Several residents of a small Southern city whose lives are changed by the arrival of a stranger with a controversial plan to save their decaying hometown. In the midst of today's ... See full summary »
A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
During a weekend, two shady businessmen (Paxton and Dillane) flee to the Cayman Islands to avoid federal prosecution. But their escape ignites a chain reaction that leads a British native (Bloom) to commit a crime that changes the nation.
39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ... See full summary »
Several residents of a small Southern city whose lives are changed by the arrival of a stranger with a controversial plan to save their decaying hometown. In the midst of today's challenging times, each of the colorful citizens of this close-knit North Carolina community, will search for ways to reinvent themselves, their relationships and the very heart of their neighborhood. Written by
The old home occupied by Georgiana Carr is located at 206 N. Dillard Street in Durham. It was built about 1909 by a grocery wholesaler (as opposed to 1923 by tobacco magnate, as the movie states), has gone through several owners and configurations, and now is owned and used by the Durham Crisis Reponse Center, an agency that supports victims of domestic violence. The home is across Dillard Street from a television station, and the station's satellite dishes are seen in some shots in the film. See more »
While Mary and her mother are talking in her bedroom, her mother's hair changes position - alternately behind and in front of her ear. See more »
This city like many in America, has come to a rough moment in its history. A city after all is just a collection of houses and buildings, hopes and dreams that depend on the fortune and determination and fate of its residents. The future, uncertain at best can be fearful or full of promise. It's all in how you see it..."
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This was a beautiful film, written by Horton Foote, who wrote the screenplay of To Kill a Mockingbird. It has the same classic feel, with an updated story to fit modern times and conflicts. Top-notch actors make it even better. No, this is not a slam-bam action flick. If you want something like that, watch Transformers. There is a plot, and it's pretty straightforward -- a hazardous waste company sends a rep to a dying town to try to convince them to let them build a plant. The film covers not only what happens in this layer, but how the residents come to appreciate and love their town. The people have heart. There is no "bad guy" here, just people trying to live. Not many films these days give me a warm, cozy feeling by the time they're through. This one did. I'm satisfied it was worth the money to watch it.
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