Yoshie, the younger and ill-treated sister of a renowned Geisha, is discovered to have natural strength and fighting ability. She's recruited into an army of Geisha assassins by the rich ...
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On her sixteenth birthday, Rin (Yumi Sugimoto), a bullied, timid schoolgirl witnesses her parents killed by fearful, anti-mutant humans. Rins dormant mutant abilities are awakened and she ... See full summary »
Full-throttle splatter-ific Japanese cyberpunk science fiction/horror at its most aggressive, this mind-blower about alien parasites that turn their human hosts into slave "Necroborgs" will leave you dizzy and drained - in a good way.
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Yoshie, the younger and ill-treated sister of a renowned Geisha, is discovered to have natural strength and fighting ability. She's recruited into an army of Geisha assassins by the rich and powerful owner of a steel-works, Kageno. During training large (and interesting) parts of their bodies are altered into weaponry directly linked to their brains. Yoshie soon realizes that Kagenos real plan is to have his robotic castle throw a new and very powerful nuclear bomb into the centre of Fuji-san, effectively destroying Japan entirely. With the help of other 'Kageno defectors', she sets out to stop him and his Tengu warriors. Written by
Noboru Iguchi's films have a reputation. You know people are going to die in them, but you are never entirely sure who will be next. Or what the weapon will be. Or from what orifice the weapon protrudes from. Robogeisha carries on this fine tradition, but as a teensy-weensy spoiler, there's more use of CGI blood this time around. I guess it saves on the cleaning bills.
So two sisters, one a geisha, the other the attendant, get invited to perform at a dinner for the big bad guy, and end up being recruited into his army of highly-trained female killers masquerading as more geisha. Oh and there's a few cybernetic upgrades on the way as well.
I can't really say much more to this movie that you can't already tell from the trailer. So I'll just say that I, and practically everyone else in a tiny cinema in the backstreets of Shibuya, was in fits of giggles throughout this movie as we were regularly surprised at what Iguchi's imagination would throw at us. Think of Wacky Racers with cast-iron Shimadas, comedy instead of splatter and only a slight feeling of disappointment when some of the set pieces are cut too short then there's still laughs to be had. Anyone for fried shrimp?
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