A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
For a factory worker named Douglas Quaid, even though he's got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating life - real memories of life as a super-spy might be just what he needs. But when the procedure goes horribly wrong, Quaid becomes a hunted man as he finds himself on the run from the police. Written by
The security check post are designed to look like giant iPhones in the mask scene. Notice the home button on the top. See more »
The music credits mention only Beethoven's Piano Sonata No. 17, but the first part Quaid played on the grand piano is actually from the first movement of Beethoven's Piano Sonata No. 14 "Moonlight" C# minor op. 27/2 - only the second piece is from the opening of the third movement of Ludwig van Beethoven's Piano Sonata No. 17 "Tempest" in D minor, Op. 31, No. 2. See more »
This movie is one of those remakes which is not as good as the original 90s version. In other words it was pointless.
There is some continuing action that keeps one mildly engaged but the story is weak. The Arnie version had a clear and interesting plot with charm and wit remember "Sweetheart, be reasonable. After all, we're married!", "Consider this a divorce". Also the climax was grand and fascinating - the lack of oxygen bug eyed thing.
There are some vast multi level future cities that resemble an overcrowded Hong Kong or Shanghai. But the chase routines that race through them are repetitive after a while.
Kate Beckinsale's character kept popping back too many times and there is no reason why she is so relentless. Maybe just because her husband is the director. It was nice to see Jessica Biel in a big budget movie again. Colin Farrell plays a more regular guy than an action hero which is good but he doesn't have interesting lines to deliver.
Overall, see this if you want to but be warned it's not as good as the 90s version.
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