| Photos (See all 10 | slideshow) | Videos (see all 7) |
| Kseniya Rappoport | ... | Sonia (as Ksenia Rappoport) | |
| Filippo Timi | ... | Guido | |
| Antonia Truppo | ... | Margherita | |
| Gaetano Bruno | ... | Riccardo | |
| Fausto Russo Alesi | ... | Bruno | |
| Michele Di Mauro | ... | Dante | |
| Lorenzo Gioielli | ... | Hotel deputy director | |
| Lidia Vitale | ... | Redhead at speed date | |
| Giampiero Judica | ... | Man at speed date | |
| Roberto Accornero | ... | Man at speed date | |
| Lucia Poli | ... | Marisa | |
| Giorgio Colangeli | ... | Priest / Father | |
| Deborah Bernuzzi | ... | Hostess | |
| Barbara Braconi | ... | Receptionist | |
| Federica Cassini | ... | Infermiera | |
| Valentina Gaia | ... | Jewelry shop-girl | |
| Diegi Gueci | ... | Man at speed date | |
| Edoardo La Scala | ... | Marco | |
| Chiara Nicola | ... | Suicide girl | |
| Chiara Paoluzzi | ... | Chambermaid | |
| Gilda Postiglione Turco | ... | Doctor | |
| Simone Repetto | ... | Man at speed date | |
| Fabrizio Rizzolo | ... | Hotel customer | |
| Stefano Saccotelli | ... | Man at speed date | |
| Antonio Sarasso | ... | Nurse | |
| Stefano Sardo | ... | Robber #1 | |
| Paolo Maria Serra | ... | Neurologist | |
| Andrea Zirio | ... | Robber #2 |
Directed by | |||
| Giuseppe Capotondi | |||
Writing credits(in alphabetical order) | ||
| Alessandro Fabbri | writer | |
| Ludovica Rampoldi | writer | |
| Stefano Sardo | writer | |
Produced by | |||
| Carlotta Calori | .... | associate producer | |
| Francesca Cima | .... | producer | |
| Nicola Giuliano | .... | producer | |
| Viola Prestieri | .... | executive producer | |
Original Music by | |||
| Pasquale Catalano | |||
Cinematography by | |||
| Tat Radcliffe | |||
Film Editing by | |||
| Guido Notari | |||
Casting by | |||
| Anna Maria Sambucco | |||
Production Design by | |||
| Totò Santoro | |||
Costume Design by | |||
| Roberto Chiocchi | |||
Makeup Department | |||
| Francesca Buffarello | .... | makeup artist | |
| Giorgio Gregorini | .... | hair department head | |
Production Management | |||
| Stefano Benappi | .... | production manager | |
| Andrea Tavani | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Davide Bertoni | .... | first assistant director | |
| Alberto Colombo | .... | second unit director | |
| Jonathan Deman | .... | second assistant director | |
Art Department | |||
| Fiorella Cicolini | .... | set dresser | |
| Carlotta Desmann | .... | assistant set dresser | |
| Erminio Lauri | .... | digital artist | |
Sound Department | |||
| Simone Carnesecchi | .... | boom operator | |
| Stefano Costantini | .... | sound effects editor | |
| Silvia Moraes | .... | sound editor | |
| Roberto Moroni | .... | sound re-recording mixer | |
| Alessandro Zanon | .... | sound | |
Visual Effects by | |||
| Francesco Antonio Maggi | .... | digital compositor: Vision | |
| Rodolfo Migliari | .... | visual effects supervisor | |
| Miriam Pavese | .... | digital compositor: Vision | |
| Nicola Sganga | .... | visual effects supervisor | |
| Paolo Verrucci | .... | digital film colorist | |
Stunts | |||
| Valentina Bordin | .... | stunts | |
| Giulio Cialfi | .... | stunts | |
| Christian Dell'Acqua | .... | stunts | |
| Francesco Petrazzi | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Incoronata Campanini | .... | costumer | |
| Domenica Columpsi | .... | costume assistant | |
| Sara Giovene | .... | costume assistant | |
Editorial Department | |||
| Eleonora Cao | .... | first assistant editor | |
Music Department | |||
| Pasquale Catalano | .... | conductor | |
| Pasquale Catalano | .... | orchestrator | |
| Piero Cosenza | .... | music consultant | |
| Antonello Navarra | .... | music producer | |
| Giuseppe Sasso | .... | conductor | |
| Paola Vanoni | .... | music production assistant | |
Other crew | |||
| Adriano Bassi | .... | location manager | |
| Marina Benedetto | .... | dialogue coach | |
| Fabrizio Bertoglio | .... | production assistant | |
| Michela Bruno | .... | title designer | |
| Francesca Matteoli | .... | office production assistant | |
| Giacomo Mineo | .... | title designer | |
| Daniela Moramarco | .... | secretary of production | |
| Salvatore Ricciardi | .... | conform supervisor | |
| Viviana Ronzitti | .... | publicist | |
| Marco Ruggieri | .... | finishing | |
Thanks | |||
| Teco Celio | .... | special thanks | |
| Massimo Coppola | .... | special thanks | |
| Paola Lavini | .... | special thanks | |
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| Confessions of a Dangerous Mind | Before the Devil Knows You're Dead | Three Brothers | And Now... Ladies and Gentlemen... | The English Patient |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Italy section |
The Double Hour feels hollow. There are elements involved which if properly connected, could lead to a well constructed film, but they aren't. I do not want to give too much of the plot away because a certain level of secrecy is necessary to enjoy it instead of waiting for pre-planned twists. After seeing this film, I read the reviews of particular critics and most of them kept the secrets, that is, except for Stephen Holden of the New York Times. If you read his review before seeing The Double Hour, there would be absolutely no need to sit through it because he gives the entire thing away; the jig is up.
Sonia is a hotel chambermaid in Turin, Italy. She is routinely morose, most likely from something in her past and the fact that she is strikingly lonely. To help her find a friend or more, she tries speed dating and is strikes up a friendship with Guido, an ex-cop who is still trying to define his widower status three years after the fact. Sonia and Guido take baby steps towards the semblance of a relationship until their lives are drastically altered during a robbery. This is where my plot description stops. Revealing too much of a film noir thriller does nothing for the eventual audience except take away their guessing games during the film.
The couple's relationship and their back and forth interactions are surprisingly effective. Both actors playing Sonia and Guido received best acting honors at the Venice Film Festival, but the somewhat non-congruous film and choppy supernatural elements do not match their acting standard. The director and screenwriters show a lot of future promise, but the Double Hour just misses the mark. To explain the title, a double hour is particular time of day when the clock matches, such as 12:12. It is said that wishes sometime come true at a double hour.