| James Marsters | ... | Sam Danville | |
| Cindy Sampson | ... | Abigail Pixley | |
| Sebastian Knapp | ... | Jules Arning | |
| Sanny Van Heteren | ... | Rose Hilridge (as Sanny van Heteren) | |
| Antony Byrne | ... | Gus McGreevey | |
| Angus MacInnes | ... | Silich Cure | |
| Adriana Butoi | ... | Prospector's Wife | |
| James Carroll Jordan | ... | Sheriff (as James Jordan) | |
| rest of cast listed alphabetically: | |||
| Constantin Barbulescu | ... | Grizzled Miner | |
| Dan Bordeianu | ... | Deputy | |
| Sorin Cristea | ... | Prospector Franklin | |
| Dugald Bruce Lockhart | ... | Cornelius Harrington | |
Directed by | |||
| Kristoffer Tabori | (as K. T. Donaldson) | ||
Writing credits | ||
| Richard Beattie | (written by) | |
Produced by | |||
| Robert Halmi Jr. | .... | executive producer | |
| Robert Halmi Sr. | .... | executive producer | |
| Irene Litinsky | .... | executive producer | |
| Ric Nish | .... | producer | |
| Michael Prupas | .... | executive producer | |
Original Music by | |||
| James Gelfand | |||
Cinematography by | |||
| Pierre Jodoin | |||
Film Editing by | |||
| Simon Webb | |||
Casting by | |||
| Domnica Circiumaru | |||
| Matt Western | |||
Production Design by | |||
| Guy Lalande | |||
Art Direction by | |||
| Adrian Curelea | |||
Costume Design by | |||
| Simonetta Mariano | |||
Makeup Department | |||
| Mari Dascalescu | .... | makeup artist (as Mari Tempea) | |
Production Management | |||
| Cristian Bostanescu | .... | executive in charge of production | |
| Teo Bostanica | .... | unit manager | |
| Elissa Lewis | .... | post-production supervisor | |
| Carmen Pepelea | .... | production manager | |
Art Department | |||
| Oana Babes | .... | art department coordinator | |
| Florin Gavrila | .... | scenic painter | |
| Geaniloni Sandru | .... | scenic painter | |
| Eusebiu Sirbu | .... | scenic painter | |
| Lucie Tremblay | .... | set designer | |
Sound Department | |||
| Matthew Cerantola | .... | sound editor | |
| Benoît Coaillier | .... | dialogue re-recording engineer | |
| Scott Donald | .... | supervising dialogue & adr editor | |
| Stanomir Dragos | .... | sound mixer | |
| Philippe Espantoso | .... | sound re-recording mixer | |
| David Gertsman | .... | sound designer | |
| David Gertsman | .... | supervising sound editor | |
| Steven Gurman | .... | post sound consultant | |
| Cozma Marius-serban | .... | boom operator | |
| Francois Maurice | .... | dialogue editor | |
| Santiago Recio | .... | sound re-recording mixer | |
Special Effects by | |||
| Melania Ciurlin | .... | tehnician prostetics | |
| Liviu Lungu | .... | special effects technician | |
| Adrian Nica | .... | special effects technician | |
| Ionel Popa | .... | special effects artist | |
| Ionel Popa | .... | special effects designer | |
| Adrian Popescu | .... | special effects supervisor | |
| George Tudoran | .... | special effects technician | |
Visual Effects by | |||
| Marie-Eve Bedard-Tremblay | .... | visual effects coordinator | |
| Francois Croteau | .... | digital effects artist | |
| Carl Gagnon | .... | lead modeler | |
| Catherine Hébert | .... | visual effects artist | |
| Aélis Héraud | .... | compositor | |
| Jonathan Laborde | .... | digital effects artist | |
| Bruno-Olivier Laflamme | .... | digital artist | |
| Jean-Francois Lafleur | .... | digital effects artist | |
| Pierre-Simon Lebrun-Chaput | .... | visual effects artist | |
| Tristan Porter | .... | compositor: Oblique FX | |
| Mario Rachiele | .... | visual effects supervisor | |
| David Raymond | .... | visual effects artist | |
| Benjamin Ribière | .... | lead compositor: Oblique Fx | |
| Kristen Tooley | .... | digital effects artist | |
| Emily Vaillancourt | .... | visual effects: + Alien Concept | |
Stunts | |||
| Mihai Diaconu | .... | stunts | |
| Marin Petrica | .... | stunt performer | |
| Maria-Antoaneta Tudor | .... | stunt double | |
| Daniel Visan | .... | stunts | |
Camera and Electrical Department | |||
| Radu Bondoc | .... | second assistant "b" camera | |
| Catalin Ciobanu | .... | electrician | |
| Radu Cioplea | .... | film loader | |
| Vlad Cioplea | .... | second assistant "a" camera | |
| Liviu Cosor | .... | electrician | |
| Florin Niculae | .... | gaffer (as Florin Nicolae) | |
| Razvan Paslaru | .... | key grip | |
| Bogdan Stanciu | .... | steadicam operator: "a" camera | |
| Aurelian Stoica | .... | grip | |
Animation Department | |||
| Marco Savignac | .... | animator | |
Casting Department | |||
| Laura Grosu | .... | extras casting | |
| Liliana Toma | .... | extras casting | |
Costume and Wardrobe Department | |||
| Laurentiu Alexe | .... | set costumer | |
| Mariana Bujoi | .... | key costume breakdown artist | |
| Carmen Cristea | .... | costume supervisor | |
| Cristina Ghergheli | .... | costume assistant | |
| Claudia Sarbu | .... | costume supervisor | |
| Rosca Stefan | .... | wardrobe breakdown assistant | |
Editorial Department | |||
| Véronique Melançon | .... | assistant editor | |
| Evan Tussman | .... | director of post-production | |
| Serge Verreault | .... | on-line editor | |
Transportation Department | |||
| Relu Cojanu | .... | transportation coordinator | |
Other crew | |||
| Marius Florescu | .... | location manager | |
| Alexander Sandy Jesion | .... | chief financial officer | |
| Alexandra Marinescu | .... | production coordinator | |
| Cleopatra Medvetchi | .... | script supervisor (as Cleo Medvetchi) | |
| Elena Neascu | .... | production coordinator | |
| Anisha Rangi | .... | publicity coordinator | |
| Daniela Soare | .... | extras coordinator | |
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| Flying Disc Man from Mars | Cowboys & Aliens | The War of the Worlds | The Lone Defender | It Came from Outer Space |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb Canada section |
Let me start off by saying that it's better than most of the pot boiler Sci Fi channel movies. It makes a tiny bit of pseudo science fiction sense.
I'll start off with a pet peeve of mine, ridiculous gun handling. They mixed extremely modern guns with period guns with no rhyme or reason. Modern Smith and Wesson revolvers in stainless steel with modern target sights and ventilated ribs are used side by side with ones that almost could be period. It's sloppy, very sloppy.
It's no gem. It's pleasant, something to watch when you've had a bad day and are just in the mood to relax to something mindless. Unfortunately I found many of the characters ridiculously bad. The worst was the woman bounty hunter. She was just too 21st century politically correct, but she wasn't the only one.