Libby Day was only eight years old when her family was brutally murdered in their rural Kansas farmhouse. Almost thirty years later, she reluctantly agrees to revisit the crime and uncovers the wrenching truths that led up to that tragic night.
A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
Souder, a homicide detective in a small Texan town, and his partner, transplanted New York City cop Detective Heigh, track a sadistic serial killer dumping his victims' mutilated bodies in a nearby marsh locals call 'The Killing Fields'. Though the swampland crime scenes are outside their jurisdiction, Detective Heigh is unable to turn his back on solving the gruesome murders. Despite his partner's warnings, he sets out to investigate the crimes. Before long, the killer changes the game and begins hunting the detectives, teasing them with possible clues at the crime scenes while always remaining one step ahead. When familiar local girl Ann goes missing, the detectives find themselves racing against time to catch the killer and save the young girl's life.
At the beginning of the film when Little Ann is staring at the petrol station she is carrying a backpack, but when Detective Heigh picks her up later in the evening, the backpack has disappeared. See more »
7-Ida-06 over at Hal's Tire Shop. There's been a break-in.
Det. Mike Souder:
06 en route to the tire shop...
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It's difficult to understand why this film was made. And I don't mean that as a commentary on the overall quality of the movie at all. Yes it is a pretty straightforward serial killer/crime drama containing average (and some below average) piece of acting. At the end of the movie however, the question remains, why was this made? If the purpose was to introduce us to the geography of the fields, there are better mediums to do that. If the purpose was to tell a gripping tale of mystery and suspense, that doesn't happen either. If it wanted to make us empathize with the very real plight of detective work in grim everyday condition, it doesn't go there. And lastly if the purpose was to throw some light on the case itself or to enable us to identify with the horrors that the victims faced, the movie simply ignores it. So, why was this film made? The story is told listlessly, almost as if the director has no interest in telling it. Sam Worthington is a cliché of hothead cop characters and the good cop bad cop routine he plays out with Jeffery Dean Morgan adds nothing to the cinematic experience. The character of Chloë Grace Moretz tries too hard to portray the role written for in the script. At the end she comes out as irritating, something I am sure the director did not intended to portray. It's not her fault though, her skill is flawless, she simply doesn't know what she is doing and why. Jessica Chastain looks beautiful and handles her limited role quiet well. That is not to say that this film is bad, it is just so average in everything it does that it all boils down to the purpose of making it.
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