The citizens of Rome are hungry. Coriolanus, the hero of Rome, a great soldier and a man of inflexible self-belief despises the people. His extreme views ignite a mass riot. Rome is bloody. Manipulated and out-maneuvered by politicians and even his own mother Volumnia, Coriolanus is banished from Rome. He offers his life or his services to his sworn enemy Tullus Aufidius. Written by
In the Senate, while General Cominius praises Coriolanus, in a close-up of Menenius on his right hand side a coat-of-arms of Republic of Serbia (doubleheaded eagle with crown) can be seen. The Senate scenes were filmed in the Serbian parliament building. See more »
Before we proceed any further, hear me speak. You are all resolved rather to die than to famish?
First, you know Caius Martius is chief enemy to the people.
We know it.
Let us kill him. And we'll have corn at our own price.
We are accounted poor citizens, the patricians of good. The leanness that afflicts us, the object of our misery, our suffering, is a gain to them.
Let us revenge this with our sticks, ere we become rakes.
No more talking on it. Come!
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A jaw-dropping interpretation of Shakespeare's Coriolanus. I was literally in awe when I left. Admittedly, I know my way around the story, I've read Coriolanus a few times. But I have to say that this adaptation is so well executed that I caught myself discovering incredible lines and themes and ideas to which I had never paid attention before. Ralph Fiennes' interpretation of Coriolanus is solid. The pride, the wrath, the one-track-mindedness are all very palpable. And one couldn't wish for a better Volumnia. Terrifying. Fascinating. I've always been reluctant to modern settings, but this time, I loved it. It just worked. Go and see for yourself. As for me, I'm definitely going to watch it again.
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