| Photos (See all 25 | slideshow) | Videos (see all 8) |
| Amber Heard | ... | Stephanie | |
| Odette Annable | ... | Ellie (as Odette Yustman) | |
| Karl Urban | ... | Michael | |
| Adriana Barraza | ... | Rosamaria | |
| César Vianco | ... | Calvo | |
| Michel Noher | ... | Chucho | |
| Luis Sabatini | ... | Luca | |
| Daniel Figuereido | ... | Pedro | |
| Jorge Booth | ... | Hernán | |
| Gia Mantegna | ... | Camila | |
| Javier Luna | ... | Bar Owner | |
| Andrea Verdun | ... | Waitress | |
| Nicolas Dolensky | ... | Cute Guy (as Nicolás Dolensky) | |
| Walter Pena | ... | Mechanic (as Walter Peña) | |
| Esteban Pastrana | ... | Barman | |
| Matias Paz Conde | ... | Skinny Guy (as Matías Paz Conde) | |
| Maria Salome Cari | ... | Cleaning Woman (as María Salomé Cari) | |
| Hugo Miranda | ... | Man in Bar | |
| Magdalena Peralta Antivero | ... | Model |
Directed by | |||
| Marcos Efron | |||
Writing credits(WGA) | ||
| Jennifer Derwingson | (screenplay) and | |
| Marcos Efron | (screenplay) | |
| Brian Clemens | (1970 film "And Soon the Darkness") and | |
| Terry Nation | (1970 film "And Soon the Darkness") | |
Produced by | |||
| Chris Clark | .... | producer | |
| Verónica Cura | .... | line producer | |
| Flora Fernandez-Marengo | .... | executive producer | |
| Lizzie Friedman | .... | producer | |
| Augusto Greco | .... | assistant producer | |
| Amber Heard | .... | co-producer | |
| Karen Lauder | .... | producer | |
| Deborah Marcus | .... | producer | |
| Cintia Micheletti | .... | assistant producer | |
Original Music by | |||
| tomandandy | |||
Cinematography by | |||
| Gabriel Beristain | |||
Film Editing by | |||
| Todd E. Miller | |||
Casting by | |||
| Joanna Colbert | |||
| Richard Mento | |||
Production Design by | |||
| Marcela Bazzano | |||
Art Direction by | |||
| Marcela Bazzano | |||
Costume Design by | |||
| Marisa Urruti | |||
Makeup Department | |||
| Carolina Oclander | .... | makeup artist | |
| Marcelo Padovani | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Magdalena Cernadas | .... | first assistant director | |
| Manuel Hinojosa | .... | assistant director | |
| Maria Jose Reynals | .... | second assistant director | |
Art Department | |||
| Fernanda Castelo | .... | set dresser | |
| Antonella Pasini | .... | art department assistant | |
Sound Department | |||
| Bruce Barris | .... | assistant supervising sound editor | |
| Bruce Barris | .... | fx editor | |
| Elliott Koretz | .... | sound designer | |
| Elliott Koretz | .... | supervising sound editor | |
| Frank A. Montaño | .... | sound re-recording mixer | |
| Ralph Osborn | .... | supervising dialogue editor | |
| Francisco Rizzi | .... | sound re-recording mixer | |
| Philip Rogers | .... | adr recordist | |
| Sebastián Sonzogni | .... | boom operator | |
Visual Effects by | |||
| Phil Carbonaro | .... | lead composite artist (as Philip Carbonaro) | |
| Linda Drake | .... | visual effects editor | |
| Kevin Kutchaver | .... | visual effects supervisor: HimAnI Productions | |
| Glen David Miller | .... | visual effects: director of photography | |
| Andy Simonson | .... | visual effects producer: LookFX | |
| Wilson Tang | .... | digital restoration | |
Camera and Electrical Department | |||
| Mariano Bonello | .... | second assistant camera | |
| Danny Eccleston | .... | gaffer: additional photography | |
| Juliana González | .... | assistant camera | |
| Daniel Hermo | .... | gaffer | |
| Chris W. Johnson | .... | additional cinematographer | |
| Jaime Muschietti | .... | electrician | |
Casting Department | |||
| Javier Braier | .... | co-casting director | |
| Christine Colvin | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Fernanda Molfese | .... | costume assistant | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital film colorist | |
| Leonardo Camporeale | .... | assistant editor | |
| Allyse Manoff | .... | digital intermediate producer | |
| Mark Sahagun | .... | digital intermediate editor | |
| Jim Schulte | .... | associate editor | |
Music Department | |||
| Aimee Barth | .... | music supervisor | |
| Alex Todorov | .... | score mixer | |
| Alex Todorov | .... | score programming | |
| Alice Wood | .... | music editor | |
Other crew | |||
| Erin Cancino | .... | assistant: RedRum Films | |
| Philipe Carvalho | .... | production coordinator | |
| Juan Pablo Colombo | .... | production assistant | |
| Ami Francis | .... | production accountant | |
| Judy Geletko | .... | post-production accountant | |
| Francisco Larralde | .... | location assistant | |
| Pablo Ramos | .... | script supervisor | |
| Ignacio Sarchi | .... | production assistant | |
| Mechi Tarelli | .... | production coordinator | |
Thanks | |||
| Celena Martirossian | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
And Soon the Darkness is a serviceable "vacation gone bad" thriller. The two lead actresses are VERY pleasant to look at. They bike and sunbathe and run very prettily. But the story is so predictable that it's almost comical, the bad guys and plot twists are apparent from the very beginning, and the protagonists make decisions so stupid that they almost seem to ask for the situation that they get involved in.
You should be very familiar with this kind of plot by now. A pair of attractive young American tourists (Odette Yustman and Amber Heard) get separated from their bike tour group in Argentina, meet some suspicious people, get separated from each other, and then one of them goes missing. They're not the smartest of tourists, that's for sure.
Even if you can stand the by-the-numbers plot (for Odette Yustman, I can accept a LOT of clichés and obvious plot twists), And Soon the Darkness isn't a very thrilling thriller. There's not a lot of creativity or imagination to it, it's just the same movie we've seen before with some new faces. Watch it if you're a fan of Yustman or Heard, but don't expect a lot.