A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
For a factory worker named Douglas Quaid, even though he's got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating life - real memories of life as a super-spy might be just what he needs. But when the procedure goes horribly wrong, Quaid becomes a hunted man as he finds himself on the run from the police. Written by
The folding pocket knife Quaid uses when he breaks into his old residence is a production model from CRKT called the "K.I.S.S." See more »
When Douglas/Hauser is lead to Matthias, they go underground to take what should be the now forgotten subway. The action is supposed to take place in the future in London but the subway station and car look definitely New-Yorkish and absolutely not like any of the London Tube. See more »
Whoever Owns the Film Rights to Philip K. Dick's Stories Should Be Ashamed!
The acting was mediocre. In one scene I even felt an actor was having difficulty with his lines and that's annoying! What's even more annoying is that the main "bad guy" is a depraved, Teflon-coated, wonder woman who can easily beat the stuffing out of our hero, despite the fact he also happens to be a professionally trained killer with muscles the size of bowling balls. Throughout the entire movie, this wonder woman just keeps coming back like a pesty stalker. Hardly getting a scratch until the very end. I was even waiting for her to start talking like Clint Eastwood! She also enjoyed explaining herself too much and I was really hoping she would get dispatched ASAP because her presence was undermining the entire story!
I have to admit I cared about the good guys! I wanted them to win, but unlike the first Total Recall, I didn't care nearly as much. In the original film I desperately wanted the good guys to win! In the remake my feelings were muted. After all the remake has been dumbed-down, which makes it dull. Sure there's plenty of CGI eye candy and plenty of Clone Trooper-type guys in body armor getting miraculously mowed down at every corner. But the story is not edgy in the least! Unlike the original Total Recall, where you really didn't know if the good guys were going to win.
And the remake has no message, unlike the original. The original was about mind-bogglingly oppressive corporate greed and as a result you felt a wide range of strong emotions! So much was at stake!
I don't like it when a great story is reduced to so many campy clichés! There was great tension building in the first half of the film only to fall apart later! It's so obvious Hollywood focus-grouped the screenplay to death in order to pander to the teen and pre-teen boy segment of the movie going public! Too bad Philip K. Dick will be spinning in his grave tonight. Whoever owns the film rights to his stories should be ashamed of themselves and PLEASE make no more movies if this is the best you can do! Try to protect the man's legacy, instead!
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