In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there are also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O'Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men's wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O'Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle that ultimately would advance the cause of women's rights around the world. Written by
Kenneth Chisholm (email@example.com)
During the television premiere on 9th March 2013, the BBC experimented with the first ever Twitter-based director's commentary, whereby Nigel Cole and composer David Arnold live-tweeted along with the film. See more »
In the shot of the housing blocks, a satellite dish is visible on the roof of one. See more »
News Reporter 1:
What if Mrs. Castle says "no deal"?
News Reporter 2:
How will you cope then?
Cope? How will we cope? We're women. Now, don't ask such stupid questions.
See more »
Captions in the closing credits: "Two years later in May 1970 the Equal Pay Act became law. Similar legislation quickly followed in most industrial countries across the world. Ford Motor Company Limited went on to effect changes in its employment practices and is now used as an example of a good practice employer." See more »
Written by Brian Auger (as Auger, Brian Albert Gordon) / Sutton, Roger J
Performed by Brian Auger
Published by Universal / Dick James Music Ltd
Licensed courtesy of Fresh Fruit, a division of MiG Music See more »
I am disappointed to read some of the negative vibes about this film. I saw a screening at Vintage Goodwood yesterday and the enjoyment of the audience was overwhelming complete with outbreaks of applause. Some really excellent cinematography especially the extreme close-up of Sally Hawkins in one of her most desperate moments provided a very authentic backdrop to a really believable time-piece movie. Bob Hoskins, Rosamund Pike and Sally Hawkins excel. I came out of the cinema having been educated, entertained and emotionally touched. I wonder just how many of the negative reviews have been written by men who of course may just be feeling rather embarrassed by the roles of their historical alter-egos.
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