In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
A horror-thriller centered on a woman living with "face-blindness" after surviving a serial killer's attack. As she lives with her condition, one in which facial features change each time she loses sight of them, the killer closes in.
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.
Jeffrey Dean Morgan,
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
In 1966, in North Bend, Oregon, the runaway Kristen is captured by the police after burning down a farmhouse and is locked in the North Bend Psychiatric Hospital. Kristen is introduced to Dr. Gerald Stringer, who uses experimental therapy. Then she meets the inmates Emily, Sarah, Zoey and Iris and the tough nurse Lundt. During the night and in the shower later, Kristen sees the ghost of a woman and she learns that she is Alice Leigh Hudson, a mysterious wicked intern that has disappeared. When Iris is ready to go home, she is attacked by the ghost of Alice in the basement and murdered. She vanishes and the inmates decide to seek Iris out. Then Sarah is abducted by the Alice and also killed; the next one is Emily. Meanwhile Kristen escapes from her room and meets Zoey, expecting to protect her. However, Zoey is kidnapped by Alice and Kristen runs to Dr. Stringer's office. She snoops his desk and finds a report with the truth about Alice. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
If one didn't see veteran filmmaker John Carpenter's name on this production, they might not believe he actually was responsible. As was said in another review, this is not the return to form we fans of Carpenter were hoping for, after his almost decade long self imposed break. It's not badly made or anything, just routinely written and acted; it will have experienced horror fans shaking their heads with disappointment. It just doesn't have anything to really distinguish it from other low budget genre films taking up space on shelves. The story takes place at one of those insane asylums that seemingly only cater to smoking hot young babes (not that this reviewer is complaining on that score). The new arrival is Kristen (Amber Heard), who'd set a farmhouse on fire. She insists she's not insane, natch, and soon she and her fellow inmates have their lives threatened by a mysterious long haired entity that seemingly wandered in from a Japanese horror film. All of this leads to a climactic revelation we've seen done before, all done in the classic style of having one character explain everything just in case we didn't get the point on our own. Carpenter does infuse the film with atmosphere, a respectable amount of it, to give it some effectiveness, but relies on jump scares just a little too often. The movie works best when it's simply enveloping the viewer in its ambiance. That said, Heard *is* a compulsively watchable lead, a stunner *and* a capable actress who can get us on her side. Her fellow hotties fare reasonably well: Danielle Panabaker (of the horror remakes "Friday the 13th" and "The Crazies"), Mamie Gummer (the spitting image of her mom Meryl Streep), Mika Boorem, Lyndsy Fonseca, and Laura-Leigh. Jared Harris is likable enough as the psychiatrist who seems to have her best interests in mind, although the other staff includes stereotypical, grim faced meanies including an obvious Nurse Ratched clone (Susanna Burney). There's some graphic violence, but not that much blood, and the vengeance-crazed spirit is not among Gregory Nicotero's and Howard Berger's best work. Then again, this whole thing strikes one as exactly the kind of thing people do to collect a paycheck. It's professionally done, but is also extremely forgettable in the end. The last second shock ending was hardly necessary. Six out of 10.
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