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The story of King George VI of Britain, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Director:
Tom Hooper
Stars:
Colin Firth,
Helena Bonham Carter,
Derek Jacobi
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
The citizens of Rome are hungry. Coriolanus, the hero of Rome, a great soldier and a man of inflexible self-belief despises the people. His extreme views ignite a mass riot. Rome is bloody. Manipulated and out-maneuvered by politicians and even his own mother Volumnia, Coriolanus is banished from Rome. He offers his life or his services to his sworn enemy Tullus Aufidius. Written by
Icon Entertainment
In the Senate, while General Cominius praises Coriolanus, in a close-up of Menenius on his right hand side a coat-of-arms of Republic of Serbia (doubleheaded eagle with crown) can be seen. The Senate scenes were filmed in the Serbian parliament building. See more »
Quotes
[first lines]
Second Citizen:
Before we proceed any further, hear me speak. You are all resolved rather to die than to famish?
Gathered Citizens:
[in unison]
Resolved.
Second Citizen:
First, you know Caius Martius is chief enemy to the people.
Gathered Citizens:
We know it.
First Citizen:
Let us kill him. And we'll have corn at our own price.
Second Citizen:
We are accounted poor citizens, the patricians of good. The leanness that afflicts us, the object of our misery, our suffering, is a gain to them.
Gathered Citizens:
Aye.
Second Citizen:
Let us revenge this with our sticks, ere we become rakes.
First Citizen:
No more talking on it. Come!
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I couldn't disagree more with the review that slates Shakespeare's text as 'too wordy for modern audiences'. Viewers may find it challenging, but even those who haven't read his work should appreciate his superb capacity for character, metaphor and sheer innovation. To reduce the play to just the plot with some poor, clichéd and genuinely meaningless Hollywood script is to deprive it of its value, and to do a great disservice to its literary status. The responsibility for understanding the language (which I staunchly believe has a timeless relevance), lies with those who struggle to do so, not with the text itself. I cannot disagree strongly enough with the implication that we should dumb-down Shakespeare.
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I couldn't disagree more with the review that slates Shakespeare's text as 'too wordy for modern audiences'. Viewers may find it challenging, but even those who haven't read his work should appreciate his superb capacity for character, metaphor and sheer innovation. To reduce the play to just the plot with some poor, clichéd and genuinely meaningless Hollywood script is to deprive it of its value, and to do a great disservice to its literary status. The responsibility for understanding the language (which I staunchly believe has a timeless relevance), lies with those who struggle to do so, not with the text itself. I cannot disagree strongly enough with the implication that we should dumb-down Shakespeare.