2 items from 2017
Guadalajara, Mexico — Chilean Patricio Guzman’s “Cordillera,” Dolores Fonzi-starrer “The White Devil” and “Nudo Mixteco,” a women’s drama produced by Lucia Carreras, are among projects to be pitched at an expanded 13th Guadalajara Co-Production Meeting, which runs March 12-14 at the Mexican Festival.
Produced by Chile’s Alexandra Galvis and Renate Sachse in Paris and directed by Guzman, the doyen of Latin American documentary filmmakers, “Cordillera” marks the final part of a documentary trilogy begun by 2010’s “Nostalgia For the Light” and continued with “The Pearl Button,” a best screenplay winner at the 2015 Berlin Festival.
In it, Guzman sets out to explore the Andes, a “wall which separates us [Chileans] from the world” and a mountain range which “contains the history of all mankind,” Guzman has said.
A fiction feature, “Nudo Mixteco” turns on immigration and, above all three indigenous women’s doubts and fears as they battle for »
- John Hopewell
Nobody could accuse Argentina’s Adrian Suar of not leading from the front. The most-prolific high-level multi-tasker in Latin America’s film-tv business, Suar is set to star in the upcoming movie “Futbol o yo,” produced by the Disney-backed Patagonik Film Group, as he advances on a full roster of TV series at Pol-ka Producciones, the TV production house he co-owns with Argentine broadcaster Artear.
A romantic comedy, “Futbol o yo” has gone into production as Suar, who also serves as program director for Artear-El Trece, the flagship free’to’air channel of media conglom Clarin Group, is helping to steer the top Argentine TV network fully into a digital age.
The most visible sign: a new contents production center, inaugurated in downtown Buenos Aires in January, which allows Artear program honchos access to contents to feed a multi-distribution network which takes in three newscasts, eight channels and four apps as Artear repositions, »
- Emiliano De Pablos and John Hopewell
2 items from 2017
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