| Photos (See all 10 | slideshow) |
| Gary Piquer | ... | Orsini | |
| Jouko Ahola | ... | Jacob van Oppen | |
| Antonella Costa | ... | Adriana | |
| César Troncoso | ... | Heber | |
| Bruno Aldecosea | ... | Grey | |
| Alfonso Tort | ... | Ronco | |
| Jorge Temponi | ... | Jorge | |
| Jenny Goldstein | ... | Jessica | |
| Ignacio Cawen | ... | Fernandez | |
| Luis Lage | ... | Rius | |
| Enrique Vidal | ... | Locutor | |
| Lucía Fernández | ... | Boletera |
Directed by | |||
| Álvaro Brechner | |||
Writing credits(in alphabetical order) | ||
| Álvaro Brechner | ||
| Juan Carlos Onetti | short story | |
| Gary Piquer | ||
Produced by | |||
| Juan Manuel Arreseigor | .... | assistant executive producer | |
| Adolfo Blanco | .... | executive producer | |
| Adolfo Blanco | .... | producer | |
| Álvaro Brechner | .... | producer | |
| Tomás Cimadevilla | .... | producer | |
| Beatriz Delgado | .... | associate producer | |
| Virginia Hinze | .... | producer | |
| Gary Piquer | .... | producer | |
| Diego Robino | .... | associate producer | |
Original Music by | |||
| Mikel Salas | |||
Cinematography by | |||
| Álvaro Gutiérrez | |||
Film Editing by | |||
| Teresa Font | |||
Art Direction by | |||
| Gustavo Ramírez | |||
Costume Design by | |||
| Alejandra Rosasco | |||
Makeup Department | |||
| Estela Vallegra | .... | makeup artist | |
Production Management | |||
| Noelia Burlé | .... | assistant unit manager | |
| Mauro Fernandez | .... | assistant unit manager | |
| Laura Gutman | .... | unit production manager | |
| Victoria Machó | .... | assistant unit manager | |
| Pablo Ramírez | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sol Canil | .... | trainee assistant director | |
| Sergio De León | .... | first assistant director | |
| Matias Estévez | .... | third assistant director | |
| Diego Ferrando Mazzotti | .... | second assistant director | |
Art Department | |||
| Rafael Allende | .... | props | |
| Alonso Banales | .... | construction coordinator | |
| Daniela Calcagno | .... | art assistant | |
| Carolina de La Vega | .... | second assistant | |
| Ignacio Gambin | .... | third assistant props | |
| Mariana Pereyra | .... | assistant art director | |
Sound Department | |||
| Pedro Barbadillo | .... | assistant sound editor | |
| Álex F. Capilla | .... | foley artist | |
| Fabián Oliver | .... | sound recordist | |
| Alvaro Rivero | .... | boom operator | |
| Nacho Royo-Villanova | .... | foley mixer | |
| Nacho Royo-Villanova | .... | sound editor | |
| Nacho Royo-Villanova | .... | sound re-recording mixer | |
| Ricardo Viñas | .... | dolby sound consultant | |
Visual Effects by | |||
| Ramón Cervera | .... | digital compositor: nuke | |
| Ramón Daza | .... | digital compositor: nuke | |
| Daniel de Madrid | .... | digital compositor: nuke | |
| Blas Galera | .... | digital conform editor | |
| Isidro Jiménez | .... | digital effects supervisor | |
| Juan Manuel Nogales | .... | main title design | |
| Telson S.L. | .... | digital post production & effects | |
Camera and Electrical Department | |||
| Quique Alvarez | .... | gaffer | |
| Pablo Berti | .... | first assistant camera | |
| Denny Brechner | .... | video assistant | |
| Carlos Catalán | .... | camera operator | |
| Carlos Catalán | .... | cinematographer: second unit | |
| Erika Levy | .... | second assistant camera | |
| Paul Luzardo | .... | electrician | |
| Sebastian Monetti | .... | electrician | |
| Alejandro Noya | .... | grip | |
| Diego Zalduondo | .... | second assistant camera: second unit | |
Casting Department | |||
| Ricardo Padula | .... | casting: Miami | |
Costume and Wardrobe Department | |||
| Adriana Levin | .... | wardrobe assistant | |
| Valentina Rodriguez Amado | .... | wardrobe assistant | |
| Johana Silveira | .... | wardrobe assistant | |
Editorial Department | |||
| María Platas Alonso | .... | post-production coordinator | |
| Isabel Cano | .... | post-production coordinator | |
| Enrique Jiménez | .... | colorist | |
| Nuria López | .... | post-production coordinator | |
| María José Martín | .... | post-production director | |
| Renato Sanjuán | .... | assistant editor | |
| Silvia Torralba | .... | post-production coordinator | |
Other crew | |||
| Fabiana Lujambio | .... | continuity | |
| Anouk Ogueta | .... | project documentarian | |
| Claire Viroulaud | .... | press attache | |
| Recent Posts (updated daily) | User |
|---|---|
| to sad | twodollarshort |
| Details about the ending, please--including spoiler! | rwkenyon-396-455045 |
| Opening song title/performer, please? | nnmko |
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| 800 Bullets | Grind | Schultze Gets the Blues | Out of the Past | The Man Who Would Be King |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Uruguay section |
First off, I take issue with the description of the film, where it states- "Jacob van Oppen, the former strongest man on earth, and his manager Orsini, who calls himself "the Prince", make a good living by traveling around small South American towns and organizing wrestling exhibitions." Wrong. They do not make a good living. They are living a precarious existence. Jacob, a shadow of his former self and Orsini, a con-man who does not even have the 'mil dolares' to back up and finance his bets. They are leading a terrible life, are both alcoholics, and both know it. Orsini is a self-described Italian Prince, but no one dare ask what he is doing, taking seedy bus trips, promoting a washed-up wrestler, all over South and Central America.
In any case, it's an excellent film. Jacob has become brain damaged from his years of wrestling and self abuse, he has reverted back to the mental state of a child. Not only that, he is bi-polar or has other mental issues which he takes medication for. As if that were not sad enough, Jacob also has some serious health issues. Although it has many comedic moments, it is nonetheless a sad film. It takes place in a fictional, back-water, town in Uruguay, in 1962. The acting and cinematography are all top notch. Jacob is somewhat devastated when he finds out the Orsini has been "fixing matches for him" and hand-picking opponents that insure Jacob wins the matches every time. The ending is brilliant and everything leads up to the final match at the end, where due to events in the town of Santa maria, Jacob must face a very tough opponent.