Legend says that Antonio Bay was built in 1880 with blood money obtained from shipwrecked lepers but no one believes it. On the eve of the town's centennial many plan to attend the celebrations, including the murdered lepers.
Jamie Lee Curtis,
A group of high-schoolers invite Mandy Lane, a good girl who became quite hot over the summer, to a weekend party on a secluded ranch. While the festivities rage on, the number of revelers begins to drop quite mysteriously.
In 1966, in North Bend, Oregon, the runaway Kristen is captured by the police after burning down a farmhouse and is locked in the North Bend Psychiatric Hospital. Kristen is introduced to Dr. Gerald Stringer, who uses experimental therapy. Then she meets the inmates Emily, Sarah, Zoey and Iris and the tough nurse Lundt. During the night and in the shower later, Kristen sees the ghost of a woman and she learns that she is Alice Leigh Hudson, a mysterious wicked intern that has disappeared. When Iris is ready to go home, she is attacked by the ghost of Alice in the basement and murdered. She vanishes and the inmates decide to seek Iris out. Then Sarah is abducted by the Alice and also killed; the next one is Emily. Meanwhile Kristen escapes from her room and meets Zoey, expecting to protect her. However, Zoey is kidnapped by Alice and Kristen runs to Dr. Stringer's office. She snoops his desk and finds a report with the truth about Alice. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Although Electroconvulsive therapy (ECT), formerly known as electroshock, is still used today in the U.S., it is only used as a last resort, with patient consent (except in the most extreme cases), and with the patient anesthetized, not awake and screaming like a tortured banshee as depicted in the film. Also, the ECT machines used in the U.S. today make the procedure quick and relatively painless (e.g., no noticeable twitching or spasming of the muscles). However, the movie is not set in present time but rather in the 60s, as Dr Stringer revealed during his last session with Iris. See more »
Yet another summing up project from Master of Horror John Carpenter. This time he's revisiting the hospital killing ground of Halloween 2, without the much missed Donald Pleasence to anchor the story. Confidently directed by Carpenter, after nearly a decade away from feature films, and well-acted by its young cast, the film is nevertheless most enjoyable for its small pleasures, especially the use of 1966 as a period setting. The cruder approach to psychology during this era infects the film at every level, from the memorable credits sequence, to the primitive yet threatening art direction of the mental ward where most of the action takes place. Keeping the gore up to his usual standards, and employing his standard bag of "cheap tricks" to make the audience jump, Carpenter delivers an efficient slasher film whose unpretentious approach to its core issues of sanity vs. insanity prove much more satisfying than the dead end resolution of the recently similar mental hospital thriller, SHUTTER ISLAND.
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