Yeh Jawaani Hai Deewani is the story of the relationship between two characters, Bunny (Ranbir Kapoor) & Naina (Deepika Padukone), at two separate but defining times in their lives... first... See full summary »
Aditya Roy Kapoor
In the 1970s, Om, an aspiring actor, is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
Shah Rukh Khan,
The Fakir is a black comedy/drama in English and Hindi based on a true story. An Indian con man is hired to find a fakir who can bury himself in sand for an installation art project in ... See full summary »
Born in Delhi, but now living in Mumbai, Karthik Narayan is a much abused employee with ACL Construction, secretly in love with leggy Architect, Shonali Mukherjee, who has been going steady with yet another co-worker, Ashish. After purchasing a new telephone, Karthik gets a call from a male voice that resembles his, who instructs him to follow directions; tell no one about this phone call, and he will achieve success. He follows these instructions, is soon promoted, as well as befriends Shonali, and continues following instructions from this caller. After Shonali makes it clear that she loves him, he breaks his promise, and is urged to seek counseling by her. He reluctantly does so with a Pyschiatrist, Dr. Shweta Kapadia, who hopes to cure him by visiting him early morning in his flat - not realizing the shock and trauma that await the duo. Written by
Some of the scenes will be shot in Indian Institute of Management, Bangalore. See more »
When "Karthik" buys the telephone for the first time, the vendor tells him it's a new Japanese model. The box has Korean written on it (above "Kyungmin Corded Phone") and then the English translation underneath. This is seen more clearly when he buys the same phone towards the end of the movie. See more »
It seldom happens after watching a Bollywood movie that you walk out assured that this has to be a Hollywood remake, going by the quality of the script and the execution, and then are surprised that it isn't. This is what happened to us when we came back home after watching KCK. First thing I did was checked on the internet but couldn't find any hint of this (to my happiness, surely I'll be disappointed if someone told me that it is a copy). KCK is a fresh flavour in an industry where outdated recipes are the order of the day.
The strongest point of the movie is the script. Taut and to the point. No fuss, no time wasted on useless banter. In the first ten minutes, you are in a 'zone' and that continues for the next 2 hours. The soundtrack is well embedded into the movie and the camera-work has a youthful feel to it.
We didn't have big expectations from the movie, being our first Farhan Akhtar enacted movie, and we only know him more as a director. But he surely lives up to it with a good rendition of Karthik (and surely takes up most of the screen area). Deepika Padukone doesn't have a lot to do, and it could have been any other girl with no big difference. Ram Kapoor and Shefali do well in their limited roles.
Wake Up Sid, Rocket Singh, 3 idiots and now KCK. In my opinion, Bollywood is taking a turn and for the good.
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