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Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. Written by
Warner Bros. Pictures
When explaining why he thinks implanting an idea is not possible, Arthur says "don't think about elephants" to actually make Saito think of them and thus "insert" an idea into his mind. The line is a reference to the title of a famous cognitive semantics book, 'Don't Think of an Elephant' by George Lakoff. The book describes conceptual framing, the use of certain words to literally insert certain ideas about a subject into the listener's mind in a surreptitious way, e.g. implanting the idea that taxes are a bad thing by using the phrase "tax relief." See more »
On the third dream level, before the kick, Cobb says they have an hour, and Arthur has three minutes. After they miss the kick, Cobb says they have 20 minutes. This would mean, by simple math, Arthur has 1 minute. That would mean Arthur would have to descend a floor, enter the room with the charges, retrieve the charges, have the fight with the projection, ascend a floor, bundle up the crew, get them to the elevator, get them in the elevator, set the charges, get back in the elevator, and blow it, only in 1 minute. See more »
At the end of the credits Edith Piaf's "Non, Je Ne Regrette Rien" plays at normal speed, then slows down to the speed it was at the beginning of the film during Hans Zimmer's score and throughout the movie. Then we see the title stop in the center of the screen as the song ends. See more »
Dom Cobb leads a highly skilled team, specializing in stealing secrets from people's minds by entering their dreams. When they are hired by a mysterious businessman, Cobb finally has a shot at redemption, but not before achieving the near impossible. Rather than stealing an idea, they must do the complete opposite: Inception. Planting the seed of an idea.
Inception has a multi-layered plot, quite literally in fact. It focuses on the emotional journey of its lead character, Cobb, but at the same time thrusts the audience into multiple levels of action packed story- telling, very distinct from one another, but all finely connected. It has been described by critics as "a film that rewards intellect", and I can assure you that it is exactly that. Director Christopher Nolan challenges the audience to keep up, and rewards those who can with a breathtaking spectacle, one that has the capability to leave you awestruck. The best part about it is that while you may feel you need to watch it again to be able to fully absorb the experience, chances are, you will probably want to.
Christopher Nolan brings his unique vision to the screen with the help of a star-studded cast, including the likes of Leonardo Dicaprio (The Departed), Joseph Gordon-Levitt (500 Days Of Summer), Ellen Page (Juno), Marion Cotillard (Public Enemies), Cillian Murphy (Batman Begins), and Michael Caine (The Dark Knight), as well some amazing photography by long time collaborator Wally Pfister. The thrilling music in the film is provided by none other than Hans Zimmer, who was also set the mood for Nolan's previous film, The Dark Knight.
While it may seem simple at its outset, Inception is an extremely complex film, delving deep into the subconscious of the human mind. Technical brilliance and visual splendor have rarely blended together as beautifully. The emotional depth and explosive action complement each other perfectly, delivering a film that is at the same time both heart- wrenching and heart-pounding. It's a film that manages to engross you with its complexities, yet comes together seamlessly, and will have you at the edge of your seat, quite literally from start to finish.
Inception is magnificent.
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