99

I never expected that the film will be such a great experience but film was great with great background score and great direction and acting the film is a must watch...

"Chakka kisine Maara...Paisa kisine haara" -- haunts me even after a day of watching this super thriller...I could so well relate to Rahul -- the Hansie Cronje, if you will, of the movie -- A character you could only pity. Boman for me was the highlight of the movie.

Cricket is such an integral part of the movie that you have a 'reel' Sachin with a 'reel' Dravid (although a fatso) -- Keeps Sachin good company throughout the movie -- much like the Sachin, Dravid partnerships that we are accustomed to on the cricket field. Kunal is impressive and seems to have taken his acting to the next level from his previous movies. Cyrus evokes enough laughter to keep you engaged. Soha, as her role demands, was very suave and subdued.

Import-Export business king Kuber is another highlight -- his one-liners are bound to become popular in bollywood cinema in the years to come -- "Checking"..."Cut Again"..."Give Respect" etc..much like Vivek in Flavors, if you remember, -- "You Grow Up"...Accompanying him is "Dimple", taking me back to "Michael Madana Kama Rajan's" Kamal-Bheem combo.

Talking of one-liners, there's no dearth of those in the movie -- be it AMG leaving a 'message' after the 'beep' OR the wannabe in the hotel lobby threatening to buy the 5-star hotel or the popular theory about how cell phones would hurt your entire body, heck I even liked the dude on the street giving TV interview of what he saw of the culprits.

Another aspect of the movie was the subtlety with which certain things are shown -- be it the kids flaunting their bounty hunt on the road or Rahul's "oh!" at the fall of a wicket on a match he bet on, while in the Y2k meeting room -- the directors quality of letting small events tell a story of its own shows up as a highlight.

Although not having songs interrupt the story flow is a welcome change -- having listened to the music album, you almost wish that you see the full version of the songs play out..most people stay in the theater through the credits because of the "What's up" song...come to think of it...shouldn't't "Whats up"? song be the opening credit as a way of the débutant directors saying Hello to Bollywood? may be they are setting us up for a sequel, who knows...LoL..

Background score is slick and cocky and suits the mood..

This "99" is bound to cross Lara's 400 and become a "trend-setter" for future Bollywood generation.

The film looks interesting from the outset, when the makers claim that they believe the incidents in film are real. And an interesting way of opening credits only adds to curiosity.

Film starts with a funny chase and kunal khemu starts to narrate the story. A story of 2 small time crooks and how they get into big time troubles. The film traverses a unique genre of comedy thriller. It keeps you at the edge of the seats, but at the same time makes sure that the edge never hurts, with enough humor spread all over.

The storyline is spread over 2 cities of Bombay and Delhi in the year 1999. The film uses a real life scandalous case as the backdrop. (Though it no suspense, still its best left untold what scandal they've used). Director has taken care of minute details to make the story set in year 1999, like mobile incoming was charged, Clinton's India visit, 20-20 cricket still being a wild idea and even the dollar exchange rates. Also the essence of 2 cities is intact. Watch out the scene when Cyrus and Kunal describe why they don't want to go to Delhi. It's simply hilarious.

Kunal Khemu is slowly coming to its own. Cyrus could have had a few more lines to say, though he is great in whatever he is doing. Soha Ali is under utilized. Vinod Khanna is neat and Boman Irani is in form as ever.

It's a refreshing break, both from some unimaginative comedies we've seen in recent past and the hiatus caused in release of Hindi films in cinemas.

Its sweet little comedy, thriller, romantic, fun film. Go refresh yourselves. Have some good time.

The first question I have for Krishna DK, Raj Nidimoru and Anupam Mittal after watching "99 (2009)" is: "Why did you starve us for 6 long years since your last epic "Flavors (2003)"?".

Like their previous work, "99" is pure brilliance with a tight plot, jokes that work and pop-culture references that make you go "A-ha!". In other words, a MUST WATCH. The packed house at PVR on a weekday late-night show is testimony to that.

Kunal Khemu is an under-rated actor in the mould of Abhay Deol. Luckily, the latter has found his groove with the last couple of releases. Kunal is still stuck at 99 (pun intended), despite excellent nuanced performances in some excellent but forgotten films like "SuperStar (2008)". He has an easy charm and superb comic timing. At the same time, his vulnerable eyes poke through your heart during the tragic scenes. I really hope he breaks the jinx of successful child actors (like Urmila Matondkar, probably the only success so far).

This movie also enjoys the acting talent of powerhouses like Boman Irani (who started in similar Indy films like "Let's Talk (2002)" but now needs no introduction), Mahesh Manjrekar, Amit Mistry (a bonafide superstar at Bombay's Prithvi Theatres) and Cyrus Broacha. All these guys have significant theatre experience and it shows in their comic timing, body language and diction. In smaller roles, the bhojpuri actor and the sidekick provide many laughs with their natural presence. Among the ladies, Soha and Simone are important to the plot but don't have any spectacular scenes where they get to shine.

So here is my second question to Krishna DK, Raj Nidimoru and Anupam Mittal: "Why didn't you repeat the ravishing and very funny Pooja Kumar from Flavors, in the role of (who else?) Pooja?". She'd be so purrrfect-- and a treat to watch.

The production is very well designed. The movie is set in 99-2000 and it almost feels as if that is when it was shot. Be it the film hoardings across the city (imagine "Kaho Na Pyar Hai (2000)" blocking the skyline, for chrissakes!), the mobile phone models they use, the cars they drive or their amazement at the advent of "cyber cafes"--- this could well be one of India's first period films (NOT about the Freedom Struggle)! If anything, that's one award it deserves for sure. The background score is also well used and adds to the tension/fun of the chase.

As for the story itself, this is a chase/heist movie in the genre of what Guy Ritchie does. The two losers are on the run from everyone, with their IOUs adding up faster than Sachin's centuries. Their misfortunes and bravado makes for some very comic situations, without resorting to any toilet humor (well, almost) or Priyadarshan style confusion-climax. The audience kept laughing and clapping all through. Especially loved were the Bombay versus Delhi references (the cities are known for their cultural rivalry and pride). The movie is peppered with cricket metaphors, delivered in Cyrus's inimitable style. Cricket forms an important part of the plot and it is made by true lovers of the game.

Even though it reminds you of many Hollywood films, it is not a copy but in their genre. This slight difference sets it apart from the 99% junk that Bollywood ends up celebrating annually with the likes of Anees Bazmee, Priyadarshan, David Dhawan and Hansal Mehta. So here's my third question for Krishna DK, Raj Nidimoru and Anupam Mittal: "Agli picture kab bana rahe ho?"

99 is a success! First time mainstream directors DK and Raj pull off with great intelligence this smart witty new age comedy. The movie engrosses you from the opening scene with a rip roaring chase that builds upon the background of this masterful story line. The plot takes on so many twists and turns that viewers will be kept guessing throughout the film.

The beauty of this story is that it weaves fiction into fact using the India's cricket scandals back in 1999 as the background scene. It is intelligent, smart, and entertaining.

The casting is superb with Boman Irani, Mahesh Manjrekar and Kuber Mistry. Boman Irani is perfect in his portrayal as an addicted gambler. It is easy for the viewer to feel the full plight and depth of his situation as he digs himself into deeper and deeper holes.

Kuber Mistry steels the comic scene of this movie with his hilarious antics. His dialogs are delivered with expert precision that it is hard to believe he is only acting the part. Expect to see this actor in many more movies to come.

Kunal Khemu and Cyrus Broacha, the heroes of the film, are pure fun and their characters get into a sticky situation from the start of the movie. Both draw the viewer in making you root for them to succeed in their plight in the end no matter what happens.

I do not want to ruin the ending of this movie, but be prepared for some surprises. Trust me, as strange as it sounds, they will have you rooting against Indian cricketers too.

99 is a solid film that should do well in the box office. It is definitely not a movie that should be missed. I rate it a thumbs up and give it 5/5.