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Made in Dagenham (2010)
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Overview
User Rating:
Your Rating:
Director:
Writer:
William Ivory (written by)
Release Date:
13 January 2011 (Germany)
See more »
Tagline:
1968. It's a man's world. But not for long... See more »
Plot:
A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination. Full summary » | Full synopsis »
Awards:
Nominated for 3 BAFTA Film Awards.
Another 3 wins
&
14 nominations
See more »
NewsDesk:
(772 articles)
BBC and Netflix announce star-studded animated adaptation of Watership Down
(From Flickeringmyth. 28 April 2016, 1:32 AM, PDT)
James McAvoy, John Boyega, Nicholas Hoult Join Netflix-BBC’s ‘Watership Down’
(From Variety - Film News. 27 April 2016, 4:00 PM, PDT)
Miranda Richardson Joins Jake Gyllenhaal’s Boston Marathon Bombing Movie ‘Stronger’
(From Variety - Film News. 5 April 2016, 11:14 AM, PDT)
(From Flickeringmyth. 28 April 2016, 1:32 AM, PDT)
James McAvoy, John Boyega, Nicholas Hoult Join Netflix-BBC’s ‘Watership Down’
(From Variety - Film News. 27 April 2016, 4:00 PM, PDT)
Miranda Richardson Joins Jake Gyllenhaal’s Boston Marathon Bombing Movie ‘Stronger’
(From Variety - Film News. 5 April 2016, 11:14 AM, PDT)
User Reviews:
thought-provoking and entertaining
See more (73 total) »
Cast
(in credits order) (complete, awaiting verification)
Directed by | |||
| Nigel Cole | |||
Writing credits(in alphabetical order) | ||
| William Ivory | written by | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| John de Borman | (director of photography) | ||
Film Editing by | |||
| Michael Parker | |||
Casting by | |||
| Lucy Bevan | |||
Production Design by | |||
| Andrew McAlpine | |||
Art Direction by | |||
| Ben Smith | (supervising art director) | ||
Set Decoration by | |||
| Anna Lynch-Robinson | |||
Costume Design by | |||
| Louise Stjernsward | |||
Production Management | |||
| James Alexander | .... | unit manager | |
| Charlotte Ashby | .... | production manager | |
| Polly Duval | .... | post-production supervisor | |
| Jason Keatley | .... | unit manager: Wales | |
| Fiona Morham | .... | head of production: UK Film Council | |
Second Unit Director or Assistant Director | |||
| Thomas Alcott | .... | assistant director trainee: CYFLE | |
| Jonny Benson | .... | second assistant director | |
| Lauren Dark | .... | third assistant director | |
| Mark Hopkins | .... | second second assistant director: crowd, Wales | |
| Matthew Penry-Davey | .... | first assistant director | |
| Carly Taverner | .... | second assistant director: crowd | |
| Stephen Woolley | .... | paternity director | |
| Stephen Woolley | .... | second unit director | |
Art Department | |||
| Yasmin Al-Naib | .... | art department assistant | |
| Grant Armstrong | .... | art director: Wales | |
| George Ausburger | .... | carpenter (as George Augsberger) | |
| David Banks | .... | prophand: second unit/additional photography | |
| Jon Bates | .... | stand-by props (as Jon-Claude Bates) | |
| Andrea Bond | .... | stand-by painter | |
| Anna Bregman | .... | graphic artist | |
| Philippa Broadhurst | .... | graphic designer | |
| Philippa Broadhurst | .... | stand-by art director | |
| Jay Butcher | .... | carpenter | |
| Dave Conway | .... | dressing props | |
| Joseph Craig | .... | props runaround | |
| Steve Crewe | .... | stand-by carpenter: Wales | |
| Gary Dempsey | .... | painter | |
| Richard Douglas | .... | carpenter | |
| Arwel Evans | .... | stand-by props | |
| Becky Fellows | .... | art department trainee: FT2 (as Beccy Fellows) | |
| James Fennessy | .... | stand-by painter: Wales (as Jim Fennessy) | |
| Carrie Garner | .... | petty cash prop buyer | |
| Will Gordon | .... | carpenter | |
| Alastair Gunn | .... | prophand: second unit/additional photography | |
| Jane Harwood | .... | assistant art director | |
| Stuart Headley-Read | .... | props: daily | |
| James Hendy | .... | prop buyer | |
| Jonnie Hext | .... | painter (as Jonny Hext) | |
| Douglas Ingram | .... | storyboard artist | |
| Edward Kellow | .... | prophand: second unit/additional photography (as Ed Kellow) | |
| Nigel Kirk | .... | head painter | |
| Nigel Kirk | .... | painter | |
| Carol Kupisz | .... | graphic designer | |
| Charlie Malik | .... | storeman | |
| Jono Moles | .... | construction manager | |
| Lucy Moles | .... | construction buyer | |
| Toby Morrison | .... | stand-by carpenter | |
| Hannah Nicholson | .... | props buyer: Wales | |
| Barnaby Papworth | .... | hod carpenter | |
| Kate Penlington | .... | art department clearances | |
| Adrian Platt | .... | dressing props | |
| Steve Rutter | .... | carpenter | |
| Nick Thomas | .... | property master | |
| Hannah Tierney | .... | art department trainee: FT2 | |
| Hana Layla Waheed | .... | art department assistant | |
| Darren Flindall | .... | stand-by rigger (uncredited) | |
Sound Department | |||
| Ben Brazier | .... | foley artist | |
| Robert Brazier | .... | foley recordist | |
| Rachel Carberry | .... | assistant sound re-recording mixer | |
| Jennie Evans | .... | supervising adr editor | |
| Jennie Evans | .... | supervising dialogue editor | |
| Robert Farr | .... | sound re-recording mixer | |
| Nick Gillett | .... | sound assistant | |
| Danny Hambrook | .... | production sound mixer | |
| Adam Laschinger | .... | sound maintenance | |
| Rowena Wilkinson | .... | foley artist | |
| Ian Wilson | .... | supervising sound editor | |
| Paul Paragon | .... | playback operator (uncredited) | |
| Jan Petrov | .... | adr recordist (uncredited) | |
Special Effects by | |||
| David Caunce | .... | special effects assistant | |
| Chris Reynolds | .... | special effects supervisor | |
| Greg Thomas | .... | special effects technician | |
Visual Effects by | |||
| Chris Bentley | .... | digital lab operator | |
| Alberto Buron | .... | digital lab operator | |
| Luke Butler | .... | digital compositor | |
| Naomi Butler | .... | digital compositor | |
| Zoe Cousins | .... | digital lab operator | |
| Stefan Drury | .... | head of visual effects | |
| Yanni Goudetsidis | .... | systems engineer | |
| Lorea Hoye | .... | visual effects producer | |
| Rich Nosworthy | .... | digital matte painter | |
| Glen Pratt | .... | digital compositor | |
| Angela Stanley | .... | digital compositor (as Angela Rose) | |
| Jon Stanley | .... | senior systems engineer | |
| Daniel Tomlinson | .... | senior digital lab operator | |
| Samantha Tracey | .... | visual effects coordinator | |
| Johan Van Den Dorpe | .... | systems engineer | |
| Rick White | .... | technical support | |
| Sheila Wickens | .... | visual effects supervisor | |
Stunts | |||
| Gary Hoptrough | .... | stuntman | |
| Rob Hunt | .... | stuntman | |
| Derek Lea | .... | stunt coordinator | |
Casting Department | |||
| Millie Scalchi | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Alleyne Kirby Davies | .... | dressmaker: second unit/additional photography (as Alleyne Kirby-Davies) | |
| Jo Dawn | .... | costume fitter | |
| Ian Foweraker | .... | costume assistant | |
| Beth Gillman | .... | costume trainee: FT2 | |
| Rosie Grant | .... | assistant costume designer | |
| Vandra Howard | .... | costume assistant | |
| Emma Hutton | .... | costume assistant | |
| Anna Kovacevic | .... | costume fitter | |
| Jane Leonard | .... | wardrobe mistress | |
| Nicole Mennell | .... | costume trainee: second unit/additional photography | |
| Marie Morgans | .... | costume trainee: second unit/additional photography | |
| John Morris | .... | wardrobe runaround | |
| Adedoyin Olushonde | .... | costume maker: second unit/additional photography | |
| Kevin Pratten | .... | costume assistant: second unit/additional photography | |
| Rebecca 'Bex' Rees | .... | wardrobe assistant | |
| Sharon Robinson | .... | costume assistant: second unit/additional photography | |
| Hilary Watson | .... | costume assistant: second unit/additional photography | |
| Allison Wyldeck | .... | wardrobe supervisor | |
| Sophie Penry-Ellis | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Dan Bentham | .... | post-production producer: Lip Sync | |
| James Clarke | .... | digital intermediate supervisor | |
| Eve Doherty | .... | editing trainee: FT2 | |
| Stuart Fyvie | .... | colorist | |
| Scott Goulding | .... | digital intermediate conform editor | |
| Laura Morrod | .... | assistant editor | |
Music Department | |||
| David Arnold | .... | musician: bass, guitars, keyboards | |
| David Arnold | .... | programming | |
| David Arnold | .... | score producer | |
| Mark Berrow | .... | musician: violin | |
| John Bradbury | .... | orchestra leader | |
| Nicholas Cervonaro | .... | assistant music engineer (as Nick Cervonaro) | |
| Peter Clarke | .... | music editor | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Karen Elliott | .... | music supervisor | |
| Geoff Foster | .... | recording and mixing engineer | |
| Roger Garland | .... | musician: leader of second violine | |
| Isobel Griffiths | .... | musicians contractor | |
| Peter Lale | .... | musician: principal viola | |
| Abbie Lister | .... | music licensing: Hothouse Music | |
| Toby Pitman | .... | additional programming | |
| Toby Pitman | .... | musician: additional guitar | |
| Rob Playford | .... | bit wrangler | |
| Michael Price | .... | additional programming | |
| Nick Rodwell | .... | musician: solo clarinet (as Nicholas Rodwell) | |
| Mary Scully | .... | musician: principal bass | |
| Derek Watkins | .... | musician: solo trumpet | |
| Lucy Whalley | .... | assistant musician contractor | |
| Bruce White | .... | viola | |
| Jonathan Williams | .... | musician: principal cello | |
Transportation Department | |||
| Tony Arvanitis | .... | unit driver | |
| Tony Avantis | .... | unit driver: Wales | |
| Chris Brooks | .... | driver: minibus | |
| Paul Davies | .... | unit driver: Wales | |
| Patrick Deacy | .... | driver: camera truck (as Pay Deacy) | |
| Andy Dixon | .... | facilities manager | |
| Michael Geary | .... | picture car coordinator | |
| Darren Helman | .... | driver | |
| Jeff Hudson | .... | unit driver | |
| Chris John | .... | driver: male-up truck | |
| Steve Karen | .... | unit driver: Wales | |
| Wayne Latibeaudiere | .... | driver: minibus | |
| Jerry Lockett | .... | unit driver: Wales | |
| Peter Ogunsalu | .... | unit driver | |
| Sammy Pasha | .... | driver: Mr. Hoskins | |
| Richard Paxton | .... | lead driver | |
| Lea Robinson | .... | unit driver (as Lee Robinson) | |
| Jason Rush | .... | driver: wardrobe truck | |
| Jason Tilyard | .... | driver: minibus | |
| Tony Viggers | .... | unit driver: Wales | |
| Barrie Williams | .... | transportation captain | |
Other crew | |||
| Tom Allan | .... | crowd runner: second unit/additional photography | |
| Aaron Anderson | .... | creative coordinator: UK Film Council | |
| Sian Angharad Anthony | .... | base runner (as Sam Lewis) | |
| Nick Atkinson | .... | creative coordinator: UK Film Council | |
| Matthew Baker | .... | representative: HanWay Films | |
| Guy Barker | .... | production accountant | |
| Liz Barron | .... | representative: BMS Finance | |
| Isabel Begg | .... | senior commercial and business affairs manager: BBC Films | |
| Rhys Bevan | .... | health and safety advisor: Wales | |
| Linda Bowen | .... | assistant accountant: post-production | |
| James Buckler | .... | production and delivery coordinator: BBC Films | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Anina Carl | .... | floor runner | |
| Anina Carl | .... | stand-in | |
| Hal Cazalet | .... | piano teacher | |
| Tony Clarkson | .... | location scout | |
| Richard Daldry | .... | production coordinator | |
| Robin Davies | .... | assistant: Elizabeth Karlsen | |
| Jon Diamond | .... | representative: Lip Sync Productions | |
| Penny Dyer | .... | voice coach | |
| Glynn Evans | .... | unit medic | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Jo Farrugia | .... | executive assistant: Nigel Cole | |
| Johanna Fernhough | .... | on-set publicist | |
| Jo Fernihough | .... | unit publicist | |
| Owain Gillard | .... | liaison: film commission | |
| Simon Gillis | .... | legal and business affairs manager: BBC Films | |
| Anne Marie Gormley | .... | assistant accountant | |
| Gwen Gorst | .... | production trainee: CYFLE | |
| Robin Guise | .... | representative: Lip Sync Productions | |
| Julia Hall | .... | title designer | |
| Peter Hampden | .... | representative: Lip Sync Productions | |
| Tarn Harper | .... | post-production accountant | |
| Jamie Harris | .... | floor runner | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Sarah Hugfhes | .... | script clearances | |
| Steve Joberns | .... | production auditor: Shipleys | |
| Janine Kaufman | .... | dance teacher | |
| Stephanie Kay | .... | chaperone | |
| Caroline Kean | .... | legal services: Wiggin | |
| Liberty Kelly | .... | sewing teacher | |
| David Korda | .... | completion guarantor: Film Finances | |
| Rowena Ladbury | .... | script supervisor | |
| Joanna Laurie | .... | assistant: Stephen Woolley | |
| Kate Lawrence | .... | development executive | |
| Delphine Le Courtois | .... | crowd runner: second unit/additional photography | |
| Alexander Lea | .... | legal services: Wiggin | |
| Kate Lee | .... | unit publicist: Freud Communications | |
| Martin Ling | .... | representative: BMS Finance | |
| Craig Lucas | .... | runner: Wales | |
| Jonathan Lynch-Staunton | .... | representative: HanWay Films | |
| Ivan Mactaggart | .... | representative: BMS Finance | |
| Richard Mansell | .... | representative: HanWay Films | |
| Garry Marriott | .... | medic: second unit | |
| Christos Michaels | .... | legal representative: Lip Sync Productions, Lee & Thompson | |
| Sheila Fraser Milne | .... | completion guarantor: Film Finances | |
| Natalie Moore | .... | assistant accountant | |
| John Morgan | .... | accountant: Number 9 Films | |
| Sofia Neves | .... | representative: HanWay Films | |
| Clive Noakes | .... | lab contact | |
| Nick Oliver | .... | location manager | |
| Margaret Parvin | .... | legal services: Wiggin | |
| Sammy Pasha | .... | stand-in: Mr. Hoskins | |
| Beth Pattinson | .... | development editor: BBC Films | |
| Kate Penlington | .... | copyright clearances | |
| Laura Pettitt | .... | on-set publicist | |
| David Quli | .... | legal representative: BMS Finance, Wiggin | |
| Peter Raven | .... | production executive: Lip Sync Productions | |
| Nanw Rowlands | .... | key floor runner | |
| Thorsten Schumacker | .... | representative: HanWay Films | |
| Ian Scott | .... | chaperone | |
| Guy Sheppard | .... | legal services: Wiggin | |
| Nikolas Snode | .... | floor runner | |
| Nikolas Snode | .... | stand-in | |
| Jan Spielhoff | .... | representative: HanWay Films | |
| Amanda Stevens | .... | supervising location manager | |
| David Sutcliffe | .... | health and safety advisor | |
| Mandy Todd | .... | assistant production coordinator | |
| Georgette Turner | .... | location liaison | |
| Howard Watkins | .... | title designer: main titles | |
| Joe Wearing | .... | floor runner (as Joseph Wearing) | |
| Joe Wearing | .... | stand-in (as Joseph Wearing) | |
| Dan Wheatley | .... | location trainee: Wales, CYFLE (as Daniel Wheatley) | |
| Richard White | .... | unit medic | |
| Dan Whybrew | .... | legal representative: BMS Finance, Wiggin | |
| Kate Wilson | .... | business and legal affairs advisor: Number 9 Films | |
| Michael Wood | .... | production executive: BBC Films | |
| Tom Clear | .... | stand-in (uncredited) | |
| Lucy Gray | .... | production assistant (uncredited) | |
| Jasper Page | .... | floor runner (uncredited) | |
| Penny Skuse | .... | liaison: film commission (uncredited) | |
| Michael Stapleton | .... | location security (uncredited) | |
| Georgette Turner | .... | location manager: re-shoots (uncredited) | |
Thanks | |||
| Billy Bragg | .... | thanks | |
| Annabel Kennedy | .... | thanks | |
| Afolabi Kuti | .... | thanks | |
| Sandie Shaw | .... | thanks | |
| Jason Simms | .... | thanks | |
Production CompaniesDistributors
- ARP Sélection (2011) (France) (theatrical)
- Cinéart (2011) (Belgium) (theatrical)
- Cinéart (2010) (Netherlands) (theatrical)
- Golden Village Pictures (2011) (Singapore) (theatrical)
- Lucky Red (2010) (Italy) (theatrical)
- Maple Pictures (2010) (Canada) (theatrical)
- Odeon (2011) (Greece) (theatrical)
- Paramount Pictures (2010) (UK) (theatrical)
- Paramount Pictures (2010) (Australia) (theatrical)
- Paramount Pictures (2010) (New Zealand) (theatrical)
- Sony Pictures Classics (2010) (USA) (theatrical)
- TOBIS Film (2011) (Germany) (theatrical)
- Ascot Elite Entertainment Group (2010) (Switzerland) (all media)
- Calinos Films (2010) (Turkey) (all media)
- Film1 (2012) (Netherlands) (TV) (limited)
- Front Row Filmed Entertainment (2010) (United Arab Emirates) (all media) (Middle East)
- Nordisk Film (2011) (Sweden) (DVD)
- Sony Pictures Home Entertainment (2011) (Argentina) (DVD)
- Sony Pictures Home Entertainment (2011) (USA) (DVD)
- Sony Pictures Home Entertainment (2011) (USA) (DVD) (Blu-ray)
- Sony Pictures Releasing (2011) (Argentina) (all media)
- Twin Pics (2011) (Netherlands) (DVD)
- Zon Lusomundo Audiovisuais (2011) (Portugal) (all media)
- Lipsync Post (digital grading and visual effects)
- ARRI Lighting Rental lighting equipment
- Air Studios music recorded and mixed at
- Arion Facilities telecine dailies
- Audiolink Radio Communications walkie talkies
- BBC Motion Gallery archive footage
- Bonded Services prop storage
- British Pathé archive footage
- DRS Construction construction
- Digital Media Services (DMS) digital marketing asset management
- Dolby Laboratories sound mix
- Fatts post-production script services
- Fayre Do's catering (as Fayre Dos)
- Film Finances completion guarantor
- Fine Food Catering catering: Wales
- Freud Communications unit publicity
- Global Music Service music copying (as Global Music)
- HireWorks Avid equipment rental
- Hothouse Music music licensing
- Kodak motion picture film supplier
- Lee & Thompson legal representation: Lip Sync Productions
- Lipsync Post sound post-production
- Lipsync Post titles and ford promo sequence
- Mad Dog Casting extras casting
- Media Insurance Brokers insurance (as Media Insurance Brokers Limited)
- Media Services stationery supplier
- Mediacom 24-7 travel agent
- Movie Lot, The security
- Movietech camera and grip equipment
- Production Copier Company production equipment and services
- Shipleys production auditing
- Soundtrack New York ADR Facility
- Sync or Swim adr voice casting
- Universal Music soundtrack
- Wiggin legal representation: BMS Finance
- Wiggin legal services
Additional Details
Also Known As:
See more »
MPAA:
Rated R for language and brief sexuality
Parents Guide:
Runtime:
113 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:Atp | Australia:M | Austria:6 | Canada:14A (Ontario) | Germany:6 | Ireland:15A | Netherlands:12 | New Zealand:M | Portugal:M/12 | Singapore:M18 | Sweden:7 (DVD rating) | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:15 | USA:R (certificate #46347)
Filming Locations:
Company:
Did You Know?
Trivia:
Three of the original Dagenham seamstresses invited Sally Hawkins for tea, prior to the filming, as they wished to inform her properly about mindset behind the strike, that she was set to portray in the film. Hawkins' grandmother also worked as a seamstress, although not at the Dagenham factory.See more »
Goofs:
Anachronisms: A Corsair is shown among the Cortinas leaving the factory on a transporter. Corsairs were only manufactured in Dagenham after 1969. Before that, they were manufactured in Halewood.See more »
Quotes:
Rita O'Grady:All those in favour of not only maintaining but increasing our current industrial action by going to an immediate all-out stoppage until we get the same rates of pay as the men! Well, why not? Cause that's what this is really about, innit? We're on the lowest rate of the entire bleeding factory despite the fact we got considerable skill...
[...]
See more »
[...]
See more »
Movie Connections:
Featured in The EE British Academy Film Awards (2015) (TV)See more »
Soundtrack:
TigerSee more »
FAQ
This FAQ is empty. Add the first question.See more (73 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Made in Dagenham (2010) See more »Recommendations
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company.
The movie gets to convey the atmosphere of those months in 1968, where 187 women joined together and went on a strike to ask for equal salaries to men, and better conditions of work. We as viewers really feel the cohesion, the solidarity, as well as the tensions of this group. Never pedantic, or too dramatically committed, the movie gets to make the public, mainly the female one, reflect upon the hard struggle women had to face before getting some basic rights, when still actual and necessary is the reflection about today's condition of female workers, when some kind of discrimination is still to be faced. However, the movie proceeds with a soft and entertaining pace, maybe at some points too entertaining, the sparkling character of Rita O'Grady herself was invented in order to make the story more cinematographically involving. No doubt however the cast makes a difference, the actresses offer single heart-felt interpretations, in the same way as the choral shots show intensity and strong emotion.