An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
Everything is connected: an 1849 diary of an ocean voyage across the Pacific; letters from a composer to his lover; a thriller about a conspiracy at a nuclear power plant; a farce about a publisher in a nursing home; a rebellious clone in futuristic Korea; and the tale of a tribe living in post-apocalyptic Seoul, far in the future. Written by
Because of the nature of casting on the film, the directors told the actors to think of their roles as a "genetic strain" rather than a series of individual parts, with actions in one story-line affecting another. See more »
In the Luisa Rey Mystery, an "orange hand" DON'T WALK sign can be seen. These did not exist in 1973. See more »
[shivering beside the fire]
Oh, lonesome night. And babbits bawling, the wind biting the bone. Wind like this... full of voices. Ancestry howling at you, yibbering stories, all voices tied up into one. One voice differing. One voice, whispering out there, spying from the dark. The fangy devil, Old Georgie hisself. Mm. Now your ear up close, and I'll yarn you about the first time we met, eye to eye.
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When a montage is shown of all the characters the actors are playing, the font of the names changes with each time period. See more »
A bold, audacious tour-de-force in cinematic storytelling
This movie is a fusion of several genres (drama, adventure, sci-fi, comedy, romantic tragedy) as well as an attempt for an art-house cerebral movie to attain commercial blockbuster status. In my opinion it mostly succeeds, but finding a large mainstream audience is its biggest challenge to be met (at this point, before wide release).
Imagine taking six short (but big-budget) films with different stories and directors and combining them into an anthology feature, united by a common theme and cast of actors in different roles, and then editing the entire thing out of sequence. The "nested" narrative of the book has been re-arranged for the sake of the visual medium of film, and after first being introduced to the 6 worlds, it's not that hard to keep track of who's who, what's what and where & when. Frankly, it's a shoo-in for an Oscar nomination for Best Editing - it works very well considering the challenge of making it flow coherently.
The cinematography, set & art design, music score and performances range from good to great. The make-up in some cases created a distraction (a Korean woman transformed into a red-haired Caucasian; Hugo Weaving as a buxom female nurse) but it adds a bit of fun to the experience. There's a smörgåsbord of material here for most people: human drama, mystery, violence, sex, adventure, farcical comedy, gloomy sci-fi and occasional romance (both gay and straight). It's 6 movies for the price of one! Just be ready to spend almost 3 hours in your seat and suffer a bit of whiplash as the transitions can get frenetic at times, with multiple cliff-hangers happening simultaneously. Like a good roller-coaster, it has its lulls and rushes. Some might find the finale a bit conventional, sappy or anti-climactic. But there's no denying this is a big, expensive gamble on the part of the Wachowskis and their producers. Hopefully it'll achieve the kind of success they got with the first "Matrix" and not the fate of the abysmal "Speed Racer." (PS I saw the film at its world premiere at TIFF.)
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