A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Noah, is not your typical entertain-the-kids-no-matter-how-boring-it-is kind of sitter. He's reluctant to take a sitting gig; he'd rather, well, be doing anything else, especially if it involves slacking. When Noah is watching the neighbor's kid he gets a booty call from his girlfriend in the city. To hook up with her, Noah takes to the streets, but his urban adventure spins out of control as he finds himself on the run from a maniacal drug lord. Written by
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The screenplay for this film was featured in the 2009 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
When Marisa wigs out at the kids on the sidewalk after running away after minivan crash her hair is about 4 inches longer and she's about 10lbs heavier. Next scene her hair is back to the shorter bob cut and she's lost the weight. See more »
I know you're a little kid, and I know I'm not supposed to say this kind of stuff to you, but fuck you. Fuck you so much. You're a douche.
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Not sure why this movie was made. It seems as if every offensive cliché was abused to the max. This movie made no sense and it questioned the intelligence of every movie goer in the world. The kids were acting as if they were given a concept of a movie child and then allowed by the director to ad-lib (badly). The resolution for the kids problems were so poorly done and the premise made me wish I never got on this ride. The blaxploitation of the 70's seemed to be revived in a gruesome side story which made me cringe. Sam Rockwell played his part with a comedic timing which made him a stand out in the whole thing. I am not sure what the movie says about today's entertainment writing in Hollywood. Jonah Hill acted as if he channeled the "Greek" movie into collaboration of improbably scenes. I guess the use of Method Man legitimized the ethnic scenes or something. I am pretty certain this production was not vying for the Academy Awards or the Golden Globe. The predictable story line just got dumber as it went on and on. This movie was about 45 minutes too long.
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