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A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.

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(screenplay), (screenplay) | 10 more credits »
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1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Douglas Quaid / Hauser
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Natalie Lisinska ...
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Stephen MacDonald ...
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LinLyn Lue ...
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Storyline

For a factory worker named Douglas Quaid, even though he's got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating life - real memories of life as a super-spy might be just what he needs. But when the procedure goes horribly wrong, Quaid becomes a hunted man as he finds himself on the run from the police. Written by Sony Pictures

Plot Summary | Plot Synopsis

Taglines:

Real? or Dream? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of sci-fi violence and action, some sexual content, brief nudity, and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

Release Date:

3 August 2012 (USA)  »

Also Known As:

El vengador del futuro  »

Box Office

Budget:

$125,000,000 (estimated)

Opening Weekend:

$25,577,758 (USA) (3 August 2012)

Gross:

$58,877,969 (USA) (5 October 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended director's cut)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The announcer in the holographic advertisement for Rekall says, "We can remember it for you." The film is loosely based on a short story by Philip K. Dick called, "We Can Remember It For You Wholesale." See more »

Goofs

For The Fall to travel the diameter of the Earth in 17 minutes, it would have to maintain an average speed of over 45000 kph (28000 mph). At this speed, it would be impossible for anyone to survive standing on the outside, because of both the airflow and the high temperatures resulting from friction. See more »

Quotes

[first lines]
Melina: Wake up. Wake up. Wake up.
See more »

Connections

References The Spy Who Loved Me (1977) See more »

Soundtracks

Piano Sonata No. 17 in D minor
Op. 31, No. 2 ("The Tempest")
Written by Ludwig van Beethoven
Performed by Simon Chamberlain
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Whoever Owns the Film Rights to Philip K. Dick's Stories Should Be Ashamed!
3 August 2012 | by (Baltimore, Maryland) – See all my reviews

The acting was mediocre. In one scene I even felt an actor was having difficulty with his lines and that's annoying! What's even more annoying is that the main "bad guy" is a depraved, Teflon-coated, wonder woman who can easily beat the stuffing out of our hero, despite the fact he also happens to be a professionally trained killer with muscles the size of bowling balls. Throughout the entire movie, this wonder woman just keeps coming back like a pesty stalker. Hardly getting a scratch until the very end. I was even waiting for her to start talking like Clint Eastwood! She also enjoyed explaining herself too much and I was really hoping she would get dispatched ASAP because her presence was undermining the entire story!

I have to admit I cared about the good guys! I wanted them to win, but unlike the first Total Recall, I didn't care nearly as much. In the original film I desperately wanted the good guys to win! In the remake my feelings were muted. After all the remake has been dumbed-down, which makes it dull. Sure there's plenty of CGI eye candy and plenty of Clone Trooper-type guys in body armor getting miraculously mowed down at every corner. But the story is not edgy in the least! Unlike the original Total Recall, where you really didn't know if the good guys were going to win.

And the remake has no message, unlike the original. The original was about mind-bogglingly oppressive corporate greed and as a result you felt a wide range of strong emotions! So much was at stake!

I don't like it when a great story is reduced to so many campy clichés! There was great tension building in the first half of the film only to fall apart later! It's so obvious Hollywood focus-grouped the screenplay to death in order to pander to the teen and pre-teen boy segment of the movie going public! Too bad Philip K. Dick will be spinning in his grave tonight. Whoever owns the film rights to his stories should be ashamed of themselves and PLEASE make no more movies if this is the best you can do! Try to protect the man's legacy, instead!


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