Yang-yang is a French-Taiwanese mix. She has never seen her French father. She does not speak a single French word. Her mum has re-married but she has been very lonely. She started working ...
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When three rebellious students leave their hometown to pursue their lifelong dreams in the big city, their relationships start to face the pressures of real life as the 1980s Taiwanese ... See full summary »
Lun Mei Gwei,
Based on a true story, primarily on a conflict between two youth gangs, a 14-year-old boy's girlfriend conflicts with the head of one gang for an unclear reason, until finally the conflict comes to a violent climax.
A-yuan and A-yun are both from the small mining town of Jio-fen. In the city, A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone ... See full summary »
A delivery Boy falls for a young girl who is hearing impaired. Comparing themselves with "water birds" and trees, together they are going to break the barrier and pursue their dreams and take their relationship to the next level.
Young-nam was a promising graduate of the police academy before she was transferred to the small seaside village, as a result of misconduct. On her first day in the village, she encounters ... See full summary »
Yang-yang is a French-Taiwanese mix. She has never seen her French father. She does not speak a single French word. Her mum has re-married but she has been very lonely. She started working at the entertainment industry. The fact that she is a mix is a good selling point. The film depicts how Yang-yang dealt with her life, her relationships with men, with her mother and friends. Written by
I almost missed seeing this movie at a recent film festival because the organizers didn't classify it as Chinese. That is essentially what "Yang Yang" is about: the problem of Taiwanese identity. Other Taiwanese directors have wrestled with this theme, for example, Hou Hsiao-hsien in "Three Times" and "Millenium Mambo," or Tsai Ming-liang in "The Hole" and "What Time Is It There?" or Yee Chih-yen in "Blue Gate Crossing," or even Ang Lee in "Lust, Caution," and, if you squint at it, "The Hulk." Like these movies, "Yang Yang" portrays a set of trials that are so immediate and insoluble, and shot at such unpleasant proximity, that my first reaction was to try to distance myself from what I was seeing. But the acting is so good, and the symbolism is so intelligent, and the story is so universal, that "Yang Yang" made me realize that Taiwan's problems are everybody's problems, and instead of dragging through a typical Bildungsroman I left the theater exalted. 9/10. With haunting music by Lim Giong.
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