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Cloud Atlas (2012)

 -  Drama | Sci-Fi  -  26 October 2012 (USA)
7.6
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Ratings: 7.6/10 from 224,351 users   Metascore: 55/100
Reviews: 756 user | 477 critic | 45 from Metacritic.com

An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.

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(novel), (written for the screen by), 2 more credits »
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Nominated for 1 Golden Globe. Another 15 wins & 40 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Dr. Henry Goose / Hotel Manager / Isaac Sachs / Dermot Hoggins / Cavendish Look-a-Like Actor / Zachry
...
Native Woman / Jocasta Ayrs / Luisa Rey / Indian Party Guest / Ovid / Meronym
...
Captain Molyneux / Vyvyan Ayrs / Timothy Cavendish / Korean Musician / Prescient 2
...
...
Adam Ewing / Poor Hotel Guest / Megan's Dad / Highlander / Hae-Joo Chang / Adam (Zachry's Brother-in-Law)
...
Tilda / Megan's Mom / Mexican Woman / Sonmi-451 / Sonmi-351 / Sonmi Prostitute
...
Cabin Boy / Robert Frobisher / Store Clerk / Georgette / Tribesman
...
Kupaka / Joe Napier / An-kor Apis / Prescient
...
...
Talbot / Yoona-939 / Rose
...
Autua / Lester Rey / Duophysite
...
Madame Horrox / Older Ursula / Yusouf Suleiman / Abbess
...
Robert Fyfe ...
Old Salty Dog / Mr. Meeks / Prescient 1
...
Mr. Boerhaave / Guard / Leary the Healer
Edit

Storyline

Everything is connected: an 1849 diary of an ocean voyage across the Pacific; letters from a composer to his lover; a thriller about a murder at a nuclear power plant; a farce about a publisher in a nursing home; a rebellious clone in futuristic Korea; and the tale of a tribe living in post-apocalyptic Hawaii, far in the future. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Everything Is Connected

Genres:

Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for violence, language, sexuality/nudity and some drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

| | |

Language:

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Release Date:

26 October 2012 (USA)  »

Also Known As:

Atlas oblaka  »

Box Office

Budget:

$102,000,000 (estimated)

Opening Weekend:

$9,612,247 (USA) (26 October 2012)

Gross:

$27,098,580 (USA) (18 January 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Number 451 (Luisa Rey's apartment and Sonmi-451) comes from a classic science fiction novel by Ray Bradbury, "Fahrenheit 451". It denotes a temperature needed to burn books. See more »

Goofs

In the credits, Luisa Rey's stunt double is misspelled as Louisa. See more »

Quotes

Timothy Cavendish: We cross and re-cross our old paths like figure-skaters.
See more »

Crazy Credits

When a montage is shown of all the characters the actors are playing, the font of the names changes with each time period. See more »

Connections

Featured in Brows Held High: Cloud Atlas: Part 2 (2013) See more »

Soundtracks

Chimhyang Moo
Written by Byungki Hwang
Performed by Byungki Hwang
Taken from the album Chimyang Moo
Courtesy of C&L Music, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A soul's odyssey
3 November 2012 | by (Toronto, Canada) – See all my reviews

Cloud Atlas is unlike its contemporaries at the multiplex. It tells a big story in an engaging, difficult fashion. It has big names and a big budget. But it also is thematically dense… it wants to tell you something through plot, characters, dialogue and symbols. Cloud Atlas is also thankfully a very enjoyable film, much longer and denser than much of what is available today. "Ambition" defines this film.

In just under 3 hours, six radically different stories are told, and they appeal to a broad audience: a 19th century tale of unlikely brotherhood, the letters of a gay composer to his partner in the 1930's, a San Francisco- set conspiracy in the 70's, A hilarious account of an old publisher's woes. A Blade Runner-esque clone's struggle for freedom, and the survival of a tribe after 'The Fall'. Genre conventions are toppled, as these stories with different tones are juggled in short intervals, leading from comedic highs to shocking drama in minutes.

But as with the characters, these plots are connected thematically, and clever wordplay and visual imagery links the stories, such as the end of a monologue referencing "the gates of Hell" and cutting to a shot of the gates of a building that, for Cavendish at least, is the gates of Hell. Each of the stories has strengths, a few have faults, but together the medley is incredible.

I found that while the earliest two stories began slowly and plainly, they developed very well and provided fantastic drama, especially the 1849 story. The Nuclear thriller was strong, Halle Berry is great and there are some real twists, and I also loved the 'Dirty Harry' and 'China Syndrome' vibes, but comedy bled into it from the 2012 story which diminished the climax. The 2012 story is hilarious, and its first scene is a standout; Tom Hanks is incredible as Dermot Hoggins. Although while the story is interesting, it doesn't fit quite so well thematically- it's almost too light. Listening to the 'Cloud Atlas Sextet' fits with all the stories, but can't resonate with Cavendish's. The future Korea is visually stunning and communicates its themes well, certainly the darkest plot, but the action can get over the top (Yes, I know who directed this) and there are some horrible clichés. But that scene of horrendous dialogue, the weakest in the film, can't derail a great piece. Lastly is the bleak, Hawaii- set post-apocalyptic story. It was my favourite, possibly because I'm a sucker for anything involving apocalypse. But Hanks and Berry are fantastic again, the barbarians are menacing and scary, and the story is cool. It also concludes the film perfectly.

I've only talked about the plot! The actors really steal the show. In the credits, each actor's name is placed with a clip of every one of their characters… everyone in the theatre stopped and stayed. People play characters you had no idea they played. A few highlights: Sturgess' lawyer and the slave Autua, Frobisher, Hugh Grant's sexist nuclear boss, Cavendish and Hanks' Hoggins. Doona Bae as Somni and Hugo Weaving's "Old Georgie" round it out- the latter is truly a demon. Much credit has to go to the makeup, literally making actors disappear into their roles. There is a huge number of transsexual and even race-bridging roles- it's worthy of note that Lana Wachowski was at one point Larry Wachowski. Also deserving of praise, and possibly Oscars is the large scale visual effects that cover hundreds of years and look so believable. Sound quality is top-notch as well, listening to Old Georgie is chilling, as is the vision of Korean diners, and well... the whole future.

But all this plot serves a purpose, and Cloud Atlas intends to tell you things. Freedom is possibly the biggest theme, as well as the idea that our actions affect others greatly throughout time: we're part of a large human network. Really though there's so much to talk about you should just see the film. There are small stumbles every so often, but the structure hides them very well. No one story takes more time than others, no one character takes more time than others, and the structure and pacing drives the film forward briskly. It's a shame this film hasn't been better received commercially, because it's a phenomenal achievement, interesting sci-fi and drama, and as of now, the best film I've seen in 2012. 8.8/10


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