In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
On her birthday, 11-year-old Angeliki jumps off the balcony to her death with a smile on her face. An investigation is started as to the reason for this apparent suicide, but the family keeps insisting that it was an accident.
Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the über-controlling parents terrorize their offspring into submission. The father is the only family member who can leave the manicured lawns of their self-inflicted exile, earning their keep by managing a nearby factory, while the only outsider allowed on the premises is his colleague Christina, who is paid to relieve the son of his male urges. Tired of these dutiful acts of carnality, Christina disturbs the domestic balance. Written by
In the bathroom scene where the girl is trying to remove her tooth, the girl hits her mouth in front of the mirror with the dumbbell; she laughs and blood runs down her jaw; however, after the cut, the blood disappears. See more »
The new words of the day are: "Sea", "Highway", "Road trip" and "Shotgun".
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Boy,am I upset with the Sitges Film festival Jurors this year!!! So this film is not for everyone, but if you like realistic and paced films, are not bothered by highly explicit scenes, don't mind taboo subjects, like independent film and are into original stories.... this is the movie for you. I've read negative comments about this movie. I get it. It's not the most easy movie to watch, but I haven't been this pleasantly surprised in a long time. Saw this in Sitges with a packed audience, and I believe most of the people there were glued to the screen and didn't want to see the film end. Surreal, emotional, cruel, realistic and beautiful would be the words I would use to describe this picture. At first you don't really understand what's going on or where you're at, but soon find yourself submerged in the sad and pathetic life of a disturbed family. This is definitely one of the most important indie films of the year; aside from the original and highly meaningful story, the film if impeccably made with astounding performances. Shame on the Sitges film festival! This movie deserved the best actress and the special critics award. And I say that on behalf of most of the other people who were at the festival.
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