Director Johan Grimonprez casts Alfred Hitchcock as a paranoid history professor, unwittingly caught up in a double take on the cold war period. Subverting a meticulous array of TV footage ... See full summary »
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Director Johan Grimonprez casts Alfred Hitchcock as a paranoid history professor, unwittingly caught up in a double take on the cold war period. Subverting a meticulous array of TV footage and using 'The Birds' as an essential metaphor, DOUBLE TAKE traces catastrophe culture's relentless assault on the home, from moving images' inception to the present day. Written by
I'll start with an apology. I am unsure that I will be able to provide a meaningful description of this film. In saying that, I'm not sure I would have known I would have enjoyed this as much as I did, regardless of anyone's opinion. Truly, this is a film that is difficult to conventionally define that's part of why I liked it so much. The film intertwines the classic cinema Alfred Hitchock created in his long distinguished career, with the significant historical events of the same time. So...have the classic imagery of birds, shower scenes, dead bodies...interspersed by Nixon's encounter with Khrushchev, JFKs televised presidential debate and the space race. The underlying theme is about doubles, and Hitchcock's double both lookalike and soundalike feature. The voice over is hypnotic, and the film would have never had the same impact without the vocal performance of Mark Perry. I also felt myself hypnotised by the original soundtrack music of Bernard Hermann, and Double Take is a film I would watch at least twice.
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