| Photos (See all 23 | slideshow) | Videos (see all 2) |
| Henry Cavill | ... | Will | |
| Verónica Echegui | ... | Lucia | |
| Bruce Willis | ... | Martin | |
| Sigourney Weaver | ... | Carrack | |
| Joseph Mawle | ... | Gorman | |
| Caroline Goodall | ... | Laurie | |
| Rafi Gavron | ... | Josh | |
| Emma Hamilton | ... | Dara | |
| Michael Budd | ... | Esmael | |
| Roschdy Zem | ... | Zahir | |
| Óscar Jaenada | ... | Maximo | |
| Joe Dixon | ... | Dixon | |
| Jim Piddock | ... | Meckler | |
| Fermí Reixach | ... | Carlos | |
| Lolo Herrero | ... | Reynaldo | |
| Luiggi López | ... | Puerto Serena Fisherman | |
| Alex Amaral | ... | Cesar | |
| Paloma Bloyd | ... | Christiana | |
| Simón Andreu | ... | Pizarro | |
| Morgan Johnson | ... | Habib | |
| Mark Ullod | ... | Vicente | |
| Borja Chantres | ... | Bus Driver | |
| Andrea Ros | ... | SP. College Girl (as Andrea Ros Buerrero) | |
| Carlos Martínez | ... | Young Cop | |
| José Alias | ... | Garbage Man | |
| Sílvia Sabaté | ... | Mother at Pharmacy | |
| Colm Meaney | ... | Bandler | |
| rest of cast listed alphabetically: | |||
| Laura Bayonas | ... | Voice (voice) (uncredited) | |
| David Hernández Silva | ... | Army Soldier (uncredited) | |
| Javier Pinto | ... | Airport Customer (uncredited) | |
| Paula Soldevila | ... | (uncredited) | |
Directed by | |||
| Mabrouk El Mechri | |||
Writing credits | ||
| Scott Wiper | (written by) & | |
| John Petro | (written by) | |
Produced by | |||
| Garrett Basch | .... | co-producer | |
| Mark Canton | .... | executive producer | |
| José Luis Escolar | .... | co-producer | |
| Marc D. Evans | .... | producer | |
| Trevor Macy | .... | producer | |
| Kevin Mann | .... | executive producer | |
| Jesus Martinez Asencio | .... | executive producer | |
| Matthew Perniciaro | .... | executive producer | |
| Javier Sánchez | .... | assistant producer | |
| Scott Wiper | .... | executive producer | |
| Steven Zaillian | .... | executive producer | |
Original Music by | |||
| Lucas Vidal | |||
Cinematography by | |||
| Remi Adefarasin | |||
Film Editing by | |||
| Valerio Bonelli | |||
Casting by | |||
| Anne McCarthy | |||
Production Design by | |||
| Benjamín Fernández | |||
Art Direction by | |||
| Alejandro Fernández | |||
Costume Design by | |||
| Bina Daigeler | |||
Makeup Department | |||
| Patricia Planche | .... | makeup artist | |
| Susana Sánchez | .... | makeup department head | |
Second Unit Director or Assistant Director | |||
| Cecilio Caparrini | .... | third assistant director: second unit | |
| Javier Chinchilla | .... | first assistant director: second unit | |
| Christopher Downs | .... | additional second second assistant director | |
| Jon Espel | .... | second assistant director | |
| Silvia Esquivel | .... | second second assistant director: second unit | |
| Pablo García | .... | third assistant director | |
| Andrea Izquierdo López | .... | third assistant director: second unit | |
| Óscar Manero | .... | key second assistant director: second unit | |
| Jairo Murray | .... | second second assistant director: second unit | |
| Lee Sheward | .... | second unit director | |
Special Effects by | |||
| Antony Auger | .... | special effects technician | |
| Helena Brackley | .... | special effects technician | |
| Anthony S. Ciccarelli | .... | special effects technician | |
| Garry Cooper | .... | special effects technician | |
| Doug McCarthy | .... | second unit special effects technician | |
| Enrique Montero | .... | special effects | |
| Chris Reynolds | .... | special effects supervisor | |
| Neil Reynolds | .... | special effects technician | |
| Jody Taylor | .... | special effects senior technician | |
| Alastair Vardy | .... | special effects technician | |
Visual Effects by | |||
| Carlos Adarraga | .... | digital compositor | |
| Sonsoles Aranguren | .... | digital compositor | |
| Thomas Ayre | .... | digital restoration | |
| Bahar Cetin | .... | digital compositor | |
| Aníbal del Busto | .... | digital compositor | |
| Alicia del Rio | .... | digital conform artist | |
| David Esteve | .... | digital compositor | |
| Charlotte Gray | .... | digital restoration artist | |
| Emma Hulme | .... | digital restoration | |
| Ezequiel Larrú | .... | digital compositor | |
| Helen Marti Donoghue | .... | visual effects producer | |
| Guillermo Martínez Benavente | .... | visual effects artist | |
| Katie McCulloch | .... | digital restoration | |
| Emiliano Nanfaro | .... | pre-vis artist | |
| Francisco Palomares Pozas | .... | digital compositor | |
| Ramón Ramos | .... | visual effects artist | |
| Thorsten Rienth | .... | visual effects artist | |
| Yolanda Rubio | .... | digital compositor | |
| Natalie Silver | .... | digital restoration | |
| Rafa Solorzano | .... | visual effects supervisor | |
| Carlos Trijueque | .... | digital compositor | |
Casting Department | |||
| Pep Armengol | .... | casting: Europe | |
| Vanessa Baker | .... | adr voice casting | |
| Terri Douglas | .... | adr voice casting | |
| Kellie Gesell | .... | casting associate | |
| Luci Lenox | .... | casting: Europe | |
| Yaël Moreno | .... | extras casting: Spain | |
| Luis Sanchez-Cañete | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Ana Cuerda | .... | costume supervisor | |
| Charo Diego | .... | costume assistant | |
| Leticia Palomares | .... | aging artist | |
| Pepo Ruiz Dorado | .... | costumer | |
Editorial Department | |||
| James Devlin | .... | associate editor | |
| Paul Ensby | .... | colorist | |
| Miguel P. Gilaberte | .... | colorist: dailies | |
| Christy House | .... | post-production coordinator | |
| Knar Kitabjian | .... | second assistant editor | |
| Todd Kleparski | .... | digital intermediate producer | |
| Matt Watson | .... | on-line editor | |
| José Ramón Zabaleta | .... | assistant editor | |
| Martina Zamolo | .... | assistant editor | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Peter Boyer | .... | orchestrator | |
| Peter Cobbin | .... | music score engineer | |
| Peter Cobbin | .... | score mixer | |
| Steve Dzialowski | .... | executive music producer | |
| Felix Erskine | .... | music programmer | |
| Sven Faulconer | .... | electronic music | |
| Vanessa Garde | .... | music programmer | |
| Rick Giovinazzo | .... | orchestrator | |
| Nicolas Godefroy | .... | music coordinator | |
| Nicolas Godefroy | .... | music programmer | |
| Evan Goldman | .... | music programmer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Aled Jenkins | .... | assistant engineer | |
| Jody Jenkins | .... | music programmer | |
| Paul Katz | .... | music consultant | |
| Steve Kempster | .... | music scoring mixer | |
| Chris Lord | .... | electronic music | |
| Richard Ludlow | .... | music preparation | |
| Greg Martin | .... | music programmer | |
| Michael John Mollo | .... | Electronic Music Programming | |
| Larry Rench | .... | orchestrator | |
| Tim Rodier | .... | music preparation | |
| Scott Shields | .... | music programmer | |
| Nate Underkuffler | .... | music coordinator | |
| Jojo Villanueva | .... | music supervisor | |
| John Warhurst | .... | music editor | |
| Jonathan Williams | .... | musician: cello | |
Transportation Department | |||
| Ian Clarke | .... | picture car coordinator | |
| Heiko Daugau | .... | driver: facility truck | |
| Geoff Eley | .... | driver: facility truck | |
| Kevin Fisher | .... | picture vehicle senior technician | |
| Fernando Hurtado | .... | unit driver | |
| Roger Mann | .... | picture vehicle technician | |
| Brian Pelham | .... | driver: facility truck | |
| Alberto Poveda | .... | transportation supervisor | |
| Carlos Javier Regidor | .... | unit driver | |
| Diego Rodríguez Lobalzo | .... | picture vehicle buyer | |
| Melele Sánchez | .... | transportation captain | |
| Sean Thornton | .... | picture vehicle assistant coordinator | |
Thanks | |||
| Stacey Castro | .... | the producers wish to thank | |
| Damon Clapshaw | .... | special thanks | |
| Wade Layton | .... | special thanks | |
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| The Net | Clear and Present Danger | Rush Hour 2 | Patriot Games | Eraser |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
It's hard to really pin down what The Cold Light of Day is supposed to achieve. It reads like a concept reel for emerging leading man Henry Cavill who will proceed to star as Superman in next year's Man of Steel but it makes so many concessions to the sensibilities of a spy movie that it's never going to be a real jumping point for Cavill. Director Mabrouk El Mechri is almost entirely to blame here, making the most unremarkable decisions that force us to reexamine the intrinsic cleverness of spy fiction. The result is a watery, meandering spy movie that manages even at its best moments to be completely ordinary.
Will Shaw (Henry Cavill) is barely a day into his vacation in Spain when financial problems at home in San Francisco threaten to shorten the trip. After a dispute with his father (Bruce Willis) on the family's rented boat, Will decides to swim ashore for a break. He returns to find his family gone and a call for help at the local police station ends in more trouble. Discovering that he can recover his kidnapped family by giving up a certain briefcase, Will must beat the clock to unravel the underlying mystery but not before he encounters corrupted CIA agent (Sigourney Weaver) and his lost sister (Verónica Echegui).
On one hand, it's easy to be enthusiastic about engrossing yourself in the story but on the other, The Cold Light of Day gives very few reasons why you should. Better spy movies have thrived on providing viewers with at least some clue on what motivates each character to retrieve an important object, kill a person or escape from capture so the audience can make sense of what transpires on screen. The Cold Light of Day, quite questionably, never reveals or alludes to the life-or-death contents of the briefcase, meaning the biggest difficulty is in believing the necessity of all the carnage. It's perfectly reasonable that Will is willing to fire his first shot and participate in a mad car chase only because he wants to save his family. But it's hardly convincing to have pockets of mercenaries and agents chasing a briefcase that might as well be empty.
Such is the silliness of The Cold Light of Day that it often struggles to establish what exactly any of its characters intend to accomplish. If Weaver's character is indeed the CIA agent she claims to be, then she must be the dumbest agent to ever be enlisted. With the briefcase already tucked away in her car seat, she turns a mission-accomplished situation into a senseless civilian killing spree as she trades car paint with Will's vehicle down the busy streets of Madrid. Spy movies usually ask the audience to forgive some disbelief in order to enjoy them but The Cold Light of Day is by far the most demanding. The slightest bit of investigation into the weak plot will crumble the movie faster than a fragile egg tart.
Fortunately, there remains a vestige of believability in Will. As an innocent civilian unwittingly hooked into a web of dangerous games between mercenaries and agents, Cavill brings a sort of genuine clumsiness to his role, allowing the audience to easily buy his character. For this reason, there won't be any explosive set-piece or many scenes featuring hand-to-hand combat. There're a few tricks to prevent the action scenes from becoming too stale and while some of the stunts are decent efforts, others don't always work. Handcuffed between the tragic decision to set most of the action scenes in the night and the already blurry shots of fast-moving action taken by hand-held cameras, you would be hard pressed to find any shot of action that isn't obscured in any way.
It's a shame because The Cold Light of Day has a talented cast which can actually do justice to the action. However, none of them bothers to offer a performance that's required to make other scenes work. Cavill comes across poorly as a man who's truly shocked that his family's been kidnapped, responding to a call from the kidnappers with an uncanny calmness while Weaver maintains a surprisingly stoical composure throughout. Willis's character is quickly written out of the story before he could show his acting chops. In a year filled with other spy movies like Total Recall, The Bourne Legacy and the upcoming Bond film, The Cold Light of Day looks like a distant relative.