A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
Selene, a beautiful vampire warrior, entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
For a factory worker named Douglas Quaid, even though he's got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating life - real memories of life as a super-spy might be just what he needs. But when the procedure goes horribly wrong, Quaid becomes a hunted man as he finds himself on the run from the police. Written by
Most of the futuristic-looking firearms are actually contemporary weapons with little to no modification. The silver handgun carried by Lori Quaid and by various police in its blued form is a Chiappa Rhino .357-caliber revolver with a laser sight fixed under the muzzle; the police carry TDI Vector .45-caliber submachine guns; and the resistance fighters mostly carry Heckler & Koch firearms, including G36C assault rifles and UMP and MP5 submachine guns. See more »
The music credits mention only Beethoven's Piano Sonata No. 17, but the first part Quaid played on the grand piano is actually from the first movement of Beethoven's Piano Sonata No. 14 "Moonlight" C# minor op. 27/2 - only the second piece is from the opening of the third movement of Ludwig van Beethoven's Piano Sonata No. 17 "Tempest" in D minor, Op. 31, No. 2. See more »
Whoever Owns the Film Rights to Philip K. Dick's Stories Should Be Ashamed!
The acting was mediocre. In one scene I even felt an actor was having difficulty with his lines and that's annoying! What's even more annoying is that the main "bad guy" is a depraved, Teflon-coated, wonder woman who can easily beat the stuffing out of our hero, despite the fact he also happens to be a professionally trained killer with muscles the size of bowling balls. Throughout the entire movie, this wonder woman just keeps coming back like a pesty stalker. Hardly getting a scratch until the very end. I was even waiting for her to start talking like Clint Eastwood! She also enjoyed explaining herself too much and I was really hoping she would get dispatched ASAP because her presence was undermining the entire story!
I have to admit I cared about the good guys! I wanted them to win, but unlike the first Total Recall, I didn't care nearly as much. In the original film I desperately wanted the good guys to win! In the remake my feelings were muted. After all the remake has been dumbed-down, which makes it dull. Sure there's plenty of CGI eye candy and plenty of Clone Trooper-type guys in body armor getting miraculously mowed down at every corner. But the story is not edgy in the least! Unlike the original Total Recall, where you really didn't know if the good guys were going to win.
And the remake has no message, unlike the original. The original was about mind-bogglingly oppressive corporate greed and as a result you felt a wide range of strong emotions! So much was at stake!
I don't like it when a great story is reduced to so many campy clichés! There was great tension building in the first half of the film only to fall apart later! It's so obvious Hollywood focus-grouped the screenplay to death in order to pander to the teen and pre-teen boy segment of the movie going public! Too bad Philip K. Dick will be spinning in his grave tonight. Whoever owns the film rights to his stories should be ashamed of themselves and PLEASE make no more movies if this is the best you can do! Try to protect the man's legacy, instead!
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