In the winter of 1820, the New England whaling ship Essex was assaulted by something no one could believe: a whale of mammoth size and will, and an almost human sense of vengeance. The real-life maritime disaster would inspire Herman Melville's Moby-Dick. But that told only half the story. "In the Heart of the Sea" reveals the encounter's harrowing aftermath, as the ship's surviving crew is pushed to their limits and forced to do the unthinkable to stay alive. Braving storms, starvation, panic and despair, the men will call into question their deepest beliefs, from the value of their lives to the morality of their trade, as their captain searches for direction on the open sea and his first mate still seeks to bring the great whale down.
At the beginning of the voyage when the Captain has too much sail going into a squall, Mr Chase and Mr Joy each cut a line to bring down a sail. In heavy winds the lines to the sails would be extremely taut or possibly jerking wildly. Mr. Joy's line has slack in it and is not jerking. Also, in those winds an experienced sailor would not grab the line with his bare hand - especially on the side of the cut that will still be attached to the sail. See more »
[in his letter]
How does one come to know the unknowable? What faculties must a man possess? Since it was discovered that whale oil could light our cities in ways never achieved before, it created global demand. It has pushed man to venture further and further into the deep blue unknown. We know not its depths, nor the host of creatures that live there. Monsters. Are they real?
[a huge whale passes]
Or do the stories exist only to make us respect the sea's dark secrets?
[...] See more »
Heart of the Sea is a mass-produced still-life painting: technically proficient but as flat as the canvas it's on. Technically, it's fine; the cinematography is interesting, the actors hit their marks, the sound is on point. But other than a few moments of nice humor and mild sea-faring thrills, the film lacks any spark. It's like director Howard and co. weren't that interested in creating an emotional, cerebral or exciting film, but more focused on simply getting the job done. The story of 19th century whaler Owen Chase (played by an oddly-accented Hemsworth), the influence for the literary classic Moby Dick, is a story worth knowing. However, the giant scale and obsession inherent in this tale is never fully conveyed, as Howard opts for computers and green screens, in lieu of the actual sea, to tell his story. So instead of a propulsive thriller or even a thoughtful psychological study, we get a generic and forgettable action/adventure, couched in boring characters. And much like the crew of the Essex itself, we are stranded in a seemingly endless sea of lackluster storytelling It also features some of the worst cinematic framing ever. Instead of just filming Moby Dick itself or just the story of real-life Owen Chase, they opt for a messy mash-up, constantly cutting away from the Essex's voyage to a recounting of the story to Melville; like bad narration taken to the nth degree. Even some marginally compelling moments showing the survival instincts of desperate people can't save this sinking ship. Watch Jaws, All is Lost, or Master and Commander if you want to take a worthwhile trip to the heart of the sea.
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