At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life. His decision to make his world a better place by getting a girlfriend turns out not to be as easy as you might think.
Ruby Weaver has man trouble: she tries to fix them, so she's stuck herself with a string of losers. Her current lover, Sam Deed, seems different: he's sweet, tender, just in from Dubuque. ... See full summary »
As an asteroid nears Earth, a man finds himself alone after his wife leaves in a panic. He decides to take a road trip to reunite with his high school sweetheart. Accompanying him is a neighbor who inadvertently puts a wrench in his plan.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
George, a lonely and fatalistic teen who's made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.
Do we control our destiny, or do unseen forces manipulate us? A man glimpses the future Fate has planned for him and realizes he wants something else. To get it, he must pursue across, under and through the streets of modern-day New York the only woman he's ever loved. On the brink of winning a seat in the U.S. Senate, ambitious politician David Norris (Damon) meets beautiful contemporary ballet dancer Elise Sellas (Emily Blunt) - a woman like none he's ever known. But just as he realizes he's falling for her, mysterious men conspire to keep the two apart. David learns he is up against the agents of Fate itself - the men of The Adjustment Bureau - who will do everything in their considerable power to prevent David and Elise from being together. In the face of overwhelming odds, he must either let her go and accept a predetermined path...or risk everything to defy Fate and be with her. Written by
Actress Shohreh Aghdashloo played God in the original cut of the film. According to Shohreh Aghdashloo herself in a Los Angeles Times interview, she was replaced by the studio because she was born a Muslim and the studio wasn't ready for Muslim to portray God in a movie. Her exact quote: "Oh, my God, I loved that role. As actors, we all know we're at the mercy of the editing table, but not to this extent, never had I experienced it. The director, George Nolfi, decided I should play God. Everything went great until I got a call from the director who was asking to have lunch with me. He was on the verge of crying. He said, the distribution company believes that you cannot play this role....That's right, although if I'm asked what religion I am, I say I was born a Muslim. I don't introduce myself as a Muslim woman, but I guess the distribution company put the dots together and felt it's too early for this." See more »
The agents several times speak of "inflections points", but what they mean is called "bifurcation point", i.e. a point on the graph of a process where a branching into two (or more) different trajectories may occur. See more »
Let's welcome my favorite alumnus, and the next Senator from the State of New York, David Norris.
Thank you! Thank you! Well hi there. My name David Norris, and I'd like to be the next Senator from the State of New York.
Hey there, what's your name?
I'm going to go through Yonkers, I'm going to go door-to-door and take the city that way...
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Intelligence mixed with big-budget Hollywood action to form the new science fiction romance genre
I'm starting to like this new genre of science fiction romance that "The Adjustment Bureau" falls into. Hollywood seems to have learned how to add a significant amount thought to their films, just with their usual dumbing-down procedures.
David (Matt Damon) has met Elise (Emily Blunt) and based on one spontaneous kiss and one flirtatious encounter, he's determined that she's the one he's supposed to be with. They have other plans. Oh yes, the indefinable, ambiguous pronoun "they". Just to keep a sense of the intrigue afloat, I'll define "they" as the men of "The Adjustment Bureau". What they want, we don't really know. But David wants the girla beautiful girlbut just a girl nonetheless.
For us, questions of free will, fate, soul mates, success and pre-defined destinies abound. All running around an intricate maze of New York architecture. Although intricate might not be the best word because there's nothing here for us to figure out; the film lays everything out well in advance, and over and over again in case you missed it. At least there's intelligence to the story but unfortunately no subtlety.
"The Adjustment Bureau" has pretty city-scapes and pretty people playing more profound characters than pretty people usually play. As with most genre-mixing films, there is something for everybody. I got the intelligence that is usually sorely missing from big-budget Hollywood action films although I could have done with a bit more respect.
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