Mertkan has a simple life in Istanbul: 'working' as an office-boy in his dad's construction company, hanging out with his male friends in malls and discos, cruising with his dad's 4-wheel ... See full summary »
Nihal G. Koldas
10 to 11 is the story of a passionate collector Mithat and the concierge of the building, Ali. For Mithat Istanbul is as vast as his collections and for Ali is nothing more than a few ... See full summary »
A strange man with otherworldly talents becomes both a friend and a pariah in a small Turkish town in this drama from writer and director Reha Erdem. Yahya is nearly in a panic when his ... See full summary »
Hayat, her father and bedridden grandfather live in a riverside shack near the dangerously dark but breathtakingly beautiful waters of the Bosphorus. Hayat's father owns a small boat that ... See full summary »
When some people from the other side of the mountain invade the territory of a farming family, the family head tries to unite the family and fight back. But then problems within the family start to appear as well.
A man and a woman seeking refuge from the world: Nihat at a remote forest fire tower, Seher in her room at a rural bus station. When their lives collide, each now has to fight their battle of conscience before the other.
delicate. and nice. inspired music. good actors. and the absence of courage of director to build a real convincing story. because the basic sin of film is its fragility, the grace of a bashful exercise, the status of sketch though the possibilities and tools are numerous. it is a beautiful film but it could be a memorable one. because it opens so many doors without explore any room, because it remains a love story who use more the naive humor than the clash of cultures, because, after its end, you understand than it has not roots. an esthetically delight, it has all the resources to be more. Gorkem Yeltal remains only an ethereal shadow and Nadir Saribacak - victim of his cage- role . but it is far to be a bad movie. only, maybe a nice one.
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