At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life. His decision to make his world a better place by getting a girlfriend turns out not to be as easy as you might think.
Ruby Weaver has man trouble: she tries to fix them, so she's stuck herself with a string of losers. Her current lover, Sam Deed, seems different: he's sweet, tender, just in from Dubuque. ... See full summary »
As an asteroid nears Earth, a man finds himself alone after his wife leaves in a panic. He decides to take a road trip to reunite with his high school sweetheart. Accompanying him is a neighbor who inadvertently puts a wrench in his plan.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
George, a lonely and fatalistic teen who's made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.
Do we control our destiny, or do unseen forces manipulate us? A man glimpses the future Fate has planned for him and realizes he wants something else. To get it, he must pursue across, under and through the streets of modern-day New York the only woman he's ever loved. On the brink of winning a seat in the U.S. Senate, ambitious politician David Norris (Damon) meets beautiful contemporary ballet dancer Elise Sellas (Emily Blunt) - a woman like none he's ever known. But just as he realizes he's falling for her, mysterious men conspire to keep the two apart. David learns he is up against the agents of Fate itself - the men of The Adjustment Bureau - who will do everything in their considerable power to prevent David and Elise from being together. In the face of overwhelming odds, he must either let her go and accept a predetermined path...or risk everything to defy Fate and be with her. Written by
Early in the film, when David delivers an address at Fordham University, he is standing on the "Terrace of the Presidents", which is inscribed with the names of heads of state who have received degrees or honorary degrees from the university. See more »
When Elise woke up, the alarm clock was at 8:20, yet she had received four phone calls, the most recent being from 11:03. Later she said she had received them in the same morning (not last night). See more »
Let's welcome my favorite alumnus, and the next Senator from the State of New York, David Norris.
Thank you! Thank you! Well hi there. My name David Norris, and I'd like to be the next Senator from the State of New York.
Hey there, what's your name?
I'm going to go through Yonkers, I'm going to go door-to-door and take the city that way...
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Jan 11: I was invited to see and rate this movie at a free audience screening. While biting the hand that feeds you is incredibly bad form, this film is not worth paying a full price admission. DO see it on the big screen, but go to the matinée instead.
Caveat, I'm not the target audience, (and hadn't read the short story source first) so for you to calibrate: I rated Jumper at 7; Avatar at 6 bumped up to an 8 for CGI; and Last Airbender at 3.
This film has all the individual elements for a great time: The opening draws you into the story; Blunt is engaging and sensual; Stamp is villainous; Damon/Blunt have fabulous chemistry including a great meet; initial mystery, sophisticated humor, snappy repartee, wonderful score, and superb scenery. The supporting characters are well cast and acted. However, the thin plot doesn't sustain the whole movie, and it takes too long for the minimal plot to unfold, even though there are myriad chase scenes to divert you at first.
The movie was seemingly created for chase scenes, with a poorly contrived reason for the "boy meets girl, boy loses girl but continues to search for her storyline", tossed in to justify all the chasing. In attempting to make everything mysterious, the audience is kept as ignorant as the characters to the point where it became "THATS the reason he's been chasing after her? How DISAPPOINTING!" when the cause for separation is unveiled. The secret meetings which presumably either advance or reveal the mystery were annoying instead. Finally, in the last portion of the movie, the opening doors and running become so repetitive, you can feel like the Blunt character, who has her hands over her head and is screaming. The ending is abrupt, contrived and disappointing, a veritable deus ex machina version.
Conversely, my companion who loves everything sci-fi or sci-fantasy, and reads Phillip K Dick (including the short story on which this was based) rated the movie "excellent" as opposed to my "ok". Even though the movie diverges from the short story, he suffered no confusion or disappointment with the story line, big reveals, or ending. He also thought the cast, romance, and humor were great.
We both agree--do see the movie on the big screen as it certainly enhances the suspense and startling moments (political crowd scene, adjustment scene, car crashes, action scenes and finale) and shows off the great NYC locations. He says go ahead and pay full price,the movie is worth it
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