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Mark Hogancamp | ... |
Himself
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Emmanuel Nneji | ... |
Himself
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Edda Hogancamp | ... |
Herself
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Tom Neubauer | ... |
Himself
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Julie Swarthout | ... |
Herself
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Janet Wikane | ... |
Herself
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Mark Wikane | ... |
Himself
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Bert | ... |
Himself
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Lisa Bruck | ... |
Herrself
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Colleen Vargo | ... |
Herself
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David Naugle | ... |
Himself
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Ruthie Hotaling | ... |
Herself
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Tod Lippy | ... |
Himself
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"Marwencol" is a documentary about the fantasy world of Mark Hogancamp. After being beaten into a brain-damaging coma by five men outside a bar, Mark builds a 1/6th scale World War II-era town in his backyard. Mark populates the town he dubs "Marwencol" with dolls representing his friends and family and creates life-like photographs detailing the town's many relationships and dramas. Playing in the town and photographing the action helps Mark to recover his hand-eye coordination and deal with the psychic wounds of the attack. When Mark and his photographs are discovered, a prestigious New York gallery sets up an art show. Suddenly Mark's homemade therapy is deemed "art", forcing him to choose between the safety of his fantasy life in Marwencol and the real world that he's avoided since the attack. Written by Anonymous
This is a beautiful, respectful, modest treatment of a delicate subject Mark H. -- the victim of a barroom attack by several youths who is left in a coma, forgets his past, and must gradually relearn how to walk, speak, and function. He remains damaged, but creates his own form of therapy in the form of creating an intricate world of action figures living out a detailed story of WWII action. He is an inspiring, creative, charismatic yet fragile protagonist.
The movie follows the parallel worlds of Mark's reality and his storytelling, which reflect each other and progress with effective pacing. It is an inspiring tale of self-initiated psychological rehabilitation, where a person who might be pitied reinvents himself and finds redemption and what appears to be a "better" version of himself.
There are also very interesting sub-currents of sexuality, sexual identity, justice, catharsis, normalcy, and power struggles in the dual narratives.
The movie makers lovingly capture Mark's meticulously created art (including his excellent photography) with beautiful cinematography.
Inspiring, beautiful movie.