| Photos (See all 14 | slideshow) | Videos (see all 27) |
| Amber Heard | ... | Kristen | |
| Mamie Gummer | ... | Emily | |
| Danielle Panabaker | ... | Sarah | |
| Laura-Leigh | ... | Zoey | |
| Lyndsy Fonseca | ... | Iris | |
| Mika Boorem | ... | Alice | |
| Jared Harris | ... | Dr. Gerald Stringer | |
| Sali Sayler | ... | Tammy | |
| Susanna Burney | ... | Nurse Lundt | |
| D.R. Anderson | ... | Roy (as Dan Anderson) | |
| Sean Cook | ... | Jimmy | |
| Jillian Kramer | ... | Ghost Alice | |
| Mark Chamberlin | ... | Mr. Hudson | |
| Andrea Petty | ... | Mrs. Hudson (as Andrea L. Petty) | |
| Tracy Schornick | ... | Cop #1 (as Tracey Schornick) | |
| Kent Kimball | ... | Cop #2 | |
| Joseph O'Shaugnessy | ... | Receptionist | |
| Patrick Treadway | ... | 2nd Floor Nurse | |
| Bev Holsclaw | ... | Admitting nurse | |
| Sydney Sweeney | ... | Young Alice | |
| rest of cast listed alphabetically: | |||
| R.J. Hampton | ... | Mental Ward Patient (uncredited) | |
| Milos Milicevic | ... | Predator (uncredited) | |
| Joanna Theobalds | ... | Mental Ward Patient (uncredited) | |
| Lonny W. Waddle | ... | Orderly (uncredited) | |
Directed by | |||
| John Carpenter | |||
Writing credits(WGA) | ||
| Michael Rasmussen | (written by) & | |
| Shawn Rasmussen | (written by) | |
Produced by | |||
| Adam Betteridge | .... | executive producer | |
| Peter Block | .... | producer | |
| Rich Cowan | .... | executive producer | |
| Mischa Jakupcak | .... | line producer | |
| Doug Mankoff | .... | producer | |
| Mike Marcus | .... | producer | |
| Hans Ritter | .... | unit producer (as Hans C. Ritter) | |
| David Rogers | .... | executive producer | |
| Andrew Spaulding | .... | producer | |
Original Music by | |||
| Mark Kilian | |||
Cinematography by | |||
| Yaron Orbach | (director of photography) | ||
Film Editing by | |||
| Patrick McMahon | |||
Casting by | |||
| Pam Dixon | (as Pam Dixon Mickelson) | ||
Production Design by | |||
| Paul Peters | |||
Set Decoration by | |||
| Rachel M. Thompson | |||
Costume Design by | |||
| Lisa Caryl-Vukas | (as Lisa Caryl) | ||
Makeup Department | |||
| Howard Berger | .... | makeup effects | |
| Amy Bruscoe | .... | makeup artist | |
| Emily Chisholm | .... | assistant makeup artist | |
| Trista Jordan | .... | makeup department head | |
| Mike Meyers | .... | hair stylist | |
| Gregory Nicotero | .... | makeup effects | |
| Jennifer Popochock | .... | key hair stylist | |
| Taci Van Leuven | .... | hair stylist | |
Production Management | |||
| Rich Cowan | .... | unit production manager | |
| Jason A. Payne | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Adam C. Boyd | .... | second assistant director | |
| Jared Briley | .... | second second assistant director | |
| Ivan Kraljevic | .... | second assistant director (additional photography) | |
| Milos Milicevic | .... | first assistant director (additional photography) | |
| Lynn Wegenka | .... | first assistant director | |
Art Department | |||
| Dan Beyer | .... | set dresser | |
| Michael Broom | .... | storyboard artist: KNB EFX Group | |
| Steve Broussard | .... | construction coordinator | |
| Cdavid Hall-cottrill | .... | property master | |
| Alex Klaue | .... | set dresser | |
| Rubin Marcilla | .... | utility technician | |
| Dutch Merrick | .... | property master: additional photography | |
| Kenneth Milfred | .... | leadman | |
| Jodi Nichols | .... | art department coordinator | |
| Michael Ruby | .... | charge scenic artist | |
| Angela J. Smith | .... | set dresser | |
Sound Department | |||
| Javier Bennassar | .... | sound designer | |
| Javier Bennassar | .... | supervising sound editor | |
| Chris Clifford | .... | boom operator | |
| Ryan Collins | .... | assistant sound editor | |
| Lara Dale | .... | foley artist | |
| Chris David | .... | sound re-recording mixer | |
| Brian Dunlop | .... | foley editor | |
| Lisle Engle | .... | sound editor | |
| Scott Kramer | .... | foley editor | |
| Tim Limer | .... | sound recordist | |
| A. Josh Reinhardt | .... | foley mixer | |
| Dave Richards | .... | sound utility | |
| Tom Taylor | .... | sound mixer | |
| Callie Thurman | .... | assistant sound editor | |
| Mandell Winter | .... | supervising dialogue & adr editor | |
Special Effects by | |||
| Ray Brown | .... | special effects foreman | |
| Brian Goehring | .... | special makeup effects crew: mold department K.N.B. EFX Group | |
| Stephen Klineburger | .... | special effects technician | |
| Casey Pritchett | .... | special effects coordinator | |
Visual Effects by | |||
| Travis Berry | .... | visual effects artist | |
| Jason Mckee | .... | visual effects artist | |
| Jason Mckee | .... | visual effects supervisor | |
Stunts | |||
| Helena Barrett | .... | stunt double | |
| Stacey Carino | .... | stunts | |
| John Casino | .... | stunt coordinator | |
| Jeff Imada | .... | stunt coordinator | |
| Jillian Kramer | .... | stunt performer | |
| Heidi Pascoe | .... | stunt double | |
| Michelle Sebek | .... | stunt double: Amber Heard | |
Casting Department | |||
| Bryan Burra | .... | casting assistant | |
| Nike Imoru | .... | casting: Spokane | |
Costume and Wardrobe Department | |||
| Alayna Caryl | .... | costumer | |
| Rebecca Cook | .... | key costumer | |
Editorial Department | |||
| Travis Berry | .... | assistant editor | |
| Ian Kennedy | .... | post-production consultant | |
| Tim Maffia | .... | digital intermediate senior colorist | |
| Kathie McCallister | .... | post-production producer | |
| Jeff Stone | .... | first assistant editor | |
Music Department | |||
| Matthew Janszen | .... | score coordinator | |
| Matt Shelton | .... | music editor | |
| Casey Stone | .... | music scoring mixer | |
| Toddy Walters | .... | vocals | |
Transportation Department | |||
| Shannon Freeman | .... | driver: cast | |
| Nicole Heigh | .... | driver: cast | |
| Mike Kjolso | .... | transportation captain | |
| Shawn Odom | .... | driver | |
| John Petty | .... | driver | |
| Seth Pickens | .... | driver | |
| Jason Yarbrough | .... | driver | |
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| One Flew Over the Cuckoo's Nest | The Exorcism of Emily Rose | Shutter Island | So Sweet, So Dead | Dead Silence |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The Ward is an adequate horror film but could have been directed by anyone; after such a long hiatus one would expect John Carpenter to produce something much, much better.
The film suffers from a fairly weak script (not penned by Carpenter) and the big "surprise" ending is easily deduced very early in the film. As other reviewers here have noted, the "horror" elements are basically comprised of things jumping out variety; if you expect mood and atmosphere (e.g. Escape from NY, The Thing, Prince of Darkness)--THINK AGAIN.
It would appear the film was made on an extremely low budget; 95% of the movie takes place indoors; most of it in just a few rooms. The set design adequately portrays 1966 (the film's setting), however the wardrobe, makeup and hairstyles of the primary actresses are anachronistic and undermine suspension of disbelief.
Let me expand on that last point as it betrays an artistic compromise I was surprised to see JC make; every one of the main actresses is dolled up--in a modern way. Their hair is cut, dyed, streaked, and styled in a completely modern manner. And although they're supposedly in a mental ward, they apparently put copious amounts of makeup on each and every day. And it's not old-style makeup; in one scene, a female lead character is clearly wearing lip gloss. One woman wears Ronsir Shuron (geek) glasses, however her look is much more "hipster" than it is authentic. Oh, the clothes the "patients" wear--let's just say they're colorful and fabulous...not what I'd expect to find in a mid-60s mental ward. One more thing in this area; all the primary women actresses are beautiful. This is a common element in modern "horror" films where style trumps substance; unfortunately I expected JC to make more of an effort to set an atmosphere where I'm less likely to ogle the actresses than I am to be sucked into the nightmare he's trying to portray.
Having seen every Carpenter film (in the theatre) over the past 30 years, I am disappointed that I was forced to watch the master release this nearly direct-to-DVD title. If you're a JC fan, by all means watch this, but don't expect more than a slightly above-average horror film. The biggest disappointment is that the film was directed by Carpenter and I'm left wondering if this is the best he can do, or if he was hemmed in by a small budget and producers who demanded he make a more cookie-cutter type film.