A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
For a factory worker named Douglas Quaid, even though he's got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating life - real memories of life as a super-spy might be just what he needs. But when the procedure goes horribly wrong, Quaid becomes a hunted man as he finds himself on the run from the police. Written by
There is a welcoming sign at the station in the Colony, at both sides of the Colony's logotype, that is written in Czech and Bulgarian languages: both Slavic languages using Latin and Cyrillic alphabet respectively. Great Britain, the Czech Republic and Bulgaria are European Union member states. It seems at the end of the XXI century Czechs and Bulgarians live in the Colony, modern day Australia, while at the beginning of this century they are not among the 40 largest Diasporas of immigrants in Australia. See more »
The "London Underground" train, is actually of north American design despite bearing London Transport logos and the station showing London Underground posters. This is because the scene was filmed in a Canadian Subway station. The train also looks very dated, there are far more modern 'futuristic' trains currently in use on the London Underground. See more »
Well, reviewing this movie can be quite difficult... How am I supposed to evaluate it? As a stand-alone movie or as a remake? Because if you are not falling from, um, Mars you probably know this is a remake of one of the best Arnold Schwarzenegger movies ever...
Hmm... Let's see. How about starting with its' critical acclamation? I guess you can easily see the movie's rating on Rotten Tomatoes. If not, I recommend seeing it if you want a good laugh. 30%. That is it. Needless to say, any sane person would be shocked. Not because the movie is too good for that rating. You don't need to like the movie... You don't even need to have seen it to know something is very, very wrong here... I mean, 'Die Hard 4.0' has 81%... How the hell can the next movie created by the same writer/director have almost three times lower rating? I know, writers/directors don't always make movies of equal quality but the quality NEVER fluctuates that much. A little research about RT helped me realize a few things.
First, critics tend to give sequels of beloved franchises high ratings
of all movies of that kind that I checked only one - 'Die Hard 3' -
had less than 65%. Everything else - even the abysmal 'Attack of the Clones' - was rated as "Fresh".
Second, critics tend to have a certain bias against sci-fi, fantasy and horror if they are not directed by a supposedly great name like Ridley Scott or Nolan. 'Willow' - a fantasy genre icon - has 49%. Go figure.
Third, Rotten Tomatoes is not even a good representative of critics' opinion... I mean, does anybody believe the critics considered the last Indiana Jones movie better than 'Forrest Gump'? Check their awards and you will see. And yet.. Go and see. So much for RT being a good source...
I wasted your time with this but it just had to be told. Now, about the movie itself. Well, it IS good. It has its' shortcomings, mainly in the writing department, but it stands on its' own.
As a stand alone movie... Well, after 'Prometheus' disappointed everyone, TR2012 is probably the best sci-fi movie of the year. It has a great story, great chemistry between the actors and the writing is at least acceptable although sometimes flawed. The acting was good from all actors. The only slight disappointment comes from Bill Nighy - he delivered a fine performance but he looked like he spent no more than an hour on the movie set. However his character, although important, has no more than 10 minutes of screen time so... Action-wise this movie is EXACTLY what 'Die Hard 4.0' was - relatively bloodless, wonderfully captured and complicatedly choreographed. Smooth camera movement, NO shaky cam, extremely long cuts - look at the first fight in the trailer and you will get it. And, believe me, the action looks better than that on the big screen. What is also worth mentioning is the fact that the movie feels more real than most sci-fi blockbusters recently, mostly because the use of CGI and green screens is as minimal as possible. I don't know why so many people think it is loaded with CGI. It isn't, trust me.
Overall, as a stand alone movie the new 'Total Recall' works, and it works well.
As a remake... Well, it did keep the basic story but that is it. Verhoeven's humor is gone. The blood is gone. The gore is gone. Mars is gone. Mutants are gone. Richter is gone. Arnold and his one-liners are gone. Although the story is basically the same, the new movie is completely different from the original. There are a few nods to the 1990 movie but that is it. This is a new movie.
If you want to see the old one, see it. It is great. If you haven't seen it you will love it. If you already have seen it... you will love it again.
The new movie is different. If you see it with an open mind you will probably like it at least a bit. Give it a chance. It is a good movie and a great entertainment.
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