Seven years after the apparent death of Chen Zhen, who was shot after discovering who was responsible for his teacher's death (Huo Yuanjia) in Japanese-occupied Shanghai. A mysterious ... See full summary »
In 1905, revolutionist Sun Yat-Sen visits Hong Kong to discuss plans with Tongmenghui members to overthrow the Qing dynasty. But when they find out that assassins have been sent to kill him, they assemble a group of protectors to prevent any attacks.
The story of legendary Guan Yu crossing five passes & slaying six generals. He played a major role in the civil war that led to the collapse of Han Dynasty & the establishment of Shu Han of the 3 Kingdoms, making Liu Bei its first emperor.
A near retired cop and his unit are willing to put down a crime boss at all costs while dealing with a replacement inspector who is getting in their way. Meanwhile, the crime boss sends his top assassin to kill the cops.
Ip Man 2 is a 2010 Hong Kong biographical martial arts film loosely based on the life of Ip Man, a grandmaster of the martial art Wing Chun. A sequel to the 2008 film Ip Man, the film was directed by Wilson Yip, and stars Donnie Yen, who reprises the leading role. Continuing after the events of the earlier film, the sequel centers on Ip's movements in Hong Kong, which is under British colonial rule. He attempts to propagate his discipline of Wing Chun, but faces rivalry from other practitioners, including the local master of Hung Ga martial arts. Written by
During the fight with Twister, as Yip Man begins to dominate and eventually wins shortly thereafter, Yip Man is shown striking points on Twister's arms which makes his arm lock-up. This is probably meant to represent some form of Dim-Mak - a secret body of knowledge in Chinese martial arts with techniques that attack pressure points and meridians, said to incapacitate or sometimes even cause delayed death. See more »
Let's talk. Will you release my pupil first?
Leung, are you all right?
Wong Shun Leung:
Why did you injure him?
Wong Shun Leung:
He wanted to fight, but wasn't as good as me. I couldn't really help it, could I?
What did you say? I'm not as good as you?
Take it easy! You're both young men. Injuries are inevitable in friendly fights. I'll visit your master and explain to him. May I know who your master is?
Doesn't matter. He's better than you anyway. By the way, did you bring the ransom?
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Exciting action sequences marred by weak third segment
Ip Man 2 contains top-notch action sequences from the beginning to the end. It is a befitting sequel that is almost on par with the first movie.
However, it is unfortunate that some of the action scenes rely too much on wire-works. The battle between the masters for example, was inventive but a bit on the fantastical side. Looking back at the first movie, all of the best action sequences were much more grounded in realistic portrayal, as the Wing Chun style looks good in this manner.
It was good to see some cool style vs style fights though, as we get to see Animal Style, Baguazhang and Hung Gar vs. Wing Chun. A friend and I were wondering though if it'd be more accurate to present Preying Mantis, Taiji and Choy Li Fut in the mix as these styles are well established in Hong Kong.
In terms of plot, Ip Man 2 transitions nicely from the first movie, where we get to follow Ip Man as he establishes and propagates Wing Chun in Hong Kong after escaping Communist persecution in 1949. A fact that was obscured by making the character look like he's escaping the Japanese Army instead. No doubt this is a marketing ploy to make sure the movie would not upset the powers-that-be in China.
And like the first movie, Ip Man 2 takes liberty with many facts and plot to condense the essence of Ip Man's characters and what he stood for. It is interesting to note that little is mentioned about his sibling and extended family who helped him in some capacity during this difficult period of time. One of his first pupils was loosely based on a real-life counterpart, the late Master Wong Shung Leung. In Ip Man's old life, he'd often send Wong to successfully answer challenges.
Sammo Hung has delivered yet another amazing feat with choreographing this movie, despite his declining health during production.
My biggest disappointment has to do with the blatant stereotype and one-dimensional characterization of the British colonists and the Twister character. It's a lazy writing that may excite a certain segment in the Chinese market, but in my eyes this serves only to bring down the movie to B-grade martial art flicks of bygone era. There's no denying the populist appeal of this method considering the main target market.
All in all, this has been a fun movie to watch, and I hope the prequel will be as fun, if not more mature in its storytelling.
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