Young director Marko, after several unsuccessful attempts to shoot his first feature film, makes an acquaintance with a porn director Cane and starts making films with him, showing his ...
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"Subconscious Cruelty" is divided in four segments: Ovarian Eyeball - a naked woman is sliced by a sharp blade and an eyeball is removed from her belly. Human Larvae - a deranged man that ... See full summary »
Bor, Serbia, once the largest copper mine, now just the biggest hole in Europe. Small union protests are going on. Toda and Stefan are best friends, skaters, who spend their first summer ... See full summary »
Jasna is a teenage girl living in the poor suburbs in the south of Belgrade, Serbia. She likes to record everything around her using a mobile phone camera. She is making videos of herself, ... See full summary »
A scientist taints his mother's scientific experiment with his own drug that transforms pain into a pleasurable experience. Unfortunately for the three women involved in the experiment, the drug works a little bit too well.
An aging porn star agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.
Srdjan 'Zika' Todorovic,
As serial killer Lothar Schramm lies dying in his own blood, horrific memories of his miserable life of paranoia, self-harm and rejection flash before his eyes. A tragic look into the mind of a Borderline Personality Disorder psychopath.
Florian Koerner von Gustorf,
Black Metal Veins unflinchingly documents the dark realities of despair and morbid self annihilation surrounding the lives of five heroin junkies. The addicts' intertwining stories of pain,... See full summary »
The true history of Japanese Unit 731, from its beginnings in the 1930s to its demise in 1945, and the subsequent trials in Khabarovsk, USSR, of many of the Japanese doctors from Unit 731. ... See full summary »
Young director Marko, after several unsuccessful attempts to shoot his first feature film, makes an acquaintance with a porn director Cane and starts making films with him, showing his anger towards the society he lives in. After the conflict with Cane he starts his own porn cabaret club in which the socio-political shows are frequently performed. He gathers porn stars around himself. Gay couple Johnny and Max, a transvestite Ceca, junkies Rade and Darinka and others. However, Cane's brother who is a policeman interrupts a premiere, the press destroys them as well, and Marko decides he should leave Belgrade and have a tour around Serbia with his crew. Shortly after, series of conflicts happen with the viewers from the villages they visited. On the way, they meet a German journalist Franc, who is fascinated with Balkan. Franc suggests Marko to make films with the authentic scenes of sex and violence for him, with the volunteers- victims who did not care for their lives. Porn gang has a... Written by
"Life and Death of a Porno Gang" is a major work full of pain and despair, about the destiny of a torn apart nation, from a specific part of the world, but whose tragic existence can be found anywhere in these times of major transition in all spheres. It has the same fetid smell of the best films of Harmony Korine, Lars von Trier, John Cameron Mitchell or Jonathan Caouette, although director Mladen Djordjevic cleverly introduced humor all over his motion picture, as in those other filmmakers' products. It is just cultural differences that detract some people from the Serbian images. In "Life and Death of a Porno Gang" it is not easy to turn the head the other way, because Djordjevic avoided giving us a hint of the "nice side of Serbia ", and that is his right, in order to build the morality tale that is the result. Here you do not find the carefree indifference of blank young girls during spring vacation, the cannibalistic crisis of the bourgeois couples or the narcissistic defense of our LGBT bodies with our LGBT backs turned on the misery of other people's lives (and bodies), very characteristic of rich societies, living far from war, bombs and the smell of a pile of dead bodies. This is a rich work that makes you reflect (well, if you care about the film, anyway, or if you can see through its strong images) about the validity of ephemeral art, about the lack of ethics in all strata, the lack of information of people living in the inner country, the devaluation and depreciation of life, the exaltation of death and its cult, and (if you are curious of what happens beyond your national borders) it also urges you to find a bit of information about Serbians, Croatians and all the struggles they have been involved in the recent past. And perhaps above anything else, it makes you think about the validity of cinema today and if we really need the products that are being made. Here, Marko, a young film graduate, wants to direct his first feature, and ends up making snuff films. Cinema has gone a long way: once it was entertainment and, more importantly perhaps, it was an ensemble of many windows to the worlds beyond ours. There were no other lookouts but movies, to go, see, be informed, learn. That mission was fulfilled but now it has to be shared, and television and internet have mostly taken that role. Now we have multiple possibilities. But usually we have to see what the media companies want us to see. So cinema still has a place to fulfill, but those works are not being made. I believe that nobody needs a very high percentage of the movies made today. We get sex, violence, death, "action", fights, and so on, to anesthetize us But we learn very little. I know some think they learn now a lot from Tarantino and a few others, as they did from Kubrick before. But in my time there were better sources of knowledge than Kubrick, and those movies are seldom talked about... Or they are called "pretentious". And then we wake up. But please do not follow the final example of Marko. Open your mind, watch better films and not the usual dose of crap, domestic, provincial movies, dressed up in special effects and syrupy music to make you believe you are a highly sophisticated "cinéphile", when you are just an Oscar follower.
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