | ... | Himself | |
| Emmanuel Nneji | ... | Himself | |
| Edda Hogancamp | ... | Herself | |
| Tom Neubauer | ... | Himself | |
| Julie Swarthout | ... | Herself | |
| Janet Wikane | ... | Herself | |
| Mark Wikane | ... | Himself | |
| Bert | ... | Himself | |
| Lisa Bruck | ... | Herrself | |
| Colleen Vargo | ... | Herself | |
| David Naugle | ... | Himself | |
| Ruthie Hotaling | ... | Herself | |
| Tod Lippy | ... | Himself |
Directed by | |||
| Jeff Malmberg | |||
Produced by | |||
| Jeff Malmberg | .... | producer | |
| Tom Putnam | .... | producer | |
| Matt Radecki | .... | producer | |
| Chris Shellen | .... | producer | |
| Kevin W. Walsh | .... | producer (as Kevin Walsh) | |
Original Music by | |||
| Ash Black Bufflo | |||
Cinematography by | |||
| Jeff Malmberg | |||
| Tom Putnam | |||
| Matt Radecki | |||
| Kevin W. Walsh | (as Kevin Walsh) | ||
Film Editing by | |||
| Jeff Malmberg | |||
Sound Department | |||
| Pete Kneser | .... | sound designer | |
| Pete Kneser | .... | sound mixer | |
Camera and Electrical Department | |||
| David Naugle | .... | additional photography | |
Editorial Department | |||
| Kaz Brecher | .... | cut watcher | |
| Brian Hutchings | .... | colorist | |
| Edwina Lantigua | .... | cut watcher | |
| Chris Mortensen | .... | cut watcher | |
| Kate O'Brien-Clarke | .... | cut watcher | |
| Dan O'Connor | .... | cut watcher | |
| Lori Putnam | .... | cut watcher | |
| Amy Himsel Radecki | .... | cut watcher | |
| Mark Rowland | .... | cut watcher | |
| Teri Shellen | .... | cut watcher | |
| Naomi Spiro | .... | cut watcher | |
Music Department | |||
| Annie Lin | .... | music supervisor | |
Other crew | |||
| Peter Grant | .... | title designer | |
| Andrew Herwitz | .... | world film sales: The Film Sales Company | |
| Lesley Langs | .... | equipment loans | |
| Robert Williams | .... | equipment loans | |
Thanks | |||
| Tod Lippy | .... | very special thanks | |
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| Dreamcatcher | Gremlins | Overnight | Casablanca | London |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
This is a beautiful, respectful, modest treatment of a delicate subject Mark H. -- the victim of a barroom attack by several youths who is left in a coma, forgets his past, and must gradually relearn how to walk, speak, and function. He remains damaged, but creates his own form of therapy in the form of creating an intricate world of action figures living out a detailed story of WWII action. He is an inspiring, creative, charismatic yet fragile protagonist.
The movie follows the parallel worlds of Mark's reality and his storytelling, which reflect each other and progress with effective pacing. It is an inspiring tale of self-initiated psychological rehabilitation, where a person who might be pitied reinvents himself and finds redemption and what appears to be a "better" version of himself.
There are also very interesting sub-currents of sexuality, sexual identity, justice, catharsis, normalcy, and power struggles in the dual narratives.
The movie makers lovingly capture Mark's meticulously created art (including his excellent photography) with beautiful cinematography.
Inspiring, beautiful movie.